:"Visual deception" can open up space, solve a decorating problem, or create exciting objets d'art to enliven your home. With just a few tricks of perspective, shadow, and color, anyone can usetrompe l'oeil to change the appearance of furniture, ceilings, walls, or an entire room! It's easy, and you don't have to be a skilled painter to get fabulous effects; this basic primer guides you through all the materials; preparing surfaces; mixing colors; and the laws of perspective from background to mid-distance to foreground--even an aerial view. Beautiful projects include a projection of a window overlooking a park, extremely suitable for beginners; painted stones; decorative panels; and classical forms like arches and columns. You won't believe how fast you can get great results!
The essential reference for amateur and professional alike, The Handbook of Painted Decoration is the first book to cover the whole spectrum of trompe l'oeil decorative painting, from classic marbling and wood graining to ancient techniques of decorative painting that have been nearly forgotten.
Beginners can try their hands at basic projects (some requiring only six steps to complete,) while intermediate decorators can take on more elaborate trompe l'oeil compositions featuring landscapes, drapery and architectural elements.Complete instructions show how to block out shapes, scale drawings, and use shading and highlighting to create three-dimensional effects. Readers will also find a techniques and materials section, as well as a template section with full-size, traceable patterns.
From a countryside panorama in a windowless room to a faux mosaic wall, an intricately painted Oriental carpet to a soaring cathedral dome in a single-story room, Trompe l’oeil painting offers an art form ideal for contemporary interiors, adding color and aesthetic atmosphere and responding to specific architectural needs and situations. Trompe L’Oeil Today offers a fascinating overview of the range of styles and techniques of illusionistic painting for private residences and public spaces, restaurants and other commercial interiors, and even indoor swimming pools. It covers unusual techniques, such as anamorphism, and bold geometric patterns, as well as more traditional Trompe L’oeil subjects, including Pompeian-style wall paintings, classical arches and colonnades, landscapes, statues and reliefs, and elaborate ceiling treatments. The book defines the categories of illusionistic painting: material imitation, or faux finishes, ranging from marble and wood finishes to snake and crocodile skin; grisaille, including imaginary moldings, reliefs, and statuary; small-format trompe l’oeils, such as those painted in niches and on doors; and large panoramic murals. Experienced professionals, the authors address practical questions and offer helpful tips and tricks for choosing the right materials, technique, and style. They examine the use of perspective and the psychology of visual perception, presenting a visually beguiling array of painting possibilities. Trompe L’Oeil Today is an essential reference for artists and designers working in trompe l’oeil and in search of suggestions or inspiration, interior architects and decorators looking for an outline of what can be done to create new and different ambiances, and clients who plan to commission a work. Over 150 four-color photographs illustrate the architectural and aesthetic impact of professional illusionistic work. Trompe L’Oeil Today is an invaluable survey of an impressive, popular art form.
Our political age is characterized by forms of description as ‘big’ as the world itself: talk of ‘public knowledge’ and ‘public goods,’ ‘the commons’ or ‘global justice’ create an exigency for modes of governance that leave little room for smallness itself. Rather than question the politics of adjudication between the big and the small, this book inquires instead into the cultural epistemology fueling the aggrandizement and miniaturization of description itself. Incorporating analytical frameworks from science studies, ethnography, and political and economic theory, this book charts an itinerary for an internal anthropology of theorizing. It suggests that many of the effects that social theory uses today to produce insights are the legacy of baroque epistemological tricks. In particular, the book undertakes its own trompe l’oeil as it places description at perpendicular angles to emerging forms of global public knowledge. The aesthetic ‘trap’ of the trompe l’oeil aims to capture knowledge, for only when knowledge is captured can it be properly released.
Painting for Performance removes the mystery from painting and gives beginners the terms, tools, and techniques to approach their unpainted set with confidence. Covering the mechanics of paint and its many implementations in set design, this book provides simple and effective step-by-step instructions for painting a variety of surfaces to look great on stage.
