The personal and professional struggles of McMurtry’s lively protagonist Jill Peel, a director in 1970s Hollywood, takes on new resonance in the twenty-first century. Forty years ago, Larry McMurtry journeyed from the sprawling ranches of his early work to the provocative Sunset Strip, creating a Hollywood fable that is both immediate and relevant in today’s dynamic cultural climate. One would never guess that Jill Peel is still on the verge of stardom. Jill won an Oscar shortly after her fresh-faced arrival in 1950s Hollywood, then for the next twenty years batted away every Tinseltown producer who tried to hire her and get her into bed. Now middle-aged, she’s determined to create more movie magic by directing a cast of raunchy eccentrics, including Joe Percy, an aging womanizing screenwriter, and ex-football player Owen Oarson, eager to sleep his way to leading-man stardom. Teeming with biting humor and intriguing characters that mirror the scandals of modern-day Hollywood, Somebody’s Darling is a timeless story about a fiercely capable woman who dares to challenge the realities of a deceptively seductive Babel.
Pulitzer Prize–winning Larry McMurtry writes like no one else about the American frontier—though in Somebody's Darling, the frontier lies farther west, in Hollywood, and his subject is the strange world of the movies—those who make them and those who play in them. Somebody's Darling is the story of the fortunes of Jill Peel. Jill is brilliant, talented, and disciplined, and one of the best female directors in Hollywood, or anywhere else. She's got it all together, except where the men in her life are concerned: Joe Percy and Owen Oarson. Joe is a womanizing, aging screenwriter, cheerfully cynical about life, love, and art, and the pursuit of all three. But he'd rather be left alone with the young, oversexed wives of studio moguls. Owen is an ex-Texas football player and tractor salesman turned studio climber and sexual athlete. He'll climb from bed to bed in pursuit of his starry goal: to be a movie producer. Between the two of them and a cast of Hollywood's most unforgettable eccentrics, Jill Peel tries to create some movie magic. Full of all the grit and warmth of his best work, Somebody's Darling is Larry McMurtry's deft and raunchy romp behind the scenes of America's own unique Babel: Hollywood.
In his latest book, Kent Gramm examines the meaning of the Civil War experience in our lives and explores philosophical and personal aspects of the War that lie outside the scope of traditional historical study. He probes the meaning of Gettysburg, the Wilderness, and Antietam; the lives of U. S. Grant, Robert E. Lee, O. O. Howard, and Chief Joseph of the Nez Perce; and the legacy of the unknown participant, "somebody's darling," for whom the war would come to encompass all things. The Iron Brigade appears, along with its 20th-century successor, the 32nd "Red Arrow" Division. Readers of Gramm's previous books will not be surprised to find essays that touch on Walt Whitman, John Keats, Henrik Ibsen, and Halldor Laxness, as well as such literary and religious works as the Iliad and the Bhagavad Gita. Gramm also treats more popular fare, such as the movie Gettysburg and a series of books on the ghosts of Gettysburg. In each of his subjects, Gramm finds the deep, personal significance of the profoundly universal experience of the war, as he ponders the special meaning of the Civil War in the lives of many Americans.
A sparkling YA debut rom-com about a popular high-school girl, her ex-boyfriend-turned-best-friend, and the girl they both fall for—perfect for fans of Becky Albertalli or Casey McQuiston. Sam Dickson is a charismatic actress, ambitious and popular with big plans for her future. Ros Shew is one of the smartest people in school—but she’s a loner, and prefers to keep it that way. Then there’s Christian Powell, the darling of the high school soccer team. He’s not the best with communication, which is why he and Sam broke up after dating for six months; but he makes up for it by being genuine, effusive, and kind, which is why they’re still best friends. When Christian falls for Ros on first sight, their first interaction is a disaster, so he enlists Sam’s help to get through to her. Sam, with motives of her own, agrees to coach Christian from the sidelines on how to soften Ros’s notorious walls. But as Ros starts to suspect Christian is acting differently, and Sam starts to realize the complexity of her own feelings, their fragile relationships threaten to fall apart. This fresh romantic comedy from debut author Rachel Roasek is a heartfelt story about falling in love—with a partner, with your friends, or just with yourself—and about how maybe, the bravest thing to do in the face of change is just love somebody.
A young writer hits the dusty Texas highway for the California coast in this “brilliant . . . funny and dangerously tender” (Time) tale of art and sacrifice. Hailed as one of “the best novels ever set in America’s fourth largest city” (Douglas Brinkley, New York Times Book Review), All My Friends Are Going to Be Strangers is a powerful demonstration of Larry McMurtry’s “comic genius, his ability to render a sense of landscape, and interior intellection tension” (Jim Harrison, New York Times Book Review). Desperate to break from the “mundane happiness” of Houston, budding writer Danny Deck hops in his car, “El Chevy,” bound for the West Coast on a road trip filled with broken hearts and bleak realities of the artistic life. A cast of unforgettable characters joins the naïve troubadour’s pilgrimage to California and back to Texas, including a cruel, long-legged beauty; an appealing screenwriter; a randy college professor; and a genuine if painfully “normal” friend. Since the novel’s publication in 1972, Danny Deck has “been far more successful at getting loved by readers than he ever was at getting loved by the women in his life” (McMurtry), a testament to the author’s incomparable talent for capturing the essential tragicomedy of the human experience.
McMurtry's follow-up to All My Friends Are Going to Be Strangers will capture a whole new audience, opening up the world of the now-millionaire Danny Deck and his strong and passionate daughter T.R.. "Mr. Deck, are you my stinkin' Daddy?" In a furious phone call from T.R., the daughter he's never met, Danny Deck gets the jolt of his life. A TV writer who's retired to his Texas mansion, Danny spends his days talking to the answering machines of his ex-lovers from New York to Paris and dreaming of the characters in the sitcom he's created. But suddenly, a hurricane called T.R. is storming into his life... In his most moving and richly comic contemporary novel since Texasville, Larry McMurtry returns to the modern West he created so masterfully in The Last Picture Show and Terms of Endearment. Some Can Whistle spins a tale of Hollywood glitz and Texas grit; of an extraordinary young woman and a murderous young man; and of a middle-aged millionaire running head-on into the longings, joys, and pathos of real life.
Parker Welles, a single mother whose family has just lost everything, finds love in an unexpected place when she travels to Maine to sell her lone possession, a decrepit house in need of repair.
The earthy humor and the powerful emotional impact that set McMurtry's Terms of Endearment apart from other novels now rise to brilliant new heights with The Evening Star. McMurtry takes us deep into the heart of Texas, and deep into the heart of one of the most memorable characters of our time, Aurora Greenway—along with her family, friends, and lovers—in a tale of affectionate wit, bittersweet tenderness, and the unexpected turns that life can take. This is Larry McMurtry at his very best: warm, compassionate, full of comic invention, an author so attuned to the feelings, needs, and desires of his characters that they possess a reality unique in American fiction.
In this acclaimed novel that inspired the Academy Award-winning film, Pulitzer Prize-winner Larry McMurtry created two unforgettable characters who won the hearts of readers and film-goers everywhere: Aurora Greenway and her daughter, Emma. Aurora is the kind of woman who makes the whole world orbit around her, including a string of devoted suitors. Widowed and overprotective of her daughter, Aurora adapts at her own pace until life sends two enormous challenges her way: Emma's hasty marriage and subsequent battle with cancer. Terms of Endearment is the story of an unforgettable mother and her feisty daughter and their struggle to find the courage and humour to live through life's hazards – and to love each other as never before.
“After many years of believing that I never dream of anything, I dreamed of Africa.” Over a decade after leaving her three sons behind in Liberia, Hannah Musgrave realizes she has to leave her farm in the Adirondacks and find out what has happened to them and the chimpanzees for whom she created a sanctuary. The Darling is the story of her return to the wreckage of west Africa and the story of her past, from her middle-class American upbringing to her years in the Weather Underground. It is also one of the most powerful novels of the decade, an unforgettable tale of growth and loss, and an unstinting exploration of some of the most troubling issues of our time: terrorism, race, and the contact between the first world and the third. Hannah Musgrave, the narrator of The Darling, tells us she first travelled to Africa in the mid-1970s, to escape prosecution for her radical political activities with the Weathermen. Arriving in Liberia to work in a medical research lab, Hannah – also known by her alias, Dawn Carrington – meets Woodrow Sundiata, an official in the ministry of public health, and they fall immediately in love. Courting with Woodrow, an intelligent, ambitious man, means encountering his other life in his ancestral village of Fuama – a life that could scarcely be more different from Hannah’s affluent childhood as the daughter of a bestselling pediatrician. Hannah and Woodrow start a family, but she feels herself to be somehow estranged from her life in Liberia and curiously detached from her husband and three sons. Still in search of herself as her children grow older, Hannah develops a closer and closer bond with the chimpanzees at the lab, whom she calls “dreamers.” During the early 1980s, Liberian society grows more unstable, until an illiterate soldier named Samuel Doe brutally overthrows and assassinates the president. Hannah’s courageous intervention with Doe leads to Woodrow’s release from detention, but at a price: she must return to the US, leaving her family behind. Hannah feels that her dreamers will feel her absence more deeply than her family will. In the US Hannah briefly reconnects with her parents after years of estrangement before returning to her friends from her underground years. One of them, Zack Procter, is involved with a plan to spring Charles Taylor – an attractive Liberian politician – from jail, and Hannah involves herself with the plot, genuinely believing that Taylor will bring social democracy to west Africa. Hannah gets permission to return to her family in the mid-1980s, and decides that this time things will be different: she will take charge of her home life, ousting Woodrow’s young cousin Jeanette, and she will build a sanctuary for her chimpanzees. But Charles Taylor has also returned, and his slow and bloody rebellion against Doe leads, eventually, to a night of horrific violence in which Woodrow is murdered and Hannah’s teenaged children disappear. Amidst chaos and almost unbelievable bloodshed, Hannah has time only to move her dreamers to Boniface Island before facing the heartrending decision to escape Liberia, leaving her children behind. More than ten years will pass before she can return to discover their fate, and understand her own.
