Twenty-something guitarist Aksel stutters when he sings, and the latest reviews say he has the voice of a crow with throat plague. That’s not a compliment, even for the avant-garde music his band Perkeros plays. Aksel is having a hard time keeping the band together, stopping his girlfriend from kicking him out, and not getting eaten by his drummer (who happens to be a cranky brown bear). There are also the rival bands that Perkeros find themselves in battle with to save the city from supernatural forces set loose by ancient music. The key to it all could be in the music Aksel hears in his dreams—if it doesn’t drive him mad first. With a visual soundtrack that blasts off the page, Sing No Evil is a wild ride through otherworldly dangers and the power of pure rock’n’roll.
Of This New World offers a menagerie of utopias: real, imagined, and lost. Starting with the Garden of Eden and ending in a Mars colony, the stories wrestle with conflicts of idealism and practicality, communal ambition and individual kink. Stories jump between genres—from historical fiction to science fiction, realism to fabulism—but all ask that fundamental human question: is paradise really so impossible? Over the course of twelve stories, Hyde writes with a mix of lyricism, humor, and masterful detail. A group of environmental missionaries seeks to start an ideal eco-society on an island in The Bahamas, only to unwittingly tyrannize the local inhabitants. The neglected daughter of a floundering hippie commune must adjust to conventional life with her un-groovy grandmother. Haunted by her years at a collegiate idyll, a young woman eulogizes a friendship. After indenturing his only son to the Shakers, an antebellum vegan turns to Louisa May Alcott’s famous family for help. And in the final story, a former drug addict chases a second chance at life in a government-sponsored space population program. An unmissable debut, the collection charts the worlds born in our dreams and bred in hope.
Julian Kestrel, gentleman sleuth and dandy, becomes fascinated with the unsolved case of the murder of a Milanese aristocrat and the disappearance of his protégé, a brilliant young English opera singer. What has become of the singer’s fiancée and the aristocrat’s notoriously surly manservant? Could the murder be tied to Italy’s tumultuous politics? Furthermore, the murdered marquis left a widow whose beauty makes Kestrel’s heart skip faster.
The riveting, untold story of the “Father of Christian Rock” and the conflicts that launched a billion-dollar industry at the dawn of America’s culture wars. In 1969, in Capitol Records' Hollywood studio, a blonde-haired troubadour named Larry Norman laid track for an album that would launch a new genre of music and one of the strangest, most interesting careers in modern rock. Having spent the bulk of the 1960s playing on bills with acts like the Who, Janis Joplin, and the Doors, Norman decided that he wanted to sing about the most countercultural subject of all: Jesus. Billboard called Norman “the most important songwriter since Paul Simon,” and his music would go on to inspire members of bands as diverse as U2, The Pixies, Guns ‘N Roses, and more. To a young generation of Christians who wanted a way to be different in the American cultural scene, Larry was a godsend—spinning songs about one’s eternal soul as deftly as he did ones critiquing consumerism, middle-class values, and the Vietnam War. To the religious establishment, however, he was a thorn in the side; and to secular music fans, he was an enigma, constantly offering up Jesus to problems they didn’t think were problems. Paul McCartney himself once told Larry, “You could be famous if you’d just drop the God stuff,” a statement that would foreshadow Norman’s ultimate demise. In Why Should the Devil Have all the Good Music?, Gregory Alan Thornbury draws on unparalleled access to Norman’s personal papers and archives to narrate the conflicts that defined the singer’s life, as he crisscrossed the developing fault lines between Evangelicals and mainstream American culture—friction that continues to this day. What emerges is a twisting, engrossing story about ambition, art, friendship, betrayal, and the turns one’s life can take when you believe God is on your side.
Rock music today is universal and its popular history is well known. Yet few know how and why it really came about. Taking a fresh look at events long overlooked or misunderstood, this book tells how some of the most disenfranchised people in a free and prosperous nation strove to make themselves heard--and changed the world. Describing the genesis of rock and roll, the author covers everything from its deep roots in the Mississippi Delta, key early figures, like deejay "Daddy-O" Dewey Phillips and gospel star Sister Rosetta Tharpe, and the influence of so-called "holy rollers" of the Pentecostal church who became crucial performers--Elvis Presley, Jerry Lee Lewis and Little Richard.
Traces the development and characteristics of the Delta blues, and describes the most influential blues musicians and recordings of the 1920s and 1930s
`Since its creation in 1831, the French Foreign Legion has become the stuff of myth, fiction and dreams... Anyone thinking of joining up would be well advised to read this book first? - The Sun Herald A real-life boy's own adventure, Marching With The Devil is an account of David Mason's five years in the infamous French Foreign Legion. David Mason graduated from the Australian National University with a law degree and an honours degree. Like those around him, he could easily have settled for a life of share portfolios, good suits, new cars and big houses. But David wanted more ? he wanted a challenge, an adventure, something beyond the ordinary that would test him physically and mentally. He looked around to see what he could do. Working in an open-cut mine . . . done that. Running a marathon . . . hmm, not hard enough. Climbing Everest . . . maybe? Joining the French Foreign Legion . . . perfect! Marching With The Devil is the gripping true story of what happened when an Australian lawyer left his comfortable existence and joined the legendary French Foreign Legion. He stayed for five years and served time in the elite Parachute Regiments. With the motto 'March or Die', the legion has a history of pain, grief and glory. David Mason takes us behind the myth to reveal exactly what happens: the adventure, the danger, the drinking, the fighting and the lies that sustain the legend.fore the final choice must be made. `Remarkable... It's hard not to think it a shame that a man of such obvious gifts should have wasted them on the legion, just so as not to have to feel like a quitter, even if this book was the result? - The Age `Marching with the Devil quickly turns into an insightful and honest account of an unpretentious Aussie's experiences in one of the most ramshackle and soul-destroying military organisations on Earth? - Courier Mail `A strangely compulsive read about one man?s quest for self knowledge? - Men's Health Magazine `Mason left a comfortable life in Australia to test himself in the crucible of the legion, and he writes about it 20 years after his service time necessary to give himself the distance and context he needed to write about an extraordinary and painful experience? - Sunday Mail Brisbane
In this “unmissable book” (The Guardian), an internationally renowned forensic psychiatrist and psychotherapist demonstrates the remarkable human capacity for radical empathy, change, and redemption. What drives someone to commit an act of terrible violence? Drawing from her thirty years of experience in providing therapy to people in prisons and secure hospitals who have committed serious offenses, Dr. Gwen Adshead provides fresh and surprising insights into violence and the mind. Through a collaboration with coauthor Eileen Horne, Dr. Adshead brings her extraordinary career to life in a series of unflinching portraits. Alongside doctor and patient, we discover what human cruelty, ranging from serial homicide to stalking, arson or sexual offending, means to perpetrators, experiencing firsthand how minds can change when the people some might label as “evil” are able to take responsibility for their life stories and get to know their own minds. With outcomes ranging from hope to despair, from denial to recovery, these men and women are revealed in all their complexity and shared humanity. In this era of mass incarceration, deep cuts in mental health care and extreme social schisms, this book offers a persuasive argument for compassion over condemnation. Moving, thought-provoking, and brilliantly told, The Devil You Know is a rare and timely book with the power to transform our ideas about cruelty and violence, and to radically expand the limits of empathy. “A welcome contribution to the literature of crime and rehabilitation” (Kirkus Reviews).
A Rolling Stone-Kirkus Best Music Book of 2020 “[Brother Robert} book does much to pull the blues master out of the fog of myth.”—Rolling Stone An intimate memoir by blues legend Robert Johnson's stepsister, including new details about his family, music, influences, tragic death, and musical afterlife Though Robert Johnson was only twenty-seven years young and relatively unknown at the time of his tragic death in 1938, his enduring recordings have solidified his status as a progenitor of the Delta blues style. And yet, while his music has retained the steadfast devotion of modern listeners, much remains unknown about the man who penned and played these timeless tunes. Few people alive today actually remember what Johnson was really like, and those who do have largely upheld their silence-until now. In Brother Robert, nonagenarian Annye C. Anderson sheds new light on a real-life figure largely obscured by his own legend: her kind and incredibly talented stepbrother, Robert Johnson. This book chronicles Johnson's unconventional path to stardom, from the harrowing story behind his illegitimate birth, to his first strum of the guitar on Anderson's father's knee, to the genre-defining recordings that would one day secure his legacy. Along the way, readers are gifted not only with Anderson's personal anecdotes, but with colorful recollections passed down to Anderson by members of their family-the people who knew Johnson best. Readers also learn about the contours of his working life in Memphis, never-before-disclosed details about his romantic history, and all of Johnson's favorite things, from foods and entertainers to brands of tobacco and pomade. Together, these stories don't just bring the mythologized Johnson back down to earth; they preserve both his memory and his integrity. For decades, Anderson and her family have ignored the tall tales of Johnson "selling his soul to the devil" and the speculative to fictionalized accounts of his life that passed for biography. Brother Robert is here to set the record straight. Featuring a foreword by Elijah Wald and a Q&A with Anderson, Wald, Preston Lauterbach, and Peter Guralnick, this book paints a vivid portrait of an elusive figure who forever changed the musical landscape as we know it.
