Permission
Permission

Author: Julie White

Publisher: Springer

Published: 2016-03-22

Total Pages: 199

ISBN-13: 9463004599

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The impetus for this book was a public lecture Laurel Richardson gave in Melbourne in 2006. How and why Laurel Richardson’s writing resonates with so many others led to a qualitative research project investigating the impact of her work. This book is the outcome of that project. The nature of that connection between Richardson’s writing and her readers has been examined. Connections have also been drawn between Laurel Richardson’s writing and the importance of collaboration, community, inclusion, feminist engagement, social justice and the challenges involved in working in the modernised university. This book shows how Laurel Richardson’s groundbreaking work has influenced others and became not only a method of inquiry but also a method of empathy and imagination. Permission chronicles and celebrates the pioneering work and influence of Laurel Richardson. With contributions from over 50 scholars across the disciplines, beautifully curated by Julie White, Permission shows the wide reach of Richardson’s work. Richardson has blazed new trails in the academy by writing honestly, creatively and passionately about things that matter. In doing so, she has opened a space for others to find their voices and carve their own paths. This book shows how grateful we are for the permission she has provided. A must-read for those new to Richardson’s work as well as her many fans worldwide.” – Patricia Leavy, Ph.D., creator and editor of the Social Fictions series

Dawn Night Fall
Dawn Night Fall

Author: Gordon Grigsby

Publisher: Evening Street Press

Published: 2012-10

Total Pages: 102

ISBN-13: 1937347109

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n poem after piercing poem—“The Light Here,” “An Ocean Sound,” “Nancy’s Sandwich Shop Heightened Consciousness”—Grigsby weaves our intense human moments of love, sorrow, or joy into the beauty and grandeur of our indifferent earth. The art of his vision is unique and invaluable. —Julian Markels, author of The Marxian Imagination Like James Wright before him, Gordon Grigsby is an essential Mid-Western poet, a hard-scrabbled farmer of words, a steel-worker tending to the furnaces of an imagination that flares in darkness: "the praised madness that trembles the air." The geography of Ohio, the names of its vanished Indian tribes, the smell of a dead child and the poisoned rain, are here given their full measure of terrible beauty. —Michael Salcman, author of The Clock Made of Confetti and The Enemy of Good Is Better Dawn Night Fall explores the interplay between sorrow and hope, tragic realities and the mind’s freedom, through startlingly original images and ideas. As in Walden, Grigsby uses his house on a small river in Mt. Air, Ohio as a way into the natural world, ancient and personal history, world travels, and complex combinations of pain and luminosity: ashes of a premature baby, woman and children waiting in corrugated tin shanties, a loved father lonely in Sun City, the glow of needles on a forest floor, streetlamp glint on everyone’s hair. Readers are richly rewarded for his extraordinary vision. —Jan Schmittauer, Associate Professor, Ohio University

(Post)Critical Methodologies: The Science Possible After the Critiques
(Post)Critical Methodologies: The Science Possible After the Critiques

Author: Patti Lather

Publisher: Routledge

Published: 2017-02-03

Total Pages: 364

ISBN-13: 1317214226

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In the World Library of Educationalists series, international experts themselves compile career-long collections of what they judge to be their finest pieces – extracts from books, key articles, salient research findings, major theoretical and practical contributions – so the world can read them in a single manageable volume. Readers will be able to follow the themes and strands and see how their work contributes to the development of the field. (Post)Critical Methodologies forms a chronology through the texts and concepts that span Patti Lather’s career. Examining (post)critical, feminist and poststructural theories, Lather’s work is organized into thematic sections that span her 35 years of study in this field. These sections include original contributions formed from Lather’s feminism and critical theory background. They contain her most cited works on feminist research and pedagogy, and form a collection of both early and recent writings on the post and post-post, with a focus on critical policy studies and the future of post-qualitative work. With a focus on the implications for qualitative inquiry given the call for scientifically based research in education, this compelling overview moves through Lather’s progressive thoughts on bridging the gap between quantitative and qualitative research in education and provides a unique commentary on some of the most important issues in higher education over the last 30 years. This compilation of Lather's contribution to educational thinking will prove compelling reading to all those engaged in student learning in higher education worldwide.

Skeleton Key to the Suicide of My Father, Ross Lockridge, Jr., Author of Raintree County
Skeleton Key to the Suicide of My Father, Ross Lockridge, Jr., Author of Raintree County

Author: Ernest Lockridge

Publisher: CreateSpace

Published: 2014-03-29

Total Pages: 226

ISBN-13: 9781497462090

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WHY did my brilliant father, Ross Lockridge, Jr., execute himself at 33, March 6, 1948, while his first novel, RAINTREE COUNTY, was the Number-One Bestseller in America? Critics were hailing it as the sole recent contender for the ultimate American title, "The Great American Novel." Even as my father was murdering himself, he was experiencing critical and financial success beyond the greatest of great expectations. He died with full knowledge that his life, viewed from the street, had exceeded all but the most extravagant of human dreams. My book holds the SKELETON KEY that unlocks the Riddle of Raintree County. I offer this painful story less from choice than from an obligation to history and to truth, in order that the truth will not die with me. Squeamishness and mendacity, blood brothers, go hand in hand. Miss Manners plays no part this tragedy. Truth is not subject to etiquette or taste, and it is precisely because the truth about my father's brief, terrible life and his forlorn death is unspeakable that the truth demands to be told.

Travels with Ernest
Travels with Ernest

Author: Laurel Richardson

Publisher: Rowman Altamira

Published: 2004

Total Pages: 278

ISBN-13: 9780759105973

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Laurel Richardson and Ernest Lockridge-accomplished sociologist and published novelist-explore the fascinating interplay between literary and ethnographic writing. The exciting result is an intriguing experimental text that simultaneously delves into, reveals, simplifies, and complicates methodologies of writing and conveying experience. This boundary-crossing text will provide an ideal platform for students and professors interested in understanding and exploring the absorbing complexities and possibilities of ethnographic writing and creative nonfiction.

Shade of the Raintree
Shade of the Raintree

Author: Laurence S. Lockridge

Publisher: Penguin Mass Market

Published: 1995

Total Pages: 532

ISBN-13:

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In 1948, Ross Lockridge's novel Raintree County was a number one bestseller and acclaimed literary work. Yet, at the height of his fame at age 33, Lockridge killed himself. In a brilliant biography, his son Larry seeks understanding. Simultaneous release with the re-publication by Penguin of the long unavailable Raintree County. Photos.

An Optical Illusion Called the Great Gatsby
An Optical Illusion Called the Great Gatsby

Author: Ernest H. Lockridge, Ph.d.

Publisher: CreateSpace

Published: 2013-05-07

Total Pages: 76

ISBN-13: 9781484945438

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"You see, but you do not observe." Holmes to Doctor WatsonAN OPTICAL ILLUSION CALLED THE GREAT GATSBY presumes to "observe" what Fitzgerald meant when in 1924 he excitedly wrote a friend that The Great Gatsby (published 1925) was "a new thinking out of the idea of illusion." The precise nature of Fitzgerald's illusion-making—its technique or léger-de-main, and its centrality to the novel as a whole—remains more or less a mystery to this day. Small wonder the author complained following his novel's appearance that “of all the reviews, even the most enthusiastic, not one had the slightest idea what the book was about.” Since the novel's publication in 1925, readers, in particular those luckless enough to have been "taught the novel" in colleges and universities, have been indoctrinated into believing THE GREAT GATSBY to be little more than an embodiment of a fantasy (not mentioned anywhere in the novel, itself) called "The American Dream." The novel Fitzgerald actually wrote is infinitely more profound, interesting and universal. GATSBY is most certainly "Great." A recent list of "top-100-novels" ranked it #1. Readers and critics alike consider it the major contender for yet another fantasy or illusion, "The Great American Novel." And, now girding its loins against a mindless Hollywood extravaganza bearing its name, starring some drop-dead cutie named Leonardo butchering the title role, THE GREAT GATSBY has been apotheosized into a NEW YORK TIMES best-seller in fiction. High time to "observe" the drop-dead wonderful book F.Scott Fitzgerald was putting on the page some four score and ten years ago.

The Cross of Redemption
The Cross of Redemption

Author: James Baldwin

Publisher: Vintage

Published: 2011-09-06

Total Pages: 401

ISBN-13: 0307275965

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From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume. “An absorbing portrait of Baldwin’s time—and of him.” —New York Review of Books James Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society. Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”