Literature is the reflection of the society. George Eliot says that literature holds mirror to the life. It is recognized as one of the fine arts like music, art, painting and architecture etc since the times of Aristotle. The literature is divided into three divisions- poetry, prose and drama. Poetry includes the epic, song, lyric, sonnet, ode, narrative poems, elegy etc.
Jay'S Life Comes Apart At The Seams When Her Husband Is Asked To Leave His Job While Allegations Of Business Malpractice Against Him Are Investigated. Her Familiar Existence Disrupted, Her Husband'S Reputation In Question And Their Future As A Family In Jeopardy, Jaya, A Failed Writer, Is Haunted By Memories Of The Past. Differences With Her Husband, Frustrations In Their Seventeen-Year-Old Marriage, Disappointment In Her Two Teenage Children, The Claustrophia Of Her Childhood&Amp;Mdash;All Begin To Surface. In Her Small Suburban Bombay Flat, Jaya Grapples With These And Other Truths About Herself&Amp;Mdash;Among Them Her Failure At Writing And Her Fear Of Anger. Shashi Deshpande Gives Us An Exceptionally Accomplished Portrayal Of A Woman Trying To Erase A 'Long Silence' Begun In Childhood And Rooted In Herself And In The Constraints Of Her Life.
Shashi Deshpande's latest novel explores the lives of two women, one obsessed with music and the other a passionate believer in Communism, who break away from their families to seek fulfilment in public life. Savitribai Indorekar, born into an orthodox Hindu family, elopes with her Muslim lover and accompanist, Ghulaam Saab, to pursue a career in music. Gentle, strong-willed Leela, on the other hand, gives her life to the Party, and to working with the factory workers of Bombay. Fifty years after these events have been set in motion, Madhu, Leela's niece, travels to Bhavanipur, Savitribai's home in her last years, to write a biography of Bai. Caught in her own despair over the loss of her only son. Madhu tries to make sense of the lives of Bai and those around her, and in doing so, seeks to find a way out of her own grief.
This Conference Proceedings of the National Seminar entitled “Multidisciplinary Research and Practice” compiled by Dr. M. Kanika Priya records various research papers written by eminent scholars, professors and students. The articles range from English literature to Tamil literature, Arts, Humanities, Social Science, Education, Performing Arts, Information and Communication Technology, Engineering, Technology and Science, Medicine and Pharmaceutical Research, Economics, Sociology, Philosophy, Business, Management, Commerce and Accounting, Teacher Education, Higher Education, Primary and Secondary Education, Law, Science (Mathematics, Physics, Chemistry, Zoology, Botany), Agriculture and Computer Science. Researchers and faculty members from various disciplines have contributed their research papers. This book contains articles in Three languages, namely: English, Tamil and Hindi. As a editor Dr. M. Kanika Priya has taken up the tedious job of checking the validity and correctness of the research work in bringing out this conference proceedings in a beautiful manner. In its present shape and size, this anthology will, hopefully, find a place on the library shelves and enlighten the academics all round the world.
The Present Book Seeks To Study The Feminist Perspective In Shashi Deshpande S Novels. It Reveals Deshpande S Sincerity And Ability In Voicing The Concerns Of The Urban Educated Middle-Class Woman. Trapped Between Tradition And Modernity, Her Sensitive Heroines Are Fully Conscious Of Being Victims Of Gross Gender Discrimination Prevalent In A Conservative Male-Dominated Society. A Culture-Specific Approach Has Been Adopted To Unravel Shashi Deshpande S Pragmatic Resolution Related To The Modern Indian Woman S Beleaguered Existence. The Book, It Is Hoped, Will Make A Rich Contribution To Women S Studies.
The New Series Studies In Women Writers In English Is A Grateful Acknowledgment Of The Contribution And Public Recognition Of The Emerging Voice Of Women In The Arena Of Literature During The Last Few Centuries, And Especially In The Latter Half Of The Twentieth Century. Women Writers Across The Globe Have Made Their Distinctive Mark, With Their Own Perception Of Life Be It Feminine, Or Feminist Or Female.The Critique Of Work By Women Writers Introduced In The Present Volume, The Sixth In The Series, Bears Evidence To The Growing Critical Attention Towards Authors Writing Outside The Mainstream, In America, Canada, And Especially In India, Who Can Be Seen Sharing Similar Awareness And Feelings Regarding The Woman S Angst And Aspirations.Since Most Of The Authors Discussed In These Articles Are Prescribed In The English Syllabus In The Universities Of India, Both The Teachers And The Students Will Find Them Extremely Useful, And The General Readers Who Are Interested In Literature In English And/Or Women Writers Will Also Find Them Intellectually Stimulating.
It is said that literature is a reflection of society, the author as well as his/her literature is the product of it. It is also said that literature is the product of a given milieu and individual sensibility which constitute together a culture entity rooted in the changing traditional value system of people. The writer, as a human being, is a part and parcel of the society and so, naturally he gets influenced by the atmosphere around him. Therefore the literature coming out through him becomes the manifestation of the cultural, social, spiritual and political scenario in the society. Kamala Markandaya is one of the leading women novelists of India. She has projected the theme of cultural clashes in different dimensions. She has produced several novels to her credit. Her novels find forceful expression of cultural clashes such as conflict between Tradition and modernity, clash between the rural and urban, East-West conflict and conflict between the two different attitudes of life from two diverse races. Kamala Markandaya has brought to the centre her protagonists who are invariably women, and therefore conflicts raised by the novelist relate to women. All the characters in her novels experience troubles and turmoil's in life but they rise above their desperation triumphantly because of their aspiration. It is a fact that Markandaya commands a wide reputation as a creator of readable novels; she has received a wide-ranging recognition and applause both in India and abroad. She has been a subject of serious discussion. But it is very surprising to note that an Indian woman novelist who has got a prominent position in India writing in English has not been able ii to draw the attention of critics and researchers to the extent she deserves. The articles in books and journals by their very nature remain confined to studying her novels as individual works. Book-length studies of Markandaya's novels are only a few. The proposed book will focus its attention on the conflict of nature in the novels of Kamala Markandaya through the discussion of the central characters. It will do its level best to fill in the gap and will attempt to study Markandaya's novels. Shashi Deshpande is one of the prominent writers who in the past two and a half decades established herself as a serious writer. She is undoubtedly an outstanding Indian English novelist who has boldly voiced the issues and sufferings of women in her works. She has projected this aspect of Indian women with more sensitivity and understanding as she was born and brought up in this soil. This work is to analyze about the works of Shasi Deshpandae and sense her to be a Feminist or Humanist. The themes of sexuality and man-woman relationship initially introduced in her stories are discussed which became the subject of full length novels. But they are found not merely the raw material for her novels. Her versatile treatment of women's issues reveals her sensitive nature as a woman writer, and this quality affirms her works as an outstanding contribution to Indian literature in English proving her to be a humanist. Sanjana Antil
