Buffy the Vampire Slayer gave contemporary TV viewers an exhilarating alternative to the tired cultural trope of a hapless, attractive blonde woman victimized by a murderous male villain. With its strong, capable heroine, witty dialogue, and a creator (Joss Whedon) who identifies himself as a feminist, the cult show became one of the most widely analysed texts in contemporary popular culture. The last episode, broadcast in 2002, did not herald the passing of a fleeting phenomenon: Buffy is a media presence still, active on DVD and the internet, alive in the career of Joss Whedon and studied internationally. I'm Buffy and You're History puts the entire series under the microscope, investigating its gender and feminist politics.In this book, Patricia Pender argues that Buffy includes diverse elements of feminism and reconfigures - and sometimes revises - the ideals of American second wave feminism for a wide third wave audience. She also explores the ways in which the final season's vision of collective feminist activism negotiates racial and class boundaries.Exploring the Slayer's postmodern politics, her position as a third wave feminist icon, her placing of masculinity in extremis, and her fandom and legacy in popular culture, this is a fresh and challenging contribution to the growing literature on the pitfalls and pleasures of a great cult TV show.
As one of the Black Sheep Knitters prepares to become a mother, a new member becomes a suspected killer . . . Spring has reached Plum Harbor, Massachusetts, and the weather isn't the only thing that's changing. Eight months pregnant, Lucy prepares to enter an exciting phase in life while weaving together loose threads from her past. It feels like fate when she reconnects with college friend Rebecca Hurley, whose eclectic Happy Hands Café is the perfect locale for Black Sheep gatherings. But just as charming Rebecca joins their closely knit circle, she's suspected of murder. It appears to be an accident when Rebecca’s writer husband, Colin, is crushed by a fallen bookcase at the café. But his death is quickly determined to be murder. Adding to the horror, police believe Rebecca committed a heinous act of revenge against Colin for planning to end their marriage—a move that would cut off Rebecca’s contact with the stepdaughter she adores. Despite the incriminating evidence growing faster than her belly, Lucy is convinced that she must prove her old friend's innocence. As her due date approaches and a dangerous mystery unravels, Lucy and the Black Sheep shift from knitting baby booties to chasing down the cunning culprit who’s always a few steps ahead.
Buffy the Vampire Slayer has remained an enduring feature of late 1990s pop culture, spawning television spin-offs, rabid fans, and significant scholarly inquiry. Though there have been numerous books devoted to the work of Joss Whedon, this collection of fifteen essays is the first to focus specifically on the sexual rhetoric found in his oeuvre, which includes Angel, Firefly/Serenity, Dollhouse, and Dr. Horrible's Sing-Along Blog, as well as Buffy. Topics covered include the role of virginity, lesbianism and homoeroticism in the shows and the comics, the nature of masculinity and femininity and gender stereotypes, an exploration of sexual binaries, and a ranking of the Buffy characters on the Kinsey scale of sexuality. Together these essays constitute a much-needed addition to the expanding body of Whedon gender scholarship.
Both humorous and shocking, this memoir tells the story of a 16-year-old model trying to make it during the 1980s, when the supermodel phenomenon reached a hysterical peak. She is one of the hundreds of B models, those boys and girls who craved a lifestyle of success and glamor, but in the meantime walked the streets in uncomfortable shoes, underdressed and hungry for work, love, and a decent meal.
When her ex-boyfriend, Trip, gets engaged to Hollywood's latest It Girl, Manhattan attorney Brooke Miller plans to attend the wedding. Who says a modern girl can't stay friends with her ex? Besides, Brooke's got her sexy Scottish fiancé, Douglas, to take as her date. Okay, so maybe he's not exactly her fiancé, but they're living together in his apartment, so she'll be getting the ring any minute, right? Wrong. After a fight leaves her without a boyfriend (much less a fiancé) just days before the wedding, Brooke faces the ultimate humiliation of attending her ex-boyfriend's nuptials alone. Desperate to find a replacement to fill Douglas's kilt, Brooke concocts an outrageous plan to survive the wedding and win the man of her dreams, all with her dignity ever-so-slightly intact.
Cupid has four legs. Odie Ferguson just wants to rescue dogs and drink wine. She isn't looking for a relationship. That doesn't stop her matchmaker granny from setting her up on blind dates. Usually they're a little off the mark, but this time Granny outdoes herself. Entrepreneur Josh Bowen has a lot going for him: he’s intelligent, ambitious, an animal lover and not bad looking. But in what world is a cat person the right guy for her? Josh is a man of simple needs: he needs investors to fund his startup and a lint roller because his cat, Ceviche, sheds. He doesn’t need his stepmother fixing him up on dates. Odie’s gorgeous, outgoing and dog-obsessed, but that’s not a deal breaker. As much as she might intrigue him, he’s too busy for romance. But when he finds a foster Chihuahua at the foot of his bed and Odie under the covers, he reconsiders his priorities. Maybe he needs two lint rollers. Purse Dog Rescue is a romantic comedy novel that will make you laugh, sigh, and call your pet over for a hug. If you want a book that makes you feel the way you do after watching Legally Blonde, you should bring home Purse Dog Rescue today.
Ch’ae Manshik is one of the most accomplished modern Korean writers yet is underrepresented in English translation because of the challenges posed by his distinctive voice and colloquial style. Sunset: A Ch’ae Manshik Reader is the first English-language anthology of his works and features a variety of genres—novella, short fiction, anecdotal essay, travel writing, children’s story, one-act play, three-act play, and roundtable discussion. This anthology moves beyond the usual “representative works” to provide a well-rounded selection of writing by one of Korea’s most innovative and memorable voices, drawing on Ch'ae's ten-volume Complete Works. This edition also provides a comprehensive introduction outlining the limitations of existing approaches to Ch'ae. It contextualizes the anthology's contents both in terms of the author's career and the rich Korean tradition of intertextuality and intermediality that he reflects from the country's earliest times to the new millennium.