The complete guide to making money from voice acting. There are plenty of people making their living from voice over, but if you're not already in the industry, it can seem impossible to break in. The Voice Over Startup Guide: How to Land Your First VO Job is the answer. You'll discover how to get started in seven simple steps.You'll learn: The best ways to develop your skills as a voice talentThe 10 ways voice actors make money from homeThe two essential resources all voice actors should never be withoutWhat gear the pros use, and what you don't need to buyHow not to get a talent agentHow to create a voice over demo that leads to voice over jobs.If you want an organized, bird's eye view of the global voice over industry, this is the book for you.
Jenna Fischer's Hollywood journey began at the age of 22 when she moved to Los Angeles from her hometown of St. Louis. With a theater degree in hand, she was determined, she was confident, she was ready to work hard. So, what could go wrong? Uh, basically everything. The path to being a professional actor was so much more vast and competitive than she'd imagined. It would be eight long years before she landed her iconic role on The Office, nearly a decade of frustration, struggle, rejection and doubt. If only she'd had a handbook for the aspiring actor. Or, better yet, someone to show her the way—an established actor who could educate her about the business, manage her expectations, and reassure her in those moments of despair. Jenna wants to be that person for you. With amusing candor and wit, Fischer spells out the nuts and bolts of getting established in the profession, based on her own memorable and hilarious experiences. She tells you how to get the right headshot, what to look for in representation, and the importance of joining forces with other like-minded artists and creating your own work—invaluable advice personally acquired from her many years of struggle. She provides helpful hints on how to be gutsy and take risks, the tricks to good auditioning and callbacks, and how not to fall for certain scams (auditions in a guy's apartment are probably not legit—or at least not for the kind of part you're looking for!). Her inspiring, helpful guidance feels like a trusted friend who's made the journey, and has now returned to walk beside you, pointing out the pitfalls as you blaze your own path towards the life of a professional actor.
In How to Audition On Camera, Casting Director Sharon Bialy answers the twenty-five questions actors ask most frequently about how to nail an audition. What is the casting director looking for? If you mess up, can you start over? What is the most common mistake experienced actors make? Should you audition off book or can you look at the page? Should you dress in character? How much can you improvise? Actors—both novice and professional—are often misled by myths and outdated prescriptions. This guide replaces such misinformation with concise and accurate advice from someone who is in the room helping to make the decision on who gets the job. Bialy gets readers started immediately on the road to screen acting success.
Guiding actors through the process of taking control of the business side of their careers, the author maintains there is no secret method for joining the Working Actor's Club. What does exist is a simple, self-management concept that doesn't eliminate one's ability to be a creative artist.
"I held onto this book for dear life throughout my twenties, and still thumb through it when I need a tune up. If I lose my car keys and I’m frantically turning my house upside down trying to find them I look up at the heavens and hope she’s having a good laugh." - Amanda Peet "I was extraordinarily privileged to work with Uta Hagen in Circle in the Square’s production of George Bernard Shaw’s play, You Never Can Tell. She was committed to revealing the truth and we are the beneficiaries of her brilliant observations." - Victor Garber "CHALLENGE FOR THE ACTOR, written by one of the most important actors of the 20th Century, is a remarkable source of practical principles on how to be a human being in your work and to not just “act." Uta's purpose for this book is to clarify and update the articulation of her technique as stated in RESPECT FOR ACTING. In "Chapter 8" of this book particularly, she provides a self-empowering approach to acting that is an invaluable resource for achieving the art of acting for stage, film, and television at its highest level." - Ted Brunetti "Uta Hagen changed my life. She changed the lives of thousands and thousands of other people as well. To have Uta’s books and to be able to look through them at the drop of a hat keeps me going and keeps me inspired to keep going." - Austin Pendleton "Uta Hagen’s A CHALLENGE FOR THE ACTOR is simply the bible for any acting student serious about their craft. Even as a professional I refer to it time and again for the basics. It is a touchstone." - Laila Robins “'Cynicism leads to mental illness and insanity.' Words of warning Uta Hagen spoke often to her students. Here in lies the difference between Ms. Hagen’s classic RESPECT FOR ACTING and its companion A CHALLENGE FOR THE ACTOR. She meets head on the soul killing demon that threatens the art and craft of all actors, cynicism. The challenge is to remain curious, caring, innocent, disciplined, educated, and life-loving amid dark times. To have the courage to fight the forces of apathy and disbelief in order to serve with all one’s heart the profession that one loves.” - Victor Slezak Uta Hagen, one of the world's most renowned stage actresses, also taught acting for more than 40 years at the HB Studio in New York. Her first book, Respect for Acting, published in 1973, remains a best seller in print. In this edition of her second classic book, A Challenge for the Actor, she greatly expands her thinking about acting in a work that brings the full flowering of her artistry, both as an actor and as a teacher. She raises the issue of the actor's goals and examines the specifics of the actor's techniques. She goes on to consider the actor's relationship to the physical and psychological senses. There is a brilliantly conceived section on the animation of the body and mind, of listening and talking, and the concept of expectation. But perhaps the most useful are the exercises that Uta Hagen has created and elaborated to help the actor learn his craft. The exercises deal with developing the actor's physical destination in a role; making changes in the self serviceable in the creation of a character; recreating physical sensations; bringing the outdoors on stage; finding occupation while waiting; talking to oneself and the audience; and employing historical imagination. The scope and range of Uta Hagen here is extraordinary. Her years of acting and teaching have made her as finely seasoned an artist as the theatre has produced.
(Applause Books). A master actor who's appeared in an enormous number of films, starring with everyone from Nicholson to Kermit the Frog, Michael Caine is uniquely qualified to provide his view of making movies. This revised and expanded edition features great photos, with chapters on: Preparation, In Front of the Camera Before You Shoot, The Take, Characters, Directors, On Being a Star, and much more. "Remarkable material ... A treasure ... I'm not going to be looking at performances quite the same way ... FASCINATING!" Gene Siskel
THE TRUTH ABOUT THE ACTING INDUSTRY - CONVERSATIONS WITH A VETERAN HOLLYWOOD CASTING DIRECTOR New Second Edition of this significant book on the casting process for TV and film, told with compassion, wisdom, and brutal honesty by a veteran Hollywood casting director. Casting credits include "Frasier," "Arrested Development," and former Manager of Casting at NBC. Topics not found in any other book of it's kind include: The Different Styles of Auditioning For Each Type of TV Show, Film, Commercial, Webseries What is Sex Appeal, and How To Project It? Ten Secrets of Charisma: What We Are Drawn To and How To Enhance Your Own The Transition from Theatre to On-Camera Work. The Demystification of the Audition Process. Current Trends in Casting That Have Changed the Way We Cast. Revealing interviews with Broadway & Hollywood Actors. A Special Section for Parents of Gifted Young Actors. How to get jobs in TV and Film and Keep Them. REVIEWS FROM FIRST EDITION: Blessing to Actors!, June 12, 2012 by Great, the Alexander "This is a great education coming from a Pro, well established and fresh in the business! Why CDs think and act the way they do. Etiquette in the room, Agencies worth noting, Even hotspots in LA Night Life!! She writes so that you feel like you're actually in front of her, having a conversation. I met Cathy shortly after reading her book for the first time and can testify, there is nothing fake about her! She represents everything she teaches and thus practices what she preaches. In her book she talks about loving actors who are genuinely great people inside. She is this, in the form of a casting director and educator." "There is SO much valuable information in this book for actors with all levels of experience. I keep it with my audition materials and handy for inspiration. Read this book, re-read, and use it as a reference. It will change your life, or at least your acting career for the better!"
The star of the Harold and Kumar franchise, House, and Designated Survivor recounts why he rejected the advice of his aunties and guidance counselors and, instead of becoming a doctor or “something practical,” embarked on a surprising journey that has included confronting racism in Hollywood, meeting his future husband, and working in the Obama administration, in this “incredibly joyful and insightful” (Kiefer Sutherland) memoir. You Can’t Be Serious is a series of funny, consequential, awkward, and ridiculous stories from Kal Penn’s idiosyncratic life. It’s about being the grandson of Gandhian freedom fighters, and the son of immigrant parents: people who came to this country with very little and went very far—and whose vision of the American dream probably never included their son sliding off an oiled-up naked woman in the raunchy Ryan Reynolds movie Van Wilder…or getting a phone call from Air Force One as Kal flew with the country’s first Black president. “By turns hilarious, poignant, and inspiring” (David Axelrod, New York Times bestselling author), Kal reflects on the most exasperating and rewarding moments from his journey so far. He pulls back the curtain on the nuances of opportunity and racism in the entertainment industry and recounts how he built allies, found encouragement, and dealt with early reminders that he might never fit in. He describes his initially unpromising first date with his now-fiancé Josh, involving an 18-pack of Coors Light and an afternoon of watching NASCAR. And of course, he reveals how, after a decade and a half of fighting for and enjoying successes in Hollywood, he made the terrifying but rewarding decision to take a sabbatical from a fulfilling acting career for an opportunity to serve his country as an Obama White House aide. Above all, You Can’t Be Serious shows that everyone can have more than one life story. The book “is insightful, funny, and instructive for anyone who’s ever grappled with how they fit into the American dream” (Ronan Farrow, New York Times bestselling author), and demonstrates that no matter who you are and where you come from, you have many more choices than those presented to you. And okay, yes, it’s also about how Kal accidentally (and very stupidly) accepted an invitation to take the entire White House Office of Public Engagement to a strip club—because, let’s be honest, that’s the kind of stuff you really want to hear about.
