Being a teenage girl is hard enough, but for DeDe Christopher it is proving impossible. Last year, DeDe discovered that she possessed fantastic abilities that were strangely similar to those of a comic book character named SkyBoy. With the help of her best friend Jason, a self-professed comic geek, DeDe accepted her legacy and became Sky Girl. Now, DeDe must learn what it means to be a heroine and how her late father's connection to SkyBoy will affect her destiny.
"A beautiful and inspiring book...fascinatingly told." — Donna Shirley, former head of the U.S. Mars program, NASA The exhilarating story of the first women who boldly conquered the skies in the first female cross-country air race The year is 1929, and on the eve of America's Great Depression, nineteen gutsy and passionate pilots soared above the glass ceiling in the very first female cross-country air race. Armed with grit and determination, they crossed thousands of miles in propeller-driven airplanes to defy the naysayers who would say it cannot — not should not — be done. From the indomitable Pancho Barnes to the infamous Amelia Earhart, Sky Girls chronicles a defining and previously forgotten moment when some of the first women pilots took their rightful place in the open skies. For a country on the brink of defining change, they would become symbols of hope, daring, and the unstoppable American spirit. And for generations to come, their actions would pave the way for others to step into the brave unknown and learn to fly... Written by female pilot and member of the original Mercury 13 Gene Nora Jessen, Sky Girls celebrates the strength and smarts of these trailblazing women, and sits perfectly on the shelf next to The Radium Girls, Hidden Figures, or Code Girls.
After a family tragedy orphans her, Rachel, the daughter of a Danish mother and a black G.I., moves into her grandmother's mostly black community in the 1980s, where she must swallow her grief and confront her identity as a biracial woman in a world that wants to see her as either black or white. A first novel. Reprint.
"Two girls were born on the same day, but one goes to live in the sky while the other remains on earth. And even though the girls are not together anymore in life, they're certainly together in their dreams: from the zoo, to a birthday party, to the candy store, there's no telling where the girls will go! The Girl Who Lives in the Sky is a colorful, bright, adventurous dream sequence that shows the power of love and connection that continues to exist between two people who are separated far too early. Although the girl who lives in the sky is gone, her presence is still felt and celebrated by those who cherish her memory."
Amelia Earhart’s prominence in American aviation during the 1930s obscures a crucial point: she was but one of a closely knit community of women pilots. Although the women were well known in the profession and widely publicized in the press at the time, they are largely overlooked today. Like Earhart, they wrote extensively about aviation and women’s causes, producing an absorbing record of the life of women fliers during the emergence and peak of the Golden Age of Aviation (1925–1940). Earhart and her contemporaries, however, were only the most recent in a long line of women pilots whose activities reached back to the earliest days of aviation. These women, too, wrote about aviation, speaking out for new and progressive technology and its potential for the advancement of the status of women. With those of their more recent counterparts, their writings form a long, sustained text that documents the maturation of the airplane, aviation, and women’s growing desire for equality in American society. In Their Own Words takes up the writings of eight women pilots as evidence of the ties between the growth of American aviation and the changing role of women. Harriet Quimby (1875–1912), Ruth Law (1887–1970), and the sisters Katherine and Marjorie Stinson (1893–1977; 1896–1975) came to prominence in the years between the Wright brothers and World War I. Earhart (1897–1937), Louise Thaden (1905–1979), and Ruth Nichols (1901–1960) were the voices of women in aviation during the Golden Age of Aviation. Anne Morrow Lindbergh (1906–2001), the only one of the eight who legitimately can be called an artist, bridges the time from her husband’s 1927 flight through the World War II years and the coming of the Space Age. Each of them confronts issues relating to the developing technology and possibilities of aviation. Each speaks to the importance of assimilating aviation into daily life. Each details the part that women might—and should—play in advancing aviation. Each talks about how aviation may enhance women’s participation in contemporary American society, making their works significant documents in the history of American culture.
“In her new chic outfit, she looks like anything but a stewardess working. But work she does. Hard, too. And you hardly know it.” So read the text of a 1969 newspaper advertisement for Delta Airlines featuring a picture of a brightly smiling blond stewardess striding confidently down the aisle of an airplane cabin to deliver a meal. From the moment the first stewardesses took flight in 1930, flight attendants became glamorous icons of femininity. For decades, airlines hired only young, attractive, unmarried white women. They marketed passenger service aloft as an essentially feminine exercise in exuding charm, looking fabulous, and providing comfort. The actual work that flight attendants did—ensuring passenger safety, assuaging fears, serving food and drinks, all while conforming to airlines’ strict rules about appearance—was supposed to appear effortless; the better that stewardesses performed by airline standards, the more hidden were their skills and labor. Yet today flight attendants are acknowledged safety experts; they have their own unions. Gone are the no-marriage rules, the mandates to retire by thirty-two. In Femininity in Flight, Kathleen M. Barry tells the history of flight attendants, tracing the evolution of their glamorized image as ideal women and their activism as trade unionists and feminists. Barry argues that largely because their glamour obscured their labor, flight attendants unionized in the late 1940s and 1950s to demand recognition and respect as workers and self-styled professionals. In the 1960s and 1970s, flight attendants were one of the first groups to take advantage of new laws prohibiting sex discrimination. Their challenges to airlines’ restrictive employment policies and exploitive marketing practices (involving skimpy uniforms and provocative slogans such as “fly me”) made them high-profile critics of the cultural mystification and economic devaluing of “women’s work.” Barry combines attention to the political economy and technology of the airline industry with perceptive readings of popular culture, newspapers, industry publications, and first-person accounts. In so doing, she provides a potent mix of social and cultural history and a major contribution to the history of women’s work and working women’s activism.
Oh baby! A hip heroine discovers that she has the ability to decide who gets pregnant in this witty YA blend of romance and the supernatural from a debut author. (Ages 12 and up) Sixteen-year-old Katla has just moved from Los Angeles to the sticks of Minnesota. As if it weren’t enough that her trendy fashion sense draws stares, she learns to her horror that she’s a member of an ancient order of women who decide to whom certain babies will be born. Add to that Wade, the arrogant football star whom Katla regrettably fooled around with, and Jack, a gorgeous farm boy who initially seems to hate her. Soon Katla is having freaky dreams about a crying infant and learns that, as children, she and Jack shared a near-fatal, possibly mystical experience. Can Katla survive this major life makeover and find a dress for the homecoming dance? Drawing from Norse mythology and inspired by THE SNOW QUEEN by Hans Christian Andersen, debut author Wendy Delsol conceives an irreverent, highly entertaining novel about embracing change and the (baby) bumps along the way.
Yesterday 9 is a tale of a one-sided love story, followed by separation and re-alignment. It talks about the difference between true love and a non-introspecting baseless love. A story of disruption of love between a couple and the ghostly way it comes back as an empowered black spirit. As love time-travels to attain back what is lost, the black spirit's horryfying effect slows down every action taken in the past to secure the future. With mighty twists and turns, the book is packed with various emotions to set the stage for adventure. Will the couple reunite in love or will time-travelling tear them apart?
EBONY is the flagship magazine of Johnson Publishing. Founded in 1945 by John H. Johnson, it still maintains the highest global circulation of any African American-focused magazine.
