“A riveting coming-of-age story about a girl sleepwalking through a hot Midwestern summer until the sudden reappearance of her mother—and a new boy in town—challenge her to dream bigger. Readers will eagerly follow Bliss as she discovers some rainbows are worth chasing.” —Laura Ruby, two-time National Book Award Finalist and author of Bone Gap Seventeen-year-old Bliss Walker has been stuck in a home that doesn’t feel like hers for six years. Ever since Mama dropped her off and never came back. Then, the summer before her senior year of high school, two things happen: Mama returns out of the blue, and Bliss meets Blake, a boy who listens like everything she has to say is worth hearing. It should be a dream come true. But as the summer spins on, Bliss finds herself facing a painful choice: between the life she’s always longed for, and the world she’s starting to make for herself. Raw and unvarnished, Jennifer Wilson’s debut about one girl’s messy, unglamorous, very real summer in central Illinois is perfect for fans of Emergency Contact and Far from the Tree.
It is summer 1990, only months after the border dividing Germany has dissolved. Maria, nearly seventeen, moves in with her boyfriend on his family farm. A chance encounter with enigmatic loner Henner, a neighboring farmer, quickly develops into a passionate relationship. But Maria soon finds that Henner can be as brutal as he is tender--his love reveals itself through both animal violence and unexpected sensitivity. Maria builds a fantasy of their future life together, but her expectations differ dramatically from those of Henner himself, until it seems their story can only end in tragedy. Someday We'll Tell Each Other Everything is a bold and impressive debut in which love and violence, conflict and longing are inextricably entwined.
From the author of Blind, a heart-wrenching coming-of-age story set during World War II in Shanghai, one of the only places Jews without visas could find refuge. Warsaw, Poland. The year is 1940 and Lillia is fifteen when her mother, Alenka, disappears and her father flees with Lillia and her younger sister, Naomi, to Shanghai, one of the few places that will accept Jews without visas. There they struggle to make a life; they have no money, there is little work, no decent place to live, a culture that doesn't understand them. And always the worry about Alenka. How will she find them? Is she still alive? Meanwhile Lillia is growing up, trying to care for Naomi, whose development is frighteningly slow, in part from malnourishment. Lillia finds an outlet for her artistic talent by making puppets, remembering the happy days in Warsaw when her family was circus performers. She attends school sporadically, makes friends with Wei, a Chinese boy, and finds work as a performer at a "gentlemen's club" without her father's knowledge. But meanwhile the conflict grows more intense as the Americans declare war and the Japanese force the Americans in Shanghai into camps. More bombing, more death. Can they survive, caught in the crossfire?
From “one of the most exciting breakout novelists” (USA TODAY) comes the first novel in an irresistible new series—a spin-off of the bestselling Marriage to a Billionaire series—featuring a matchmaker who falls for a man who doesn’t believe in love. In charming Verily, New York, Kate Seymour has a smashing success with Kinnections, the matchmaking service she owns with her two best girlfriends. But Kate’s more than a savvy businesswoman: She’s gifted with a secret power, a jolting touch that signals when love’s magic is at work. It rocked her when she picked up a strange volume of love spells in the town’s used bookstore...and it zapped her again when she encountered Slade Montgomery, the hot-tempered— and hot-bodied—divorce lawyer who storms into Kinnections demanding proof that playing Cupid won’t destroy his vulnerable sister, Kate’s newest client. The only way to convince this cynic that she’s no fraud, and that love is no mirage, is for Kate to meet his audacious challenge: find him his dream woman. Can Kate keep their relationship strictly business when her electrifying attraction nearly knocked her off her feet? Or has the matchmaker finally met her match?
NEW YORK TIMES BESTSELLER • From Lauren Graham, the beloved star of Gilmore Girls and Parenthood, comes a witty, charming, and hilariously relatable debut novel about a struggling young actress trying to get ahead―and keep it together―in New York City. It’s January 1995, and Franny Banks has just six months left of the three-year deadline she set for herself when she came to New York, dreaming of Broadway and doing “important” work. But all she has to show for her efforts so far is a part in an ad for ugly Christmas sweaters, and a gig waiting tables at a comedy club. Her roommates―her best friend Jane, and Dan, an aspiring sci-fi writer―are supportive, yet Franny knows a two-person fan club doesn’t exactly count as success. Everyone tells her she needs a backup plan, and though she can almost picture moving back home and settling down with her perfectly nice ex-boyfriend, she’s not ready to give up on her goal of having a career like her idols Diane Keaton and Meryl Streep. Not just yet. But while she dreams of filling their shoes, in the meantime, she’d happily settle for a speaking part in almost anything—and finding a hair product combination that works. Everything is riding on the upcoming showcase for her acting class, where she’ll finally have a chance to perform for people who could actually hire her. And she can’t let herself be distracted by James Franklin, a notorious flirt and the most successful actor in her class, even though he’s suddenly started paying attention. Meanwhile, her bank account is rapidly dwindling, her father wants her to come home, and her agent doesn’t return her calls. But for some reason, she keeps believing that she just might get what she came for. Someday, Someday, Maybe is a story about hopes and dreams, being young in a city, and wanting something deeply, madly, desperately. It’s about finding love, finding yourself, and perhaps most difficult of all in New York City, finding an acting job. Praise for Someday, Someday, Maybe “A winning, entertaining read . . . [Lauren Graham] has smartly mined just the right details from her own experience, infusing her work with crackling dialogue and observations about show business that ring funny and true.”—The Washington Post “A charmer of a first novel . . . [Graham] has an easy, unforced style and, when the situation calls for it, a keen sense of the ridiculous.”—The Wall Street Journal “With insight, care, and an abundance of humor . . . Graham demonstrates that her acting chops are not her only talent.”—Library Journal “Thoroughly charming.”—Entertainment Weekly “Sweet, funny, and full of heart . . . a dazzling debut.”—Emily Giffin, New York Times bestselling author of Something Borrowed and Where We Belong “Warm and funny, charming and smart.”—Diane Keaton, New York Times bestselling author of Then Again “Graham deftly captures what it’s like to be young, ambitious, and hopeful in New York City.”—Candace Bushnell, New York Times bestselling author of Sex and the City and The Carrie Diaries “Fresh and funny and full of zingers, Lauren Graham’s charming writing style instantly drew me in.”—Meg Cabot, bestselling author of the Princess Diaries and Heather Wells Mystery series
Structured like a sonata, this heartbreaking debut novel hits all the right notes. Dominique is a high school junior from gritty Trenton, barely getting by. Ben is a musical prodigy from the Upper East Side, a rising star at a top conservatory. When Dom’s class is taken to hear a concert at Carnegie Hall, she spots Ben in the front row, playing violin like his life depends on it — and she is transfixed. Posing as an NYU student, Dom sneaks back to New York City to track him down. Soon, the two are desperately in love, each seeing something in the other to complete them. But Ben’s genius, which Dominique so admires, conceals his struggle with mental illness — and the challenges of her own life may make it impossible for her to save him from himself.
When she discovers that her boyfriend is cheating on her, Sydney, a 22-year-old college student, must decide what to do next, especially when she becomes captivated by her mysterious neighbor Ridge.
A hilarious argument in favor of taking life a smidge less seriously Popular humor writer Anna Lind Thomas had an epiphany after her essay about a humiliating fart went mega-viral: Everything’s funny . . .eventually. You’ll cry-laugh your way through the many grave offenses she’s endured, like not getting credit for Lady Gaga’s career, an epic financial crisis, and exercising while her children dole out biting critiques about her dimpled thighs. Anna’s wit, charm, and painful relatability will encourage you to remember that your most humiliating moment may be the best thing to ever happen to you—or at the very least, it’ll make for a really good story. “A hilarious, heartwarming trip.” —Bunmi Laditan, bestselling author of Confessions of a Domestic Failure and humorist behind The Honest Toddler “I couldn’t put this down.” —Tiffany Jenkins, bestselling author of High Achiever and humorist behind Juggling the Jenkins “Deep, bowel-loosening laughs, along with a side dish of humanity and understanding.” —Johanna Stein, author of How Not to Calm a Child on a Plane and award-winning television writer and producer “Full of humor and heart.” —Cindy Chupack, New York Times bestselling author and Emmy-winning writer/producer of Sex and the City, Modern Family, Otherhood, and more
The Marvelous Mrs. Maisel comes to high school in acclaimed author Katie Henry’s coming-of-age YA contemporary about a girl who accidentally falls into the world of stand-up comedy. Perfect for fans of John Green and Becky Albertalli! Sixteen-year-old Izzy is used to keeping her thoughts to herself—in school, where her boyfriend does the talking for her, and at home, where it’s impossible to compete with her older siblings and high-powered parents. When she mistakenly walks into a stand-up comedy club and performs, the experience is surprisingly cathartic. After the show, she meets Mo, an aspiring comic who’s everything Izzy’s not: bold, confident, comfortable in her skin. Mo invites Izzy to join her group of friends and introduces her to the Chicago open mic scene. The only problem? Her new friends are college students—and Izzy tells them she’s one, too. Now Izzy, the dutiful daughter and model student, is sneaking out to perform stand-up with her comedy friends. Her controlling boyfriend is getting suspicious, and her former best friend knows there’s something going on. But Izzy loves comedy and this newfound freedom. As her two parallel lives collide—in the most hilarious of ways—Izzy must choose to either hide what she really wants and who she really is, or finally, truly stand up for herself. * Rise: A Feminist Book Project Book of the Year * A YALSA Best Fiction for Young Adults Book of the Year *
We all hope that we will be cared for as we age. But the details of that care, for caretaker and recipient alike, raise some of life’s most vexing questions. From the mid-nineteenth to the mid-twentieth century, as an explosive economy and shifting social opportunities drew the young away from home, the elderly used promises of inheritance to keep children at their side. Hendrik Hartog tells the riveting, heartbreaking stories of how families fought over the work of care and its compensation. Someday All This Will Be Yours narrates the legal and emotional strategies mobilized by older people, and explores the ambivalences of family members as they struggled with expectations of love and duty. Court cases offer an extraordinary glimpse of the mundane, painful, and intimate predicaments of family life. They reveal what it meant to be old without the pensions, Social Security, and nursing homes that now do much of the work of serving the elderly. From demented grandparents to fickle fathers, from litigious sons to grateful daughters, Hartog guides us into a world of disputed promises and broken hearts, and helps us feel the terrible tangle of love and commitments and money. From one of the bedrocks of the human condition—the tension between the infirmities of the elderly and the longings of the young—emerges a pioneering work of exploration into the darker recesses of family life. Ultimately, Hartog forces us to reflect on what we owe and are owed as members of a family.
