Constantine the Great was Roman Emperor from 306 to 337 AD. As emperor, Constantine enacted many administrative, financial, social, and military reforms to strengthen the empire. The government was restructured and civil and military authority separated. A new gold coin, the solidus, was introduced to combat inflation. It would become the standard for Byzantine and European currencies for more than a thousand years.
Peter Leithart weighs what we've been taught about Constantine and claims that in focusing on these historical mirages we have failed to notice the true significance of Constantine and Rome baptized. He reveals how beneath the surface of this contested story there lies a deeper narrative--a tectonic shift in the political theology of an empire--with far-reaching implications.
No end of books these days offer us techniques for self-improvement. Taking a different tack, Robin Phillips shows that God meets us where we are, in the pain and heartache of the present moment. Instead of looking for a way to escape from hardship, we can cultivate an attitude of gratitude, peace, and self-acceptance that will transform our experience of suffering. Drawing on his own experiences and his work as a consultant in the behavioral health industry-as well as stories of saints and sufferers, teachings of the Fathers, and recent discoveries in neuroscience-Phillips shows us that the journey to personal well-being is one we can all travel, regardless of the hardships we may face.
This collection gathers new essays by critics and scholars who are currently reshaping our sense of the function and nature of seventeenth-century poetry. Contributors return to the New Critical canon of Renaissance poetry with fresh perspectives that emphasize considerations of gender, ideology, power, and language. In the first group of essays, David Norbrook, Annabel Patterson, John Guillory, Rosemary Kegl, and Stephen Orgel explore the various ways in which a text can be "political." Next, Arthur Marotti, Jane Tylus, and Jonathan Goldberg consider the circumstances of textual production and reception in the seventeenth century. Finally, Stanley Fish, Gordon Braden, Michael C. Schoenfeldt, and Maureen Quilligan discuss the particular forms of anxiety that result when seventeenth-century poets modify the traditional rhetoric of sexual desire to serve what seem to be erotic or religious purposes. These essays, accompanied by an extensive editors' introduction, intersect less in their shared enthusiasm for particular authors or interpretative methods than in a common interest in particular critical issues. They present the most exciting work by critics redefining Renaissance studies.
Who was Learie Constantine? And what can he tell us about the politics of race and race relations in 20th-century Britain and the Empire? Through examining the life, times and opinions of this Trinidadian cricketer-turned-politician, Learie Constantine and Race Relations in Britain and the Empire explores the centrality of race in British politics and society. Unlike conventional biographical studies of Constantine, this unique approach to his life, and the racially volatile context in which it was lived, moves away from the 'good man' narrative commonly attributed to his rise to pre-eminence as a spokesman against racial discrimination and as the first black peer in the House of Lords. Through detailing how Constantine's idea of 'assimilation' was criticized, then later rejected by successive activists in the politics of race, Jeff rey Hill off ers an alternative and more sophisticated analysis of Constantine's contributions to, and complex relationship with, the fight against racial inequalities inherent in British domestic and imperial society.
His plan was to make her his mistress... When Constantine Kiriazis reappeared after two years, Grace thought he'd finally forgiven her for her lack of trust in him - and for canceling their wedding. Certainly Constantine's desire for her had not waned. But neither had his desire for revenge... He fully intended to seduce Grace, but vowed she'd only be his mistress - never his wife. It was only when she melted in his arms that Constantine began to wonder who was exacting the revenge and who was paying the price!
Constantine the Great (Latin: Flavius Valerius Aurelius Constantinus Augustus; February c. 272 AD - 22 May 337 AD), also known as Constantine I or Saint Constantine (in the Orthodox was a Roman Emperor from 306 to 337 AD. Constantine was the son of Flavius Valerius Constantius, a Roman army officer, and his consort Helena. His father became Caesar, the deputy emperor in the west in 293 AD. Constantine was sent east, where he rose through the ranks to become a military tribune under the emperors Diocletian and Galerius. In 305, Constantius was raised to the rank of Augustus, senior western emperor, and Constantine was recalled west to campaign under his father in Britannia (Britain). Acclaimed as emperor by the army at Eboracum (modern-day York) after his father's death in 306 AD, Constantine emerged victorious in a series of civil wars against the emperors Maxentius and Licinius to become sole ruler of both west and east by 324 AD.
In eleventh century Constantinople, treachery and subterfuge are the hallmarks of courtly intrigue. Newly wed Justin Phillipos is a heavy cavalryman who, along with several other comrades and his best friend, fellow horseman Peter Argyropoulos, is about to be honored for his bravery at the court of Emperor Romanos Diogenes. As he kisses his wife Eleni farewell, he has no idea that their lives will soon be in great peril. Romanos has a shaky hold on his power as he and his allies grow more unpopular. His demise is plotted by many. He sees a military victory against the marauding Seljuk Turks as the only way to bolster his waning power. He pulls Justin and Peter into a secret meeting in the Basilica Cistern and reveals to them the political intrigue of which they are now a part. Romanos assigns them to the command of Andronikos Dukas, one of the chief conspirators plotting the emperor’s demise. Eleni will be held in custody at the Palace Bucoleon by Empress Evdokia. She fears she will never see her husband again. As this epic drama unfolds across two continents, only time will tell if the military gambit will succeed or the plotting of antagonists will topple the precarious empire. Will the young soldiers survive? Will wife and husband share another passionate embrace?
