Offers substantial information designed for use by both amateurs and specialists and useful to residents of other Upper Midwest states and bordering Canadian provinces as well. Introductory chapters present the history of herpetology in Minnesota, the preferred habitats of these species, techniques
Young Verdi doesn't want to grow up to be big and green. He likes bright yellow skin and sporty stripes. Besides, all the green snakes he meets are lazy, boring, and rude. Despite his efforts, Verdi turns as green as the leaves on the trees, but to his delight, he discovers that being green doesn't mean he has to stop being himself. Full color.
Southern Africa is home to a remarkably diverse and rich reptile fauna, which is presented in this book in a lively and accessible way. A Guide to the Reptiles of Southern Africa introduces the 517 species currently described in the region and presents interesting insight on reptile identification and diversity, distribution patterns, and biology and behaviour. It also offers tips on finding and observing reptiles, as well as unravelling the facts and fallacies of snakebite. Southern African reptiles fall into three main groups (orders): snakes and lizards, crocodiles and shelled reptiles, and each group comprises in turn a number of related families and sub-groups, which form the basic structure of the book. The reptiles are discussed within their relevant groups according to appearance, biology, reproduction, distribution and conservation status. Informative panels with simple icons provide key information on distribution, typical habitat and period of activity, and a wealth of full-colour photographs brings the subject matter vividly to life.
This English verse translation of Goethe's West-Eastern Divan aims to give English-readers a fair indication of the themes, quality and flavour of Goethe's major cycle of lyric poetry. As far as possible it remains faithful to Goethe's metrical and rhyming patterns. The Divan's wealth of earnest depth and passion is conveyed with an often casual simplicity of vocabulary and expression. It moves through changing moods from which wit and grace and good humour are never long absent when the mind is, as in these poems, at play and in command. Goethe described this complexity as «Unconditional submission to the unfathomable will of God, serene conspectus of the activities of this earth, mobile and always in circles and spirals, love, inclination hovering between two worlds, all the real purified, dissolving in symbol». The English translation seeks to keep to the poetic tones in Goethe's seemingly effortless words.
The Pitchfork Disney heralded the arrival of a unique and disturbing voice in the world of contemporary drama. Manifesting Ridley's vivid and visionary imagination and the dark beauty of his outlook, the play resonates with his trademark themes: East London, storytelling, moments of shocking violence, memories of the past, fantastical monologues, and that strange mix of the barbaric and the beautiful he has made all his own. The Pitchfork Disney was Ridley's first play and is now seen as launching a new generation of playwrights who were unafraid to shock and court controversy. This unsettling, dreamlike piece has surreal undertones and thematically explores fear, dreams and story-telling. First produced in 1991, it has gone on to be recognised as the annunciation of Ridley's dark and seductive world.