Twelve original and interconnected stories in the traditions of Junot Díaz and Sherman Alexie. Victor D. LaValle's astonishing, violent, and funny debut offers harrowing glimpses at the vulnerable lives of young people who struggle not only to come of age, but to survive the city streets. In "ancient history," two best friends graduating from high school fight to be the one to leave first for a better world; each one wants to be the fortunate son. In "pops," an African-American boy meets his father, a white cop from Connecticut, and tries not to care. And in "kids on colden street," a boy is momentarily uplifted by the arrival of a younger sister only to discover that brutality leads only to brutality in the natural order of things. Written with raw candor, grit, and a cautious heart, slapboxing with jesus introduces an exciting and bold new craftsman of contemporary fiction. LaValle's voices echo long after their stories are told.
Ricky Rice is a middling hustler with a lingering junk habit, a bum knee, and a haunted mind. A survivor of a suicide cult, he scrapes by as a porter at a bus depot in Utica, New York, until one day a mysterious letter arrives, summoning him to enlist in a band of paranormal investigators comprised of former addicts and petty criminals, all of whom had at some point in their wasted lives heard what may have been the voice of God. Infused with the wonder of a disquieting dream and laced with Victor LaValle’s fiendish comic sensibility, Big Machine is a mind-rattling mystery about doubt, faith, and the monsters we carry within us.
NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • The Washington Post • Publishers Weekly New Hyde Hospital’s psychiatric ward has a new resident. It also has a very, very old one. Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die? The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons. Praise for The Devil in Silver “A fearless exploration of America’s heart of darkness . . . a dizzying high-wire act.”—The Washington Post “LaValle never writes the same book and his recent is a stunner. . . . Fantastical, hellish and hilarious.”—Los Angeles Times “It’s simply too bighearted, too gentle, too kind, too culturally observant and too idiosyncratic to squash into the small cupboard of any one genre, or even two.”—The New York Times Book Review “Embeds a sophisticated critique of contemporary America’s inhumane treatment of madness in a fast-paced story that is by turns horrifying, suspenseful, and comic.”—The Boston Globe “LaValle uses the thrills of horror to draw attention to timely matters. And he does so without sucking the joy out of the genre. . . . A striking and original American novelist.”—The New Republic
Something is wrong with Anthony, and it's getting worse. Schizophrenia runs in his family's blood, picking off an uncle here, a mother there, and has now found a home in Anthony's mind. The women in his life -- his mother, sister, and grandmother -- bring him home to Queens and try to fix him, but his presence slowly turns their home into a semi-suburban asylum.Anthony narrates the skewed story of his family's surreal adventures in an exploitative world, from black-market employers and neighborhood loansharks to bogus beauty pageants and bootleg medical clinics. In the tradition of misfit picaresques from The World According to Garp to Confederacy of Dunces, this is the story of a family trying to save themselves from the ravenous world and their own unraveling minds.
A Vintage Shorts “Short Story Month” Selection Horse and Ahab share the kind of contempt and love for one another that only true friends can. Months after graduating high school, Horse is getting married to his longtime girlfriend, Melissa, and moving into her apartment in Manhattan, and Ahab has enlisted in the Marines. They’ve found ways to escape the neighborhood, just not together. From the extraordinary fiction debut, Slapboxing with Jesus, that launched Victor LaValle to literary stardom—a raw, gritty, and unremittingly truthful look into the lives of two friends who go to say goodbye to each other and their neighborhood on the shores of Rockaway Beach. An ebook short.
A literary rent party to benefit the Hurston/Wright Foundation of African-American fiction, with selections to savor from bestselling authors as well as talented rising stars. Not since Terry McMillan’s Breaking Ice have so many African-American writers been brought together in one volume. A stellar collection of works from more than fifty hot names in fiction, Gumbo represents remarkable synergy. Edited by bestselling luminaries Marita Golden and E. Lynn Harris, this collection spans new and previously published tales of love and luck, inspiration and violation, hip new worlds and hallowed heritage from voices such as: • Edwidge Danticat • Eric Jerome Dickey • Kenji Jasper • John Edgar Wideman • Terry McMillan • David Anthony Durham • Bertice Berry …and many, many more Also featuring original stories by Golden and Harris themselves, Gumbo heralds the debut of the Hurston/Wright Legacy Awards for Published Black Writers (scheduled for October 2002), and all advances and royalties from the book will support the Hurston/Wright Foundation. Combining authors with a variety of flavorful writing, Gumbo will have readers clamoring for second helpings.
Anthony James weighs 315 pounds, is possibly schizophrenic, and he’s just been kicked out of college. He’s rescued by his mother, sister, and grandmother, but they may not be altogether sane themselves. Living in the basement of their home in Queens, New York, Anthony is armed with nothing but wicked sarcasm and a few well-cut suits. He intends to make horror movies but takes the jobs he can handle, cleaning homes and factories, and keeps crossing paths with a Japanese political prisoner, a mysterious loan shark named Ishkabibble, and packs of feral dogs. When his invincible 13-year old sister enters yet another beauty pageant—this one for virgins—the combustible Jameses pile into their car and head South for the competition. Will Anthony’s family stick together or explode? With electrifying prose, LaValle ushers us into four troubled but very funny lives.
Victor LaValle has already established himself as “one of the most eloquent voices of the approaching century” (Kirkus Reviews), a writer of darkly humorous tales full of haunting beauty, astonishing leaps of imagination, and language that “crackles and hums” (Chicago Tribune). The Ecstatic is LaValle’s debut novel, a startling tale of love, horror, sex, insanity, faith, morbid obesity, and the modern American family. Something is wrong with Anthony—our 318-pound hero—and it’s getting worse. A monster has caught his uncle and his mother; now it wants Anthony. Mental illness has been transmitted through his family’s blood. The three women in his life—his mother, younger sister, and grandmother—find him naked and disoriented in his off-campus college apartment and take him home to Queens, each determined to fix him in her own peculiar way. But his presence soon turns their house into a semisuburban asylum. Sweet but wickedly sarcastic, smart and heartbreakingly vulnerable, Anthony narrates his family’s surreal adventures through a world of grinning exploitation and fake cures, from storefront evangelists and neighborhood loan sharks to bogus beauty pageants and bootleg medical clinics. He corresponds with a dreadlocked Japanese militant, is haunted by a vicious pack of dogs, and tries to make his own horror movie, all in search of an answer to a question he doesn’t dare ask. Written in the tradition of misfit picaresques from Journey to the End of the Night and Invisible Man to A Confederacy of Dunces and The World According to Garp, The Ecstatic is the revelatory story of a family trying to save themselves from a ravenous world and their own unraveling minds.
Fresh perspectives and eye-opening discussions of contemporary American fiction In The Encyclopedia of Contemporary American Fiction: 1980-2020, a team of distinguished scholars delivers a focused and in-depth collection of essays on some of the most significant and influential authors and literary subjects of the last four decades. Cutting-edge entries from established and new voices discuss subjects as varied as multiculturalism, contemporary regionalisms, realism after poststructuralism, indigenous narratives, globalism, and big data in the context of American fiction from the last 40 years. The Encyclopedia provides an overview of American fiction at the turn of the millennium as well as a vision of what may come. It perfectly balances analysis, summary, and critique for an illuminating treatment of the subject matter. This collection also includes: An exciting mix of established and emerging contributors from around the world discussing central and cutting-edge topics in American fiction studies Focused, critical explorations of authors and subjects of critical importance to American fiction Topics that reflect the energies and tendencies of contemporary American fiction from the forty years between 1980 and 2020 The Encyclopedia of Contemporary American Fiction: 1980-2020 is a must-have resource for undergraduate and graduate students of American literature, English, creative writing, and fiction studies. It will also earn a place in the libraries of scholars seeking an authoritative array of contributions on both established and newer authors of contemporary fiction.
