Radical. Crazy. Transformative and restless. Every word we read these days seems to suggest there’s a “next-best-thing,” if only we would change our comfortable, compromising lives. In fact, the greatest fear most Christians have is boredom—the sense that they are missing out on the radical life Jesus promised. One thing is certain. No one wants to be “ordinary.” Yet pastor and author Michael Horton believes that our attempts to measure our spiritual growth by our experiences, constantly seeking after the next big breakthrough, have left many Christians disillusioned and disappointed. There’s nothing wrong with an energetic faith; the danger is that we can burn ourselves out on restless anxieties and unrealistic expectations. What’s needed is not another program or a fresh approach to spiritual growth; it’s a renewed appreciation for the commonplace. Far from a call to low expectations and passivity, Horton invites readers to recover their sense of joy in the ordinary. He provides a guide to a sustainable discipleship that happens over the long haul—not a quick fix that leaves readers empty with unfulfilled promises. Convicting and ultimately empowering, Ordinary is not a call to do less; it’s an invitation to experience the elusive joy of the ordinary Christian life.
This illustrated children’s book celebrates the extraordinary potential of ordinary deeds—showing how one child’s act of kindness can change the world One ordinary day, Ordinary Mary stumbles upon some ordinary blueberries. When she decides to pick them for her neighbor, Mrs. Bishop, her thoughtful act starts a chain reaction that multiplies around the world. Mrs. Bishop makes blueberry muffins and gives them to her paperboy and four others—one of whom is Mr. Stevens, who then helps five different people with their luggage—one of whom is Maria, who then helps five other people—and so on, until the deed comes back to Mary.
Nine-year-old Marylander Fiona Finkelstein tries to deal with stage-fright, missing her mother who is an actress in California, and hoping that her father, a television meteorologist, does not get in trouble when she antagonizes the anchorman.
Find your life and true calling by losing yourself in the ordinary rhythms of life with the people God has placed around you. Popular blogger, Shannan Martin offers Christians who are longing for a more meaningful life a simple starting point: learn what it is to love and be loved right where God has placed you. What does it look like to live lives of meaning? And how do we do it between loads of laundry and reimagining leftovers? Where do we even begin? For Christ-followers living in an increasingly complicated world, it can be easy to feel overwhelmed and unsure of how to live a life of intention and meaning. But in The Ministry of Ordinary Places, speaker and writer Shannan Martin offers a surprisingly simple answer: it’s about being with people, the ones right next door. As she walks you through her own story she challenges you to see your community through a wider lens of love, following in the footsteps of a Savior who came as an everyday man and spent his life circled up with regular folks just like us. Along the way, she shares discoveries about the vital importance of showing up and committing for the long haul, despite the inevitable encounters with brokenness and uncertainty. With transparency, humor, heart-tugging storytelling, and more than a little personal confession, Martin shows us that no matter where we live or how much we have, as we learn what it is to be with people as Jesus was, we'll find our very lives. The details will look quiet and ordinary, and the call will both exhaust and exhilarate us. But it will be the most worth-it adventure we will ever take and The Ministry of Ordinary Places will help guide you along the path.
While her sisters were blessed at birth with exceptional skills, Princess Basil's "gift" is to be ordinary. But can a princess be ordinary? After escaping an unconventional kidnapping, Princess Basil finds herself far from her castle and must take fate into her own hands. She tracks down the fairy godmother who "blessed" her, and learns the solution to her ordinariness might be as simple as finding a magic ring. With an unlikely ally in tow, she takes on gnomes, a badger, and a couple of snarky foxes in her quest for a less ordinary life. Portland comics artist Cassie Anderson (Lifeformed) takes her webcomic to print in this tale of magical adventure, full of soul and humor for readers of all ages.
One of the more eccentric figures in the antebellum South was Joseph Addison Turner, born to the plantation and trained to run one. All he really wanted to do, though, was to be a famous writer--and to be the founder of Southern literature. He tried and failed and tried and failed at publishing magazines, poems, books, articles, journals, all while halfheartedly running a plantation. When the Civil War broke out, he no longer had access to New York publishers, and in his frustration it dawned on him that he could throw a newspaper press into an outbuilding on his Georgia plantation. Furthermore, his newspaper would be modeled on The Spectator, the literary newspaper of the early 1700s by Joseph Addison, for whom Turner was named. The Spectator in its day, and 150 years later in Turner's day, was considered high literature. Turner carefully copied Addison's style and philosophy--and it worked His newspaper, The Countryman--the only newspaper ever published on a plantation--was one of the most widely read in the Confederacy. Following Addison's lead, Turner suggested that slaves should be treated well, lauded the contributions of women, and featured humorous copy. And, of course, his paper celebrated Southern culture and creativity. As Turner urged in The Countryman, the South could never be a great nation if all it did was fight. It needed art--it needed literature And he, J. A. Turner himself, would lead the way. The Civil War, however, didn't go as Turner had hoped. Sherman's army marched through and took Turner's world with it. His newspaper collapsed. He died a few years after the war ended, thinking he had failed to start Southern literature. However, he was wrong. The Countryman's teenage printer's devil was Joel Chandler Harris, who grew up to write the first wildly popular Southern literature, the Uncle Remus tales. Turner had taken in the illegitimate, ill-educated Harris and had turned him into a writer. And while Harris worked for the plantation newspaper, he joined Turner's children at dusk in the slave cabins, listening to the fantastical animal stories the Negroes told. Young Harris recognized the tales' subversive theme of the downtrodden outwitting the powerful. Years later as a newspaperman, he was asked to write a column in the Negro dialect, and he reached back to his days at The Countryman for the slaves' narratives. The stories enthralled readers in the South--but also in the North, particularly Theodore Roosevelt. The Uncle Remus stories were hailed as the reconciler between North and South, and they directly influenced Mark Twain, Rudyard Kipling, and Beatrix Potter. Most importantly, Uncle Remus knocked New England off its perch as the focus of American belles-lettres and made Southern literature the primary national focus. So, ultimately, Joseph Addison Turner really did found Southern literature--with the help of two other not-so-ordinary Joes, Joseph Addison and Joel Chandler Harris. Julie Hedgepeth Williams tells their story.
This fascinating study focuses on an area neglected in previous studies of the media: the meetings between ordinary people and the media. Couldry explores what happens when people who normally consume the media witness media processes in action, or even become the object of media attention themselves.
What would it mean to “get over slavery”? Is such a thing possible? Is it even desirable? Should we perceive the psychic hold of slavery as a set of mental manacles that hold us back from imagining a postracist America? Or could the psychic hold of slavery be understood as a tool, helping us get a grip on the systemic racial inequalities and restricted liberties that persist in the present day? Featuring original essays from an array of established and emerging scholars in the interdisciplinary field of African American studies, The Psychic Hold of Slavery offers a nuanced dialogue upon these questions. With a painful awareness that our understanding of the past informs our understanding of the present—and vice versa—the contributors place slavery’s historical legacies in conversation with twenty-first-century manifestations of antiblack violence, dehumanization, and social death. Through an exploration of film, drama, fiction, performance art, graphic novels, and philosophical discourse, this volume considers how artists grapple with questions of representation, as they ask whether slavery can ever be accurately depicted, trace the scars that slavery has left on a traumatized body politic, or debate how to best convey that black lives matter. The Psychic Hold of Slavery thus raises provocative questions about how we behold the historically distinct event of African diasporic enslavement and how we might hold off the transhistorical force of antiblack domination.
Based on the Book of Revelation, a science fiction military thriller. For a time, The Architect, an inventor and renaissance man, unites the world in peace under one global government. It was not to be. For his own vanity, he built a temple. A great pantheon to all the world's religions. Outraged by this heresy the empire crumbled as religious fervor and patriotism gave rise to a coalition against The Architect's iron rule. From humble beginnings a hero rises and must make his way to the Holy City for the final cataclysm, The Battle of Armageddon. Throughout the journey the signs of the Apocalypse are woven into the fabric of life on earth as ancient atrocities are fed by modern and futuristic weapons of war. August, our hero, must survive multiple battles, espionage, treachery, and genocidal psychopathic allies, with the help of our narrator. Will August preserve the empire or destroy it?
