Ally Ryan would rather be in Maryland. She would rather be anywhere, in fact, than Orchard Hill, site of her downfall. Well, not hers exactly—but when your father’s hedge fund goes south and all your friends lose their trust funds, things don’t look so sunny for you. Her mother moved her to Maryland to flee the shame, but now they’re moving back. Back to the country-club, new-car-every-year, my-family-came-over-on-the-Mayflower lifestyle that Ally has outgrown. One bright spot, however, is gorgeous, intense Jake Graydon. But it won’t be easy for the two of them to be together—not if his friends (her former friends) have anything to say about it. Is Ally ready to get thrown back into the drama of the life she left behind?
After their long summer apart, Ally and Jake were hoping for a drama free senior year. Instead they are faced with a turn of events that threaten to tear them apart...for good. It turns out that Chloe is pregnant and says that Jake is the father. Hammond is pissed at his best friend, but mostly can't believe that Ally would stay with Jake. But Ally is tired of being apart from Jake and is willing to make it work. But that is easier said than done when Jake starts blowing Ally off to go to doctor's appointments with Chloe and Ally joins the school play and meets a new cute guy. As graduation approaches, new secrets come out and Ally realizes maybe Jake isn't the guy she thought he was. After everything they've been through can Ally and Jake get out of Orchard Hill with their relationship in tact?
"Fans of Karen M. McManus and Katie Alender will devour this darkly funny, fast-paced mystery."--SLJ A hilarious Agatha Christie-inspired YA thriller-comedy about three best friends who sneak into an influencers-only festival event (gone wrong), only to discover a killer is in their midst--and they have to uncover the truth and solve the mystery before it's too late. Perfect for fans of One of Us Is Lying and Truly Devious. Plum Winter has always come in second to her sister, the unbelievably cool, famous influencer Peach Winter. And when Peach is invited to an all-expenses-paid trip to a luxurious art-and-music festival for influencers on a private island in the Caribbean, Plum decides it's finally her time to shine. So she intercepts the invite--and asks her two best friends, Sofia and Marlowe, to come along to the fest with her. It'll be a spring break they'll never forget. But when Plum and her friends get to the island, it's not anything like it seemed in the invite. The island is run-down, creepy, and there doesn't even seem to be a festival--it's just seven other quasi-celebrities and influencers, and none of the glitz and glamour she expected. Then people start to die... Plum and her friends soon realize that someone has lured each of them to the "festival" to kill them. Someone has a vendetta against every person on the island--and no one is supposed to leave alive. So, together, Plum, Sofia, and Marlowe will do whatever it takes to unravel the mystery of the killer, and fight to save themselves and as many influencers as they can, before it's too late. Praise for You're So Dead: “You're So Dead is the hilarious, swoony, Surprisingly Stabby book of my dreams! Ash Parsons delivers a sharp send-up of influencer culture wrapped in a clever whodunnit that also has a lot of heart. While I never want to go to "Pyre Festival," I'd hang out with Plum, Marlowe, and Sofia any day.”—Rachel Hawkins, New York Times Bestselling author of The Wife Upstairs “Parsons (Girls Save the World in This One) gently satirizes online culture and the ill-fated Fyre Festival in this frothy homage to Agatha Christie’s And Then There Were None. The cheeky mystery is both clever and satisfying.” --Publishers Weekly "Parsons effectively mixes social media commentary and thrilling murder mystery with a dash of ridiculous humor . . . A #trendy and #entertaining whodunit." --Kirkus Reviews "[A]riveting thriller-comedy...writing in short, energetic bursts with a witty voice, Parsons keeps the twists coming, her motley crew’s energy running frantic as the body count rises and they try to discover the killer in their midst." --Booklist
High school romance is tough—even for a bona fide love goddess. Can Cupid succeed as a mortal matchmaker? When Eros (aka Cupid) is expelled from Olympus for defying Zeus after falling in love with Orion, she is banished to what she believes to be hell. We call it New Jersey. If she ever wants to go back to the comforts of her old life, she will have to find love for three couples—without using her powers. Eros, now calling herself True, immediately identifies her first project in Charlie and believes finding him love will be a piece of cake. Charlie is new at school and eager to break out of his old image of band geek, so it’s lucky for him when he falls in with the right crowd on his first day. But music is still his passion. That is, until he meets Katrina... Katrina is floundering after the death of her father and takes refuge with a boy who, while not entirely supportive, will be there when she needs him, unlike her mother. Too bad True thinks any girl Charlie talks to is perfect for him. Can she get out of her own way and help Charlie and Katrina connect, or will she be stuck in New Jersey forever?
The highly anticipated new thriller from the USA Today bestselling author of The Perfect Marriage. Opulence. Sex. Betrayal ... Sometimes friendship can be deadly. Meet the women of Buckhead—a place of expensive cars, huge houses, and competitive friendships. Shannon was once the queen bee of Buckhead. But she’s been unceremoniously dumped by Bryce, her politician husband. When Bryce replaces her with a much younger woman, Shannon sets out to take revenge ... Crystal has stepped into Shannon’s old shoes. A young, innocent Texan girl, she simply has no idea what she’s up against ... Olivia has waited years to take Shannon’s crown as the unofficial queen of Buckhead. Finally, her moment has come. But to take her rightful place, she will need to use every backstabbing, manipulative, underhand trick in the book ... Jenny owns Glow, the most exclusive salon in town. Jenny knows all her clients’ secrets and darkest desires. But will she ever tell? Who amongst these women will be clever enough to survive Buckhead—and who will wind up dead? They say that friendships can be complex, but no one said it could ever be this deadly.
“Whether you’re an individual woman looking for help or a reader looking for the truth about the thousands of women who are battered by the men they live with, Next Time, She’ll Be Dead is the one book you should read.” —Gloria Steinem At least 1 in 4 women will be abused during her lifetime—that is 25% of our mothers, daughters, sisters, partners, and friends. Thousands will be killed. As author Ann Jones observes, despite its devastation battering is regarded not as a serious crime, but instead as an inevitable “problem” blandly labeled “domestic violence.” Stories of household assaults and murders are all over the news, but the blame is usually pinned on the woman who is said to have either provoked the attack or failed to “leave.” In this groundbreaking book, Jones points instead to the many factors in society that promote, trivialize, and perpetuate brutality against women: from popular psychology, academic “expertise,” mass media, and pop culture, to the criminal justice system and the law itself. Delving deep into the history, legality, and personal politics of male violence against wives and girlfriends, Next Time, She’ll Be Dead fearlessly reframes the issue. This critically acclaimed masterwork offers productive ways of thinking and speaking about battering and explains what must be done to stop it.
"Wholly original and captivating." - Brigid Kemmerer, New York Times bestselling author of A Curse So Dark and Lonely Girls team up to overthrow the kingdom in this unique and powerful retelling of Cinderella from a stunning new voice that's perfect for fans of Dhonielle Clayton and Melissa Albert. It's 200 years after Cinderella found her prince, but the fairy tale is over. Teen girls are now required to appear at the Annual Ball, where the men of the kingdom select wives based on a girl's display of finery. If a suitable match is not found, the girls not chosen are never heard from again. Sixteen-year-old Sophia would much rather marry Erin, her childhood best friend, than parade in front of suitors. At the ball, Sophia makes the desperate decision to flee, and finds herself hiding in Cinderella's mausoleum. There, she meets Constance, the last known descendant of Cinderella and her step sisters. Together they vow to bring down the king once and for all--and in the process, they learn that there's more to Cinderella's story than they ever knew . . . This fresh take on a classic story will make readers question the tales they've been told, and root for girls to break down the constructs of the world around them.
In this “brave and heartbreaking novel that digs its claws into you and doesn’t let go, long after you’ve finished it” (Anna Todd, New York Times bestselling author) from the #1 New York Times bestselling author of All Your Perfects, a workaholic with a too-good-to-be-true romance can’t stop thinking about her first love. Lily hasn’t always had it easy, but that’s never stopped her from working hard for the life she wants. She’s come a long way from the small town where she grew up—she graduated from college, moved to Boston, and started her own business. And when she feels a spark with a gorgeous neurosurgeon named Ryle Kincaid, everything in Lily’s life seems too good to be true. Ryle is assertive, stubborn, maybe even a little arrogant. He’s also sensitive, brilliant, and has a total soft spot for Lily. And the way he looks in scrubs certainly doesn’t hurt. Lily can’t get him out of her head. But Ryle’s complete aversion to relationships is disturbing. Even as Lily finds herself becoming the exception to his “no dating” rule, she can’t help but wonder what made him that way in the first place. As questions about her new relationship overwhelm her, so do thoughts of Atlas Corrigan—her first love and a link to the past she left behind. He was her kindred spirit, her protector. When Atlas suddenly reappears, everything Lily has built with Ryle is threatened. An honest, evocative, and tender novel, It Ends with Us is “a glorious and touching read, a forever keeper. The kind of book that gets handed down” (USA TODAY).
Winner of the 2021 National Jewish Book Award for Contemporary Jewish Life and Practice Finalist for the 2021 Kirkus Prize in Nonfiction A New York Times Notable Book of the Year A Wall Street Journal, Chicago Public Library, Publishers Weekly, and Kirkus Reviews Best Book of the Year A startling and profound exploration of how Jewish history is exploited to comfort the living. Renowned and beloved as a prizewinning novelist, Dara Horn has also been publishing penetrating essays since she was a teenager. Often asked by major publications to write on subjects related to Jewish culture—and increasingly in response to a recent wave of deadly antisemitic attacks—Horn was troubled to realize what all of these assignments had in common: she was being asked to write about dead Jews, never about living ones. In these essays, Horn reflects on subjects as far-flung as the international veneration of Anne Frank, the mythology that Jewish family names were changed at Ellis Island, the blockbuster traveling exhibition Auschwitz, the marketing of the Jewish history of Harbin, China, and the little-known life of the "righteous Gentile" Varian Fry. Throughout, she challenges us to confront the reasons why there might be so much fascination with Jewish deaths, and so little respect for Jewish lives unfolding in the present. Horn draws upon her travels, her research, and also her own family life—trying to explain Shakespeare’s Shylock to a curious ten-year-old, her anger when swastikas are drawn on desks in her children’s school, the profound perspective offered by traditional religious practice and study—to assert the vitality, complexity, and depth of Jewish life against an antisemitism that, far from being disarmed by the mantra of "Never forget," is on the rise. As Horn explores the (not so) shocking attacks on the American Jewish community in recent years, she reveals the subtler dehumanization built into the public piety that surrounds the Jewish past—making the radical argument that the benign reverence we give to past horrors is itself a profound affront to human dignity.
