During the American Revolution and the border conflicts that followed, Simon Girty’s name struck terror into the hearts of U.S. settlers in the Ohio Valley and the territory of Kentucky. Girty (1741-1818) had lived with the Natives most of his life. Scorned by his fellow white frontiersmen as an "Indian lover," Girty became an Indian agent for the British. He accompanied Native raids against Americans, spied deep into enemy territory, and was influential in convincing the tribes to fight for the British. The Americans declared Girty an outlaw. In U.S. history books he is a villain even worse than Benedict Arnold. Yet in Canada, Girty is regarded as a Loyalist hero, and a historic plaque marks the site of his homestead on the Ontario side of the Detroit River. In Native history, Girty stands out as one of the few white men who championed their cause against American expansion. But was he truly the "White Savage" of legend, or a hero whose story was twisted by his foes?
Along with Benedict Arnold, Simon Girty was one of the most hated men in early America. The son of an Irish immigrant, he was raised on the western Pennsylvania frontier but was captured by the Senecas as a teenager and lived among them for several years. This able frontiersman might be seen today as a defender of Native Americans, but in his own time he was branded as a traitor for siding with First Nations and the British during the Revolutionary War. He fought fiercely against Continental Army forces in the Ohio River Valley and was victorious in the bloody Battle of Blue Licks. In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry. Moments of torture and horrifying bloodshed stand starkly against passages celebrating beautiful landscapes and wildlife. Throughout, Taylor challenges perceptions of the man and the frontier, as well as notions of white settler innocence. Simon Girty's bloody exploits and legend made him hated and feared in Kentucky and the Ohio River Valley, but many who knew him respected him for his convictions, principles, and bravery. This evocative work brings to life a complex figure who must permanently dwell in the borderland between myth and fact, one foot in each domain.
During the American Revolution and the border conflicts that followed, Simon Girty’s name struck terror into the hearts of U.S. settlers in the Ohio Valley and the territory of Kentucky. Girty (1741-1818) had lived with the Natives most of his life. Scorned by his fellow white frontiersmen as an "Indian lover," Girty became an Indian agent for the British. He accompanied Native raids against Americans, spied deep into enemy territory, and was influential in convincing the tribes to fight for the British. The Americans declared Girty an outlaw. In U.S. history books he is a villain even worse than Benedict Arnold. Yet in Canada, Girty is regarded as a Loyalist hero, and a historic plaque marks the site of his homestead on the Ontario side of the Detroit River. In Native history, Girty stands out as one of the few white men who championed their cause against American expansion. But was he truly the "White Savage" of legend, or a hero whose story was twisted by his foes?
Author Robert Thompson recounts the harrowing story of Phebe Tucker Cunningham, from her marriage at Prickett's Fort to her return to the shores of the Monongahela. Life on the West Virginia frontier was a daily struggle for survival, and for Phebe Tucker Cunningham, that meant the loss of her four children at the hands of the Wyandot tribe and being held captive for three years until legendary renegades Simon Girty and Alexander McKee arranged her freedom. Thompson describes in vivid detail early colonial life in the Alleghenies and the ways of the Wyandot, providing historical context for this unforgettable saga.
Perhaps few other frontiersmen of the early Revolutionary period were as complicated as the notorious Simon Girty. A native of Pennsylvania, Girty spent years of his childhood as a captive of the Seneca, eventually assimilating into its culture. During Lord Dunmore's War, Girty fought alongside Simon Kenton and Daniel Boone as a spy and scout for the British forces. Although initially supporting the Americans in the Revolution, Girty switched sides in 1778 and fought the remainder of the war against the colonials. After the war, Girty continued to fight against American encroachment on native territories. He settled in Canada and died there in 1818. His unusual life reflected the decades during which the "middle ground" was built and contested by native Americans and the British and French colonial empires.
The frontiersmen were a remarkable breed of men. They were often rough and illiterate, sometimes brutal and vicious, often seeking an escape in the wilderness of mid-America from crimes committed back east. In the beautiful but deadly country which would one day come to be known as West Virginia, Kentucky, Michigan, Ohio, Indiana, and Illinois, more often than not they left their bones to bleach beside forest paths or on the banks of the Ohio River, victims of Indians who claimed the vast virgin territory and strove to turn back the growing tide of whites. These frontiersmen are the subjects of Allan W. Eckert's dramatic history. Against the background of such names as George Rogers Clark, Daniel Boone, Arthur St. Clair, Anthony Wayne, Simon Girty and William Henry Harrison, Eckert has recreated the life of one of America's most outstanding heroes, Simon Kenton. Kenton's role in opening the Northwest Territory to settlement more than rivaled that of his friend Daniel Boone. By his eighteenth birthday, Kenton had already won frontier renown as woodsman, fighter and scout. His incredible physical strength and endurance, his great dignity and innate kindness made him the ideal prototype of the frontier hero. Yet there is another story to The Frontiersmen. It is equally the story of one of history's greatest leaders, whose misfortune was to be born to a doomed cause and a dying race. Tecumseh, the brilliant Shawnee chief, welded together by the sheer force of his intellect and charisma an incredible Indian confederacy that came desperately close to breaking the thrust of the white man's westward expansion. Like Kenton, Tecumseh was the paragon of his people's virtues, and the story of his life, in Allan Eckert's hands, reveals most profoundly the grandeur and the tragedy of the American Indian. No less importantly, The Frontiersmen is the story of wilderness America itself, its penetration and settlement, and it is Eckert's particular grace to be able to evoke life and meaning from the raw facts of this story. In The Frontiersmen not only do we care about our long-forgotten fathers, we live again with them.
In the late 1830s or early 1840s, probably at the insistence of his family and friends, Alder composed his memoirs, in which he recounted his life with the Ohio Indians and his experiences as one of the area's earliest pioneers."--Jacket.
An award-winning author chronicles the settling of the Ohio River Valley, home to the defiant Shawnee Indians, who vow to defend their land against the seemingly unstoppable. They came on foot and by horseback, in wagons and on rafts, singly and by the score, restless, adventurous, enterprising, relentless, seeking a foothold on the future. European immigrants and American colonists, settlers and speculators, soldiers and missionaries, fugitives from justice and from despair—pioneers all, in the great and inexorable westward expansion defined at its heart by the majestic flow of the Ohio River. This is their story, a chronicle of monumental dimension, of resounding drama and impact set during a pivotal era in our history: the birth and growth of a nation. Drawing on a wealth of research, both scholarly and anecdotal—including letters, diaries, and journals of the era—Allan W. Eckert has delivered a landmark of historical authenticity, unprecedented in scope and detail.
