Depictions of ships are not unsuprisingly reasonably common in the Roman mosaics of the Mediterranean. Here Zaraza Friedman analyses some of the most important examples, asking what they can tell us about ancient ship construction, rigging, and sailing techniques, and compares the results with the evidence available from the archaeological record.
In recent years, there has been intense debate about the reality behind the depiction of maritime cityscapes, especially harbours. Visualizing Harbours in the Classical World argues that the available textual and iconographic evidence supports the argument that these representations have a symbolic, rather than literal, meaning and message, and moreover that the traditional view, that all these media represent the reality of the contemporary cityscapes, is often unrealistic. Bridging the gap between archaeological sciences and the humanities, it ably integrates iconographic materials, epigraphic sources, history and archaeology, along with visual culture. Focusing on three main ancient ports – Alexandria, Rome and Leptis Magna – Federico Ugolini considers a range of issues around harbour iconography, from the triumphal imagery of monumental harbours and the symbolism of harbour images, their identification across the Mediterranean, and their symbolic, ideological and propagandistic messages, to the ways in which aspects of Imperial authority and control over the seas were expressed in the iconography of the Julio-Claudian, Trajan and Severii periods, how they reflected the repute, growth and power of the mercantile class during the Imperial era, and how the use of imagery reflected euergetism and paideia, which would inform the Roman audience about who had power over the sea.
The proem to Herodotus's history of the Greek-Persian wars relates the long-standing conflict between Europe and Asia from the points of view of the Greeks' chief antagonists, the Persians and Phoenicians. However humorous or fantastical these accounts may be, their stories, as voiced by a Greek, reveal a great deal about the perceived differences between Greeks and others. The conflict is framed in political, not absolute, terms correlative to historical events, not in terms of innate qualities of the participants. Becky Martin reconsiders works of art produced by, or thought to be produced by, Greeks and Phoenicians during the first millennium B.C., when they were in prolonged contact with one another. Although primordial narratives that emphasize an essential quality of Greek and Phoenician identities have been critiqued for decades, Martin contends that the study of ancient history has not yet effectively challenged the idea of the inevitability of the political and cultural triumph of Greece. She aims to show how the methods used to study ancient history shape perceptions of it and argues that art is especially positioned to revise conventional accountings of the history of Greek-Phoenician interaction. Examining Athenian and Tyrian coins, kouros statues and wall mosaics, as well as the familiar Alexander Sarcophagus and the sculpture known as the "Slipper Slapper, " Martin questions what constituted "Greek" and "Phoenician" art and, by extension, Greek and Phoenician identity.
Wachsmann punctuates the absorbing details of preserving this artifact with the rich history that surrounds the Sea of Galilee, making this a uniquely enduring and personal work. Wachsmann transports us enabling us to savor this voyage with him on one of the greatest archaeological expeditions of the twentieth century.
Archaeological Oceanography is the definitive book on the newly emerging field of deep-sea archaeology. Marine archaeologists have been finding and excavating underwater shipwrecks since at least the early 1950s, but until recently their explorations have been restricted to depths considered shallow by oceanographic standards. This book describes the latest advances that enable researchers to probe the secrets of the deep ocean, and the vital contributions these advances offer to archaeology and fields like maritime history and anthropology. Renowned oceanographer Robert Ballard--who stunned the world with his discovery of the Titanic deep in the North Atlantic--has gathered together the pioneers of archaeological oceanography, a cross-disciplinary group of archaeologists, oceanographers, ocean engineers, and anthropologists who have undertaken ambitious expeditions into the deep sea. In this book, they discuss the history of archaeological oceanography and the evolution and use of advanced deep-submergence technology to locate and excavate ancient and modern shipwrecks and cultural and other sites deep under water. They offer examples from their own expeditions and explain the challenges future programs face in obtaining access to the resources needed to carry out this important and exciting research. The contributors are Robert D. Ballard, Ali Can, Dwight F. Coleman, Mike J. Durbin, Ryan Eustace, Brendan Foley, Cathy Giangrande, Todd S. Gregory, Rachel L. Horlings, Jonathan Howland, Kevin McBride, James B. Newman, Dennis Piechota, Oscar Pizarro, Christopher Roman, Hanumant Singh, Cheryl Ward, and Sarah Webster.
Drawing together maritime landscape studies and network analysis, this book offers an archaeological exploration of seaborne economy and connectivity across the Roman eastern Mediterranean, where the material record of shipwrecks and ports reveals multiple evolving regional and interregional systems of interaction.
This volume contains a selection of fourteen papers presented at the Red Sea VI conference held at Tabuk University, Kingdom of Saudi Arabia in 2013. It sheds light on many aspects related to the environmental and biological perspectives, history, archaeology and human culture of the Red Sea, opening the door to more interdisciplinary research in the region. It stimulates a new discourse on different human adaptations to, and interactions with, the environment. With contributions by Andre Antunes, K. Christopher Beard, Ahmed Hussein, Emad Khalil, Solène Marion de Procé, Abdirachid Mohamed, Ania Kotarba-Morley, Sandra Olsen, Andrew Peacock, Eleanor Scerri, Pierre Schneider, Marijke Van Der Veen and Chiara Zazzaro.
Isopsephisms of Desire (Roger Bagnall) -- Word-Play: Word Squares and Riddles (Roger Bagnall) -- The Graffiti: Descriptions, Texts, Translations, and Notes -- Bibliography -- Index of Greek Words -- Index of Subjects and Motifs of Drawings -- General Index -- Concordance of Publication Numbers with Supplementum Epigraphicum Graecum 61 -- Concordance of Numbers of Bays and Piers
The role doors and windows play in shaping the life and structure of Roman private dwellings has been underestimated; they are structures that connect not only rooms but houses to the outside world, and they relate to privacy, security, and light in domestic spaces. This volume analyses these structures as an essential part of daily life.
This book examines the rich corpus of mosaics created in Crete during the Roman and Late Antique eras. It provides essential information on the style, iconography and chronology of the material, as well as discussion of the craftspeople who created them and the technologies they used. The contextualized mosaic evidence also reveals a new understanding of Roman and Late Antique Crete. It helps shed light on the processes by which Crete became part of the Roman Empire, its subsequent Christianization and the pivotal role the island played in the Mediterranean network of societies during these periods. This book provides an original approach to the study of mosaics and an innovative method of presenting a diachronic view of provincial Cretan society.