As a young fourteen-year-old African American five-month pregnant girl, I was nearly killed by my Mother. Scars were left behind when my Mother put me in the New York Foundling Hospital for pregnant young girls. I was pretty much on my own. I didnt have a Father figure growing up; because my daddy died the day before I turned four years old. I didnt have a Mother figure; because my mothers alcoholism led her to be abusive to her children, and the ones around her. My Mother didnt teach me about the facts of Life, and my brothers and sisters werent sibling figures; because they were older, and into themselves. Throughout my Trails and Tribulations in my Life, I left Scars behind from my peers and the bullies. During my Journey, I didnt let the hardship of the scars succumb me from my dreams. When you dream~ you imagine. When you imagine ~ you are hoping for a result to happen. I imagined leaving my scars behind; so I could have a better mentality to deal with society emotionally. I imagined becoming a writer, for the World to admire my talents. I was on my own again at the tender age of twenty-two, when my foster/adopted Mother put me out her house, for having sexual relations with her son. I became scared forever from a love affair I wasnt supposed to be involved in. Scars Left Behind, were not only physically on my body; but also in my Heart and Soul. The will power to become a Survivor is a Purpose, I have within my Calling.
From a writer whose work has been called “breathtaking and dazzling” by Roxane Gay, this moving, illuminating, and multifaceted memoir explores, in a series of essays, the emotional scars we carry when dealing with mental and physical illnesses—reminiscent of The Collected Schizophrenias and An Unquiet Mind. In this stunning debut, Laura Lee weaves unforgettable and eye-opening essays on a variety of taboo topics. In “History of Scars” and “Aluminum’s Erosions,” Laura dives head-first into heavier themes revolving around intimacy, sexuality, trauma, mental illness, and the passage of time. In “Poetry of the World,” Laura shifts and addresses the grief she feels by being geographically distant from her mother whom, after being diagnosed with early onset Alzheimer’s, is relocated to a nursing home in Korea. Through the vivid imagery of mountain climbing, cooking, studying writing, and growing up Korean American, Lee explores the legacy of trauma on a young queer child of immigrants as she reconciles the disparate pieces of existence that make her whole. By tapping into her own personal, emotional, and psychological struggles in these powerful and relatable essays, Lee encourages all of us to not be afraid to face our own hardships and inner truths.
Moving to America turns H&à's life inside out. For all the 10 years of her life, H&à has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by, and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. H&à and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, H&à discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape, and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.
Takomiad of Surazeus - Goddess of Takoma presents 125,667 lines of verse in 2,590 poems, lyrics, ballads, sonnets, dramatic monologues, eulogies, hymns, and epigrams written by Surazeus 1984 to 1992.
For eleven-year-old Gopal and his family, life in their rural Indian village is over: We stay, we starve, his baba has warned. With the darkness of night as cover, they flee to the big city of Mumbai in hopes of finding work and a brighter future. Gopal is eager to help support his struggling family until school starts, so when a stranger approaches him with the promise of a factory job, he jumps at the offer. But Gopal has been deceived. There is no factory, just a small, stuffy sweatshop where he and five other boys are forced to make beaded frames for no money and little food. The boys are forbidden to talk or even to call one another by their real names. In this atmosphere of distrust and isolation, locked in a rundown building in an unknown part of the city, Gopal despairs of ever seeing his family again. But late one night, when Gopal decides to share kahanis, or stories, he realizes that storytelling might be the boys' key to holding on to their sense of self and their hope for any kind of future. If he can make them feel more like brothers than enemies, their lives will be more bearable in the shop—and they might even find a way to escape.
Hugo and Shirley Jackson award-winning Peter Watts stands on the cutting edge of hard SF with his acclaimed novel, Blindsight Two months since the stars fell... Two months of silence, while a world held its breath. Now some half-derelict space probe, sparking fitfully past Neptune's orbit, hears a whisper from the edge of the solar system: a faint signal sweeping the cosmos like a lighthouse beam. Whatever's out there isn't talking to us. It's talking to some distant star, perhaps. Or perhaps to something closer, something en route. So who do you send to force introductions with unknown and unknowable alien intellect that doesn't wish to be met? You send a linguist with multiple personalities, her brain surgically partitioned into separate, sentient processing cores. You send a biologist so radically interfaced with machinery that he sees x-rays and tastes ultrasound. You send a pacifist warrior in the faint hope she won't be needed. You send a monster to command them all, an extinct hominid predator once called vampire, recalled from the grave with the voodoo of recombinant genetics and the blood of sociopaths. And you send a synthesist—an informational topologist with half his mind gone—as an interface between here and there. Pray they can be trusted with the fate of a world. They may be more alien than the thing they've been sent to find. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
When an assassin kills Princess Jiara's older sister Scilla, Jiara takes her sister’s place as the bride to the king of a faraway country—hoping she can catch the killer before her sister’s vengeful ghost murders their family—making Jiara the killer's next target.