The first in-depth monograph on one of the most important contemporary architecture practices working today With offices in Oslo, Innsbruck, San Francisco, and New York, and projects all over the world, Snøhetta's architecture, landscape, interior, and branding design projects are created across political boundaries, at all scales, and are fundamentally concerned with the unique interactions between people and places. Through stunning imagery and evocative narrative text, this book showcases 24 exceptional projects – including the 9/11 Memorial & Museum Pavilion and the Oslo Opera House – which, together, illustrate Snøhetta's boundary-pushing and highly collaborative approach to design.
Do you know how to think like an architect? Do you know why you should? How do you make sure that you have the critical thinking tools necessary to prosper in your academic and professional career? This book gives you the answers. Architects have a valuable and critical set of multiple thinking types that they develop throughout the design process. In this book, Randy Deutsch shows readers how to access those thinking types and use them outside pure design thinking – showing how they can both solve problems but also identify the problems that need solving. To think the way the best architects do. With a clear, driving narrative, peppered with anecdote, stories and real-life scenarios, this book will future-proof the architectural student. Change is coming in the architecture profession, and this is a much-needed exploration of the critical thinking skills that architects have in abundance, but that are not taught well enough within architecture schools. These skills are crucial in being able to respond agilely to a future that nobody is quite sure of.
Learning from Failure in the Design Process shows you that design work builds on lessons learned from failures to help you relax your fear of making mistakes, so that you’re not paralyzed when faced with a task outside of your comfort zone. Working hands-on with building materials, such as concrete, sheet metal, and fabric, you will understand behaviors, processes, methods of assembly, and ways to evaluate your failures to achieve positive results. Through material and assembly strategies of stretching, casting, carving, and stacking, this book uncovers the issues, problems, and failures confronted in student material experiments and examines built projects that addressed these issues with innovative and intelligent strategies. Highlighting numerous professional practice case studies with over 250 color images, this book will be ideal for students interested in materials and methods, and students of architecture in design studios.
Literary museums today must respond to new challenges; the traditional image of the author’s home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.
EcoResponsive Environments integrates our current knowledge of designing for human needs, with a deeper understanding of natural systems. The book offers both a call to action and a comprehensive yet pragmatic framework for practising the art and science of settlement design, called EcoResponsive Design. Bridging the gap between theory and generic policy on the one hand, and design for specific places and sites on the other, the book is aimed not only at the professionals involved in planning, designing and developing these places, but also the wider range of communities interested in creating better spaces for our everyday lives. EcoResponsive Design encompasses all scales, ranging from the overall form of settlements and the landscapes in which they sit, to buildings and the detailed design of public spaces. Drawing from projects, places and best practices in many different countries and contexts across the world, it demonstrates how positive changes at the local scale can be achieved for every single site, large or small. The book urges a shift in focus from individual specialisms to collaborative actions, enabling development stakeholders to negotiate a balance between short-term financial viability and longer-term environmental and social values.
A comprehensive book on Selldorf Architects, with a detailed look at the museums, residences, and public buildings the firm has designed in the United States and abroad. Founding principal Annabelle Selldorf was born in Cologne, Germany and educated at the Pratt Institute and Syracuse University. The firm launched into international prominence with the opening of New York's Neue Galerie in 2001. Since, Selldorf Architects has become known for galleries, cultural projects, and as well as private homes. More recently, the firm has made its mark with Sims Municipal Recycling in Brooklyn in 2013. The design and construction won an Award for Excellence in Design from the Public Design Commission. In 2014, Selldorf Architects received the commission to build the expansion of the Museum of Contemporary Art in San Diego. This book begins with an extensive conversation between Tom Eccles and Annabelle Selldorf, as well as an essay by architecture critic Ian Volner. A newly-shot, full color portfolio by renowned photographer Todd Eberle is complimented by an in-depth look at the story behind 30 selected projects, including architectural plans and sketches.
Open Studio offers a window into the methods and unique culture of an architecture firm that has achieved international success. Curated illustrations of hand sketches, study models, design sessions, and site visits pull back the curtain on the creative collaboration behind the scenes at Robert A.M. Stern Architects. Nearly 100 pages of photographs of finished work, including academic buildings, museums, houses, apartment houses, and office towers, demonstrate the firm's ability to realize modern buildings in a wide variety of stylistic vocabularies through a commitment to fundamental principles of architecture and a respect for context and history. Founded in 1969, the 250-person New York-based Robert A.M. Stern Architects has received numerous awards for design excellence from the American Institute of Architects, the Congress for the New Urbanism, the Urban Land Institute, the Society for College and University Planning, and the Institute of Classical Architecture and Art.
A spectacular visual biography of one of the most celebrated architects and cultural icons of the twentieth century With his elegant suits and trademark round black glasses, Philip Johnson - a witty, wealthy, and well-connected architect - was for many years the most powerful figure in the society and politics of his profession. This impressively illustrated book traces his seven decades of larger-than-life influence, innovation, and controversy in the realm of architecture and beyond. Hundreds of images and documents, many published here for the first time, trace the remarkable life and career of a true legend.
"Originating from Oslo, Norway, the architectural and design firm Snøhetta has grown into an international practice, with offices in New York, San Francisco, Innsbruck, and Singapore. This volume explores Snøhetta's humanistic approach to architecture, its transdisciplinary processes and its eclectic oeuvre from 1989 to the present"-- Amazon.com.
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
