Just so, reflected Smith, had their forefathers sung when, millenniums ago, they dragged that very sarcophagus from the quarries to the Nile, and from the Nile to the tomb whence it reappeared to-day, or when they slid the casing blocks of the pyramids up the great causeway and smooth slope of sand, and laid them in their dizzy resting-places. Only then each line of the immemorial chant of toil ended with an invocation to Amen, now transformed to Allah. The East may change its masters and its gods, but its customs never change, and if to-day Allah wore the feathers of Amen one wonders whether the worshippers would find the difference so very great.
"Smith and the Pharaohs, and Other Tales is a collection of stories by H. Rider Haggard.The title story was serialized in Strand Magazine, between December 1912 and February 1913. Others in the collection included: ""Magepa the Buck"" - an Allan Quatermain short story""The Blue Curtains""""Little Flower""""Only a Dream""""Barbara Who Came Back"""
Travel back in time to ancient Egypt with H. Rider Haggard's collection of short stories. Meet Smith, a cunning adventurer who plunges into the ruins of Karnac to uncover the long-lost tomb of Pharaoh Amenhotep. Along the way, he encounters mummies, treasures, and deadly traps. This thrilling volume also includes stories of sorcery, romance, and intrigue. Haggard's vivid descriptions and fast-paced action will keep you captivated from cover to cover. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This novel is the final volume of the Allan Quatermain saga. Once more Quatermain takes the hallucinogenic taduki drug, as he did in previous novels, and he finds himself reliving as Wi, an civilized man living in the barbaric ice age as part of a clan of cavemen. The novel has been noted as a treatment of the topics of eugenics and evolution in literature and culture.
Tanus is the fair-haired young lion of a warrior whom the gods have decreed will lead Egypt's army in a bold attempt to reunite the Kingdom's shattered halves. But Tanus will have to defy the same gods to attain the reward they have forbidden him, an object more prized than battle's glory: possession of the Lady Lostris, a rare beauty with skin the color of oiled cedar--destined for the adoration of a nation, and the love of one extraordinary man. International bestselling author Wilbur Smith, creator of over two dozen highly acclaimed novels, draws readers into a magnificent, richly imagined Egyptian saga. Exploding with all the drama, mystery, and rage of ancient Egypt, River God is a masterpiece from a storyteller at the height of his powers.
A brand-new Egyptian novel from the master of adventure fiction, Wilbur Smith A brand-new Ancient Egyptian novel from the master of adventure fiction and global number 1 bestselling author, Wilbur Smith. In the heart of Egypt Under the watchful eye of the gods A new power is rising In the city of Lahun, Hui lives an enchanted life. The favoured son of a doting father, and ruler-in-waiting of the great city, his fate is set. But behind the beautiful façades a sinister evil is plotting. Craving power and embittered by jealousy, Hui's stepmother, the great sorceress Isetnofret, and Hui's own brother Qen, orchestrate the downfall of Hui's father, condemning Hui and seizing power in the city. Cast out and alone, Hui finds himself a captive of a skilled and powerful army of outlaws, the Hyksos. Determined to seek vengeance for the death of his father and rescue his sister, Ipwet, Hui swears his allegiance to these enemies of Egypt. Through them he learns the art of war, learning how to fight and becoming an envied charioteer. But soon Hui finds himself in an even greater battle - one for the very heart of Egypt itself. As the pieces fall into place and the Gods themselves join the fray, Hui finds himself fighting alongside the Egyptian General Tanus and renowned Mage, Taita. Now Hui must choose his path - will he be a hero in the old world, or a master in a new kingdom? The New Kingdomis a brand-new Egyptian Series thriller by the master of adventure, Wilbur Smith. Don't miss the rest of the Egyptian Series, River God, The Seventh Scroll, Warlock, The Quest, Pharaoh and Desert God. Available now.
Science Fiction and Fantasy Literature, A Checklist, 1700-1974, Volume one of Two, contains an Author Index, Title Index, Series Index, Awards Index, and the Ace and Belmont Doubles Index.
This volume analyses British exhibitions of Middle Eastern (particularly ancient Egyptian and Persian) artefacts during the nineteenth and early twentieth centuries – examining how these exhibitions defined British self image in response to the Middle Eastern ‘other’. This study is an original interpretation of the exhibition space along intersectional constructionist lines, revealing how forces such as gender, race, morality and space come together to provide an argument for British supremacy. The position of museums as instruments of representation of display made them important points of contact between the British national imperialist scheme and the public. Displays in the British Museum, Victoria and Albert Museum and Burlington House provide a focus for analysis. Through the employment of a constructionist lens, the research outlines a complex relationship between British society and the Middle Eastern artefacts presented in museums during the nineteenth and early twentieth centuries. This allows a dialogue to emerge which has consequences for both societies which is achieved through intersections of gender, race and morality in space. This book will be of value to students and scholars alike interested in museology, cultural studies, history and art history.
