Sisterhoods concentrates on portrayals of female relationships - communities, friends, lovers, sisters, daughters, mothers and enemies - and examines the positioning of the subject in different media for both male and female consumption.
Sisterhood is oft elusive, if not a misunderstood concept. Despite all the factors that could impede the development, elevation, and maintenance of sistering relationships, Black women continue to acknowledge the value of sisterhoods. Sistering offers a lifeline of support and validation. Holding membership in an empowering woman-centered relationship is a special kind of privilege. The authors in this volume contest any assumption that sisterhood is limited to blood relationships and physical proximity. In this volume, we consider sisterhood simultaneously as paradigm and praxis. We approach Sisterhood as Paradigm and attempt to parse out the nature of Sisterhood as it is understood in Black communities in the United States. We hope to convey an organized set of ideas about “sisterhood” to create sisterhood as a model of interaction or way of being with one another, specifically among Black women. As we consider how sisterhood could be enacted as practice. Using Sisterhood as a framework, we explore Sisterhood as Peer Support, examining how Black women provide support to peers in academic and professional settings. we embark on a provision of applied exemplars of sistering in emerging digital media in Digital Sisterhood.
The world needs the avenging angels of the Sisterhood more than ever. A thriller of international intrigue from the #1 New York Times bestselling author. It’s been years since the members of the Sisterhood first banded together, with the help of their mentor Charles Martin, to exact their own form of justice on those whose crimes had gone unpunished by the legal system. Now, back in the United States after an enforced exile, and ensconced in a new home on Big Pine Mountain in North Carolina, Myra, Kathryn, Annie, Alexis, Isabelle, Yoko, and Nikki are breathing easy at last—but not for long. One dark night, under cover of a vicious storm, a helicopter lands on their mountain. The Sisters aren’t about to wait to be ambushed. Braving the storm, they set out to greet their guests, only to be told by Charles that the mysterious visitors are the Sisterhood’s new employers, and they’ve got a dangerous new assignment in mind. The task they face is daunting. If they succeed, the Sisterhood will be rewarded beyond their wildest dreams. If they fail, they’ll forfeit much more than a paycheck. But if the Ladies of Pinewood have learned one thing over the course of their adventures, it’s that when friends band together, miracles can happen. . . Series praise “Spunky women who fight for truth, justice, and the American way.”—Fresh Fiction on Final Justice “Readers will enjoy seeing what happens when well-funded, very angry women take the law into their own hands.”—Booklist on Weekend Warriors “Delectable . . . deliver[s] revenge that’s creatively swift and sweet, Michaels-style.”—Publishers Weekly on Hokus Pokus
The second in the bestselling Sisterhood series, Fern Michaels’ Payback continues the story of seven unlikely women bound by their unbreakable friendships, their dark pasts and their desire for revenge. One of the women, Julia Webster, is a hugely successful plastic surgeon who lives in a gorgeous Georgetown home. But appearances are not as they seem, as the Sisterhood know all too well . . . Her husband is a US senator on the crest of his greatest political victory. He’s used his wife’s charm and dignity to his advantage throughout his political career. But behind closed doors he’s treated her with nothing but disrespect, and cheating on her is the last straw. He may have crossed one strong woman, but there are six more where she came from and they’re about to teach him a serious lesson in Payback . . . New York Times bestselling author Fern Michaels strikes again in this exceptional and empowering story of revenge against adultery, perfect for fans of James Patterson, Sue Grafton or the Netflix series Good Girls. 'Michaels grinds out bestsellers by concocting videogenic plots filled with strong heroines and effortless costume changes.' - Publishers Weekly
“Suspense, conspiracy, intrigue, and Michaels’ unique brand of humor will keep her many fans happy,” as the New York Times bestselling series continues (Booklist). The Sisterhood will not be broken . . . It’s been a year and a half since the women of the Sisterhood received their presidential pardons, but the freedom they craved has come at a high price. The impossibly lucrative positions handed out to them by the mysterious Global Securities company have turned out to be golden handcuffs—scattering them around the world, cutting off communication, and leaving them in miserable isolation. But a happy homecoming at the old Virginia farmhouse is marred by the hijacking of Nikki and Kathryn’s private jet. It seems their few fellow passengers are not ordinary travelers—they’re an elite group of Interpol agents who urgently need the Sisterhood’s help. Now the ladies face a stark choice: resume their vigilante status for one of their most hazardous assignments yet or try to outwit a group of powerful adversaries willing to use truly desperate measures. This time, everything is in the balance—their lives, their friendship, and the freedom they fought so hard to gain . . . Series praise “Spunky women who fight for truth, justice, and the American way.”—Fresh Fiction on Final Justice “Readers will enjoy seeing what happens when well-funded, very angry women take the law into their own hands.”—Booklist on Weekend Warriors “Delectable . . . deliver[s] revenge that’s creatively swift and sweet, Michaels-style.”—Publishers Weekly on Hokus Pokus "Revenge is a dish best served with cloth
Sisterhood is oft elusive, if not a misunderstood concept. Despite all the factors that could impede the development, elevation, and maintenance of sistering relationships, Black women continue to acknowledge the value of sisterhoods. Sistering offers a lifeline of support and validation. Holding membership in an empowering woman-centered relationship is a special kind of privilege. The authors in this volume contest any assumption that sisterhood is limited to blood relationships and physical proximity. In this volume, we consider sisterhood simultaneously as paradigm and praxis. We approach Sisterhood as Paradigm and attempt to parse out the nature of Sisterhood as it is understood in Black communities in the United States. We hope to convey an organized set of ideas about "sisterhood" to create sisterhood as a model of interaction or way of being with one another, specifically among Black women. As we consider how sisterhood could be enacted as practice. Using Sisterhood as a framework, we explore Sisterhood as Peer Support, examining how Black women provide support to peers in academic and professional settings. we embark on a provision of applied exemplars of sistering in emer
College life had always been full of exuberance and fresh beginnings for the many who attend each year, but for Tierra Monroe, college life was much more, it was an introduction to her new found sexuality...one that she never knew existed before then. Here is her story.
Where are the women writers of color? Where are their theoretical voices? The fifteen contributors to Other Sisterhoods examine how women writers of color have contributed to the discourse of literary and cultural theory. They focus on the impact of key issues, such as social construction and identity politics, on the works of women writers of color, as well as how these women deal with differences relating to gender, class, race/ethnicity, and sexuality. The book also explores the ways women writers of color have created their own ethnopoetics within the arena of literary and cultural theory, helping to redefine the nature of theory itself.