Impulsive young Prince Siegfried craves glory and recognition from his aloof parents, the king and queen of Denmark. Starting a war with a neighbouring country and seeking out the most feared dragon in the realm seems like a good place to start. An epic tale full of action, adventure, mythological beasts, magical swords, powerful rings, and a treacherous companion. Adapted from the ancient Norse mythological Völsunga Saga, Siegfried: Dragon Slayer is the first in a two-part series by Canadians Mark Allard-Will and Jasmine Redford.
Myths and Legends retells some of the most fantastic stories and folk tales from around the world. From the myth of Jason and the Golden Fleece to the legend of the Knights of King Arthur, the stories in Myths and Legends abound with strange and wonderful happenings. Accompanied by stunning illustrations throughout, young and old will be spellbound by the adventures of heroes, monsters, dragons and giants . . . Mythical monsters and legendary heroes have fascinated people for thousands of years. No one will ever know for sure if the terrible Minotaur ever exited or if the ancient Greeks really did destroy the city of Troy with a huge, wooden horse. Perhaps the people within Myths and Legends really did exist, but over many, many years the stories surrounding them have become more and more outrageous until the true facts have all but disappeared. Whether true or untrue, Myths and Legends retells magical tales of fantastic feats and events that will captivate all who read them.
Many years ago, J.R.R. Tolkien composed his own version of the great legend of Northern antiquity, recounted here in The Legend of Sigurd and Gudrún. In the Lay of the Völsungs is told the ancestry of the great hero Sigurd, the slayer of Fáfnir, most celebrated of dragons; of his awakening of the Valkyrie Brynhild, who slept surrounded by a wall of fire, and of their betrothal; and of his coming to the court of the great princes who were named the Niflungs (or Nibelungs), with whom he entered into blood-brotherhood. In scenes of dramatic intensity, of confusion of identity, thwarted passion, jealousy, and bitter strife, the tragedy of Sigurd and Brynhild, of Gunnar the Niflung and Gudrún his sister, mounts to its end in the murder of Sigurd, the suicide of Brynhild, and the despair of Gudrún. The Lay of Gudrún recounts her fate after the death of Sigurd, her marriage against her will to the mighty Atli, ruler of the Huns (the Attila of history), his murder of her brothers, and her hideous revenge.
It portrays the existential struggles and downfall of an entire people, the Burgundians, in a military conflict with the Huns and their king."--Jacket.
In this fascinating biography of the infamous ideologue Erich Ludendorff, Jay Lockenour complicates the classic depiction of this German World War I hero. Erich Ludendorff created for himself a persona that secured his place as one of the most prominent (and despicable) Germans of the twentieth century. With boundless energy and an obsession with detail, Ludendorff ascended to power and solidified a stable, public position among Germany's most influential. Between 1914 and his death in 1937, he was a war hero, a dictator, a right-wing activist, a failed putschist, a presidential candidate, a publisher, and a would-be prophet. He guided Germany's effort in the Great War between 1916 and 1918 and, importantly, set the tone for a politics of victimhood and revenge in the postwar era. Dragonslayer explores Ludendorff's life after 1918, arguing that the strange or unhinged personal traits most historians attribute to mental collapse were, in fact, integral to Ludendorff's political strategy. Lockenour asserts that Ludendorff patterned himself, sometimes consciously and sometimes unconsciously, on the dragonslayer of Germanic mythology, Siegfried—hero of the epic poem The Niebelungenlied and much admired by German nationalists. The symbolic power of this myth allowed Ludendorff to embody many Germans' fantasies of revenge after their defeat in 1918, keeping him relevant to political discourse despite his failure to hold high office or cultivate a mass following after World War I. Lockenour reveals the influence that Ludendorff's postwar career had on Germany's political culture and radical right during this tumultuous era. Dragonslayer is a tale as fabulist as fiction.
The Saga of the Volsungs is an Icelandic epic of special interest to admirers of Richard Wagner, who drew heavily upon this Norse source in writing his Ring Cycle and a primary source for writers of fantasy such as J. R. R. Tolkien and romantics such as William Morris. A trove of traditional lore, it tells of love, jealousy, vengeance, war, and the mythic deeds of the dragonslayer, Sigurd the Volsung. Byock's comprehensive introduction explores the history, legends, and myths contained in the saga and traces the development of a narrative that reaches back to the period of the great folk migrations in Europe when the Roman Empire collapsed.
