The Mahler Symphonies

The Mahler Symphonies

Author: David Hurwitz

Publisher: Hal Leonard Corporation

Published: 2004

Total Pages: 218

ISBN-13: 9781574670998

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"Hurwitz describes the emotional extravagance that lies at the root of Mahler's popularity, the consistency of his symphonic thinking, and his dazzling and revolutionary use of orchestral instruments to create an expressive musical language that is varied in content and immediate in impact."--BOOK JACKET.


Symphony no. 2 in E minor, op. 27

Symphony no. 2 in E minor, op. 27

Author: Sergei Rachmaninoff

Publisher: Courier Corporation

Published: 1999-01-01

Total Pages: 244

ISBN-13: 9780486406299

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Excellent exhibition of the Russian Romantic's mature style, particularly in the melodic style of the slow movement and the lavish and imaginative use of the orchestra (notably in the scherzo).


Symphony no. 2 in D Minor, op. 24 ("Jullien"}

Symphony no. 2 in D Minor, op. 24 (

Author: George Frederick Bristow

Publisher: A-R Editions, Inc.

Published: 2011-01-01

Total Pages: 372

ISBN-13: 9780895796844

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URL: https://www.areditions.com/rr/rra/a072.html George Frederick Bristow (1825¿98), American composer, conductor, teacher, and performer, was a pillar of the New York musical community for the second half of the nineteenth century. His participation in an important mid-century battle-of-words (between William Henry Fry and the journalist Richard Storrs Willis and concerning a lack of support for American composers by the Philharmonic Society) has unfortunately overshadowed his accomplishments as a composer, which were significant. Bristow is remembered today primarily for his opera Rip van Winkle (1855) and oratorio Daniel (1866), but he was also a skillful and productive composer of orchestral music¿one of only a handful of American orchestral composers active at mid-century.Bristow wrote his Symphony no. 2 (Jullien) in 1853. It is a substantial work in four movements, scored for the standard orchestra of the early nineteenth century, and strongly influenced by the personal styles of Beethoven and Mendelssohn (whose works were performed regularly by the Philharmonic Society). The symphony is skillfully crafted, melodious, and an intrinsically worthy work of musical artistry. It was named to honor the French conductor Louis Jullien, who visited the United States in 1853¿54 with an unparalleled orchestra. While in the United States Jullien both commissioned and performed American works (including this symphony); his support served as the catalyst for the Fry/Willis battle. The introductory essay to this symphony examines Bristow¿s career, the composition of orchestral music in America at mid-century, and Jullien¿s role in the musical battle; the edition makes available for the first time an important work that has been undeservedly forgotten for over 150 years.


Symphony No.2

Symphony No.2

Author: Alexander Borodin

Publisher: Serenissima Music, Inc.

Published: 2008

Total Pages: 164

ISBN-13: 9781608740031

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Orchestra: 2, 2+1, 2, 2 - 4, 2, 3, 0, timp, str ISMN: 979-0-800001-86-4


Why Mahler?

Why Mahler?

Author: Norman Lebrecht

Publisher: Anchor

Published: 2010-10-12

Total Pages: 338

ISBN-13: 0307379507

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Although Gustav Mahler was a famous conductor in Vienna and New York, the music that he wrote was condemned during his lifetime and for many years after his death in 1911. “Pages of dreary emptiness,” sniffed a leading American conductor. Yet today, almost one hundred years later, Mahler has displaced Beethoven as a box-office draw and exerts a unique influence on both popular music and film scores. Mahler’s coming-of-age began with such 1960s phenomena as Leonard Bernstein’s boxed set of his symphonies and Luchino Visconti’s film Death in Venice, which used Mahler’s music in its sound track. But that was just the first in a series of waves that established Mahler not just as a great composer but also as an oracle with a personal message for every listener. There are now almost two thousand recordings of his music, which has become an irresistible launchpad for young maestros such as Gustavo Dudamel. Why Mahler? Why does his music affect us in the way it does? Norman Lebrecht, one of the world’s most widely read cultural commentators, has been wrestling obsessively with Mahler for half his life. Pacing out his every footstep from birthplace to grave, scrutinizing his manuscripts, talking to those who knew him, Lebrecht constructs a compelling new portrait of Mahler as a man who lived determinedly outside his own times. Mahler was—along with Picasso, Einstein, Freud, Kafka, and Joyce—a maker of our modern world. “Mahler dealt with issues I could recognize,” writes Lebrecht, “with racism, workplace chaos, social conflict, relationship breakdown, alienation, depression, and the limitations of medical knowledge.” Why Mahler? is a book that shows how music can change our lives.


Origami Symphony No. 2

Origami Symphony No. 2

Author: John Montroll

Publisher:

Published: 2019-10-12

Total Pages: 128

ISBN-13: 9781877656484

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Welcome to the world premier of the Second Origami Symphony. Contained in this work are 38 original models, each a masterpiece by origami master John Montroll. Each model can be folded from a single square using standard origami paper. Themes include sea creatures, peaceful creatures, Archimedean Solids, and prehistoric mammals, in four movements.


Symphony No. 2 in C Minor -- Resurrection

Symphony No. 2 in C Minor -- Resurrection

Author:

Publisher: Alfred Music

Published: 2020-09

Total Pages: 999

ISBN-13: 9781581067583

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Instrumentation: 4d4, 4d2, 3d1+2Eb(1d cl4), 4d2 - 10(4 off-stg), 10(4 off-stg), 4, 1, timp, perc, 2hp, org in set, str, soli SA, mx chor