Arai Hakuseki, advisor to the sixth and seventh Tokugawa shogun, played an important role in Japanese politics between 1709 and 1716, during an era of large changes in the bakufu. He participated in major policy decisions on currency, foreign trade, and local administration, while simultaneously trying to enhance the shogun's authority both within the bakufu and as a national ruler. The following shogun retained Hakuseki's fiscal and trade policies, but promptly reversed those measures designed to make the shogun a king-like figure. Nakai examines these successes and failures against the background of the time, especially the bifurcated and ambiguous distribution of authority between the Tokugawa shogun and the tenno in Kyoto. She also traces the influence of Confucian political theory on Hakuseki's program and on his defense of that program in the face of criticism. Nakai draws upon Hakuseki's autobiography and diary and the reportorial letters of a contemporary for Hakuseki's political activities, and on Hakuseki's historical works and memorials for the theoretical basis for his programs, rooted in Confucianism. llustrative and lively translations from Hakuseki enrich the book, helping to portray a multi-faceted personality who managed to blend practical politics and Confucian idealism within the complicated and dynamic environment of the early-eighteenth-century bakufu.
Preliminary Material -- The Contours of Bakufu Politics -- Jusha and Yoriai -- Associates and Rivals -- Intellectual Influences, Psychological Disposition -- Fiscal Exigencies: Approaches to the Economic Foundations of Bakufu Rule -- Shogun, Daimyo, and Populace: The Role of the Ruler in the Bakuhan State -- The Shogun and His Officials: Perspectives on the Bakufu Administrative Structure -- The Creation of a King: Reshaping the Symbols of Shogunal Authority -- Answering Critics -- Arguing from History: Reappraisal of the Eternal Sovereignty of the Imperial Line -- Redefinition of the Parameters of Buke Rule -- Contradictions -- Conclusion -- Appendixes -- Notes -- Bibliography -- Glossary -- Index -- Harvard East Asian Monographs.
The Genpei War of 1180-1185 signaled a crucial shift in Japanese history because it gave birth to the shogunate, or government run by warriors. How was the emergence of this new polity following a contentious civil war explained in literary texts? This book argues that political authority is made visible in the variant texts of the Heike monogatari corpus through rituals that map the ideal social-cosmic order, overwriting untidy historical realities. Artifacts of material culture likewise provide the social and political codes to authenticate warrior power and manage its violence. Through its focus on ritual and material practices, this book offers a new perspective on how texts from fourteenth century Japan harnessed symbolic understandings of authority to evoke order and contain rupture. Equally significant is its analysis of the Genpei jōsuiki a Heike monogatari variant that played a critical role in the retrospection of medieval Japan through the early modern period.
Tsunayoshi (1646–1709), the fifth Tokugawa shogun, is one of the most notorious figures in Japanese history. Viewed by many as a tyrant, his policies were deemed eccentric, extreme, and unorthodox. His Laws of Compassion, which made the maltreatment of dogs an offense punishable by death, earned him the nickname Dog Shogun, by which he is still popularly known today. However, Tsunayoshi’s rule coincides with the famed Genroku era, a period of unprecedented cultural growth and prosperity that Japan would not experience again until the mid-twentieth century. It was under Tsunayoshi that for the first time in Japanese history considerable numbers of ordinary townspeople were in a financial position to acquire an education and enjoy many of the amusements previously reserved for the ruling elite. Based on a masterful re-examination of primary sources, this exciting new work by a senior scholar of the Tokugawa period maintains that Tsunayoshi’s notoriety stems largely from the work of samurai historians and officials who saw their privileges challenged by a ruler sympathetic to commoners. Beatrice Bodart-Bailey’s insightful analysis of Tsunayoshi’s background sheds new light on his personality and the policies associated with his shogunate. Tsunayoshi was the fourth son of Tokugawa Iemitsu (1604–1651) and left largely in the care of his mother, the daughter of a greengrocer. Under her influence, Bodart-Bailey argues, the future ruler rebelled against the values of his class. As evidence she cites the fact that, as shogun, Tsunayoshi not only decreed the registration of dogs, which were kept in large numbers by samurai and posed a threat to the populace, but also the registration of pregnant women and young children to prevent infanticide. He decreed, moreover, that officials take on the onerous tasks of finding homes for abandoned children and caring for sick travelers. In the eyes of his detractors, Tsunayoshi’s interest in Confucian and Buddhist studies and his other intellectual pursuits were merely distractions for a dilettante. Bodart-Bailey counters that view by pointing out that one of Japan’s most important political philosophers, Ogyû Sorai, learned his craft under the fifth shogun. Sorai not only praised Tsunayoshi’s government, but his writings constitute the theoretical framework for many of the ruler’s controversial policies. Another salutary aspect of Tsunayoshi’s leadership that Bodart-Bailey brings to light is his role in preventing the famines and riots that would have undoubtedly taken place following the worst earthquake and tsunami as well as the most violent eruption of Mount Fuji in history—all of which occurred during the final years of Tsunayoshi's shogunate. The Dog Shogun is a thoroughly revisionist work of Japanese political history that touches on many social, intellectual, and economic developments as well. As such it promises to become a standard text on late-seventeenth and early-eighteenth-century Japan.
This book examines early modern Mito, today an ordinary provincial capital on the outskirts of the Tokyo commuter belt, but once the headquarters of Mito Domain, one of the most consequential places in all of Japan. As one of just three senior branches of the Tokugawa family—which ruled over Japan for 260 years—Mito’s ruling family enjoyed unparalleled status and exerted enormous influence throughout its history. In the seventeenth century, its scholars produced some of early modern Japan’s most important historical scholarship. In the eighteenth century, it developed a robust and pragmatic program of reform to confront depopulation and foreign threats. In the nineteenth century, it became the birthplace of a revolutionary ideology that transformed Japan into a modern, imperial nation. The power of these ideas swept across Japan, inspiring activists everywhere to take up the cause of building a new nation—but they also devastated Mito, leading to a brutal civil war that scarred its people for generations. This book complements existing studies of Mito’s ideas by focusing on the history of Mito as a place and telling the stories of Mito’s politicians, reformers, and ordinary people from the beginning of the domain’s history to its end.
*Finalist for the Pulitzer Prize in Biography* *Winner of the 2020 National Book Critics Circle Award* *Winner of the PEN/Jacqueline Bograd Weld Award for Biography* A “captivating” (The Washington Post) work of history that explores the life of an unconventional woman during the first half of the 19th century in Edo—the city that would become Tokyo—and a portrait of a city on the brink of a momentous encounter with the West. The daughter of a Buddhist priest, Tsuneno was born in a rural Japanese village and was expected to live a traditional life much like her mother’s. But after three divorces—and a temperament much too strong-willed for her family’s approval—she ran away to make a life for herself in one of the largest cities in the world: Edo, a bustling metropolis at its peak. With Tsuneno as our guide, we experience the drama and excitement of Edo just prior to the arrival of American Commodore Perry’s fleet, which transformed Japan. During this pivotal moment in Japanese history, Tsuneno bounces from tenement to tenement, marries a masterless samurai, and eventually enters the service of a famous city magistrate. Tsuneno’s life provides a window into 19th-century Japanese culture—and a rare view of an extraordinary woman who sacrificed her family and her reputation to make a new life for herself, in defiance of social conventions. “A compelling story, traced with meticulous detail and told with exquisite sympathy” (The Wall Street Journal), Stranger in the Shogun’s City is “a vivid, polyphonic portrait of life in 19th-century Japan [that] evokes the Shogun era with panache and insight” (National Review of Books).
The Dutch East India Company was a hybrid organization combining the characteristics of both corporation and state that attempted to thrust itself aggressively into an Asian political order in which it possessed no obvious place and was transformed in the process. This study focuses on the company's clashes with Tokugawa Japan over diplomacy, violence, and sovereignty. In each encounter the Dutch were forced to retreat, compelled to abandon their claims to sovereign powers, and to refashion themselves again and again—from subjects of a fictive king to loyal vassals of the shogun, from aggressive pirates to meek merchants, and from insistent defenders of colonial sovereignty to legal subjects of the Tokugawa state. Within the confines of these conflicts, the terms of the relationship between the company and the shogun first took shape and were subsequently set into what would become their permanent form. The first book to treat the Dutch East India Company in Japan as something more than just a commercial organization, The Company and the Shogun presents new perspective on one of the most important, long-lasting relationships to develop between an Asian state and a European overseas enterprise.
This is a vivid account of the corrupt and improbable political machine that ran Japanese politics for twenty years, from the early 1970s to the early 1990s, the period during which Japan became the world's second-largest economy. Reviews "Washington lobbyists, Moscow mafiosi, and Beijing party bosses stand back! . . . Here is one of the longest running big-time political sleaze serials of the past quarter-century. . . . This was a book waiting to be written, and not only has Schlesinger done it, but he has also produced a fine job of political reporting." --New York Times Book Review "In a rollicking style, Schlesinger . . . demolishes the popular misconception that politicians are boring. His is a tale of monstrous personalities. . . . This is the most entertaining short history of Japanese politics this reviewer has encountered." --The Economist "A story which is told vividly in this well researched and reliable account. . . . A superb analysis of Japan's politics and economic affairs." --Washington Post Book World "Shadow Shoguns is a lively and anecdote-rich account of the eerie parallels between Tokyo's now-battered political machine and New York's Tammany Hall. . . . Schlesinger masterfully demonstrates why Prime Minister Tanaka personified the collusive ties between Japanese politicians and Big Business." --Business Week "A fascinating and penetrating tale about the Tanaka machine that dominated Japan's politics for several decades and whose demise in the early 1990s has created a political vacuum that accounts for many of Japan's current problems." --Foreign Affairs
In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).
