Culture is constructed, negotiated, managed, and shared by various ideological, political, and moral reasonings which manifest themselves tangibly and intangibly in public monuments, architecture, memorial sites, theaters, museums, orchestras, and heritage associations. The contributions to this volume explore the intersection of cultural heritage and nationality in societies that are characterized by national, multi-national, and post-national concepts. They question the roles that cultural heritage plays in its various contexts, and the ways in which ideology functions to produce it.
There is a charm to Kyoto. Surrounded by lush green hills, the city feels alive with nature, history, culture—and tourists. At once ancient capital, modern city, and home to numerous cultural heritage sites, Kyoto looms large in the promotion of Japanese culture at home and abroad. In the wake of years of economic recession followed by the national promotion of “cool Japan” in popular culture and tourism of the twenty-first century, anthropologist Jennifer Prough sets out to examine how the city’s history and culture have been mobilized to create heritage experiences for today’s tourists. The heart of her book, Kyoto Revisited, centers on what it means to produce these for visitors, why seeing and feeling culture and tradition appeal to both domestic and international travelers, and the challenges faced by a heritage tourism city. As Prough’s study suggests, heritage has multiple meanings. It is created as interested parties—state and local, public and private—tell different stories about the past, which are marketed in response to tourists’ desire for face-to-face engagement in an experience economy. Her work examines several prominent features of Kyoto tourism, including promotion plans, heritage neighborhood renovation, the role of the seasons and traditional aesthetics in citywide events, the appeal of sites commemorating the Meiji restoration, and the trend of walking in the heritage district in a rented kimono. Throughout Prough brings together scholarship from Japanese studies, heritage studies, and the anthropology of tourism to highlight the interplay between the romantic desire for heritage tourism and the emphasis on “personal experience” (taiken) in the visitor industry today. Experience has long been an integral part of tourism—even as what counts as experience has shifted across time and place (from taking a photo to staying with locals to trying one’s hand at a traditional craft)—yet these touristic desires take on a new tinge in the experience economy. Kyoto Revisited demonstrates not only how the past has been used to construct the city’s identity and shape understandings of Japan for travelers, but also how these speak to broader trends in our contemporary moment.
Celebrating the theme ‘Shared heritage’, this volume presents the peer-reviewed proceedings from IKUWA6 (the 6th International Congress for Underwater Archaeology, Fremantle 2016). Papers offer a stimulating diversity of themes and niche topics of value to maritime archaeology practitioners, researchers, students, museum professionals and more.
Nicknamed both “Mobtown” and “Charm City” and located on the border of the North and South, Baltimore is a city of contradictions. From media depictions in The Wire to the real-life trial of police officers for the murder of Freddie Gray, Baltimore has become a quintessential example of a struggling American city. Yet the truth about Baltimore is far more complicated—and more fascinating. To help untangle these apparent paradoxes, the editors of Baltimore Revisited have assembled a collection of over thirty experts from inside and outside academia. Together, they reveal that Baltimore has been ground zero for a slew of neoliberal policies, a place where inequality has increased as corporate interests have eagerly privatized public goods and services to maximize profits. But they also uncover how community members resist and reveal a long tradition of Baltimoreans who have fought for social justice. The essays in this collection take readers on a tour through the city’s diverse neighborhoods, from the Lumbee Indian community in East Baltimore to the crusade for environmental justice in South Baltimore. Baltimore Revisited examines the city’s past, reflects upon the city’s present, and envisions the city’s future.
Traditional literacy, usually defined as the ability to read print materials, is but one component in a connected series. In an effort to facilitate the concept of connections, this book has been divided into four main sections: The many faces of literacy; the land and people of Iceland; the lessons from Iceland, an examination of the results of 57 interviews with fish factory workers, educators, librarians, community leaders, publishers, and students. The interviews sought the reasons for the remarkable nearly-100% print literacy in Iceland. Numerous tables summarize the interview data; and implications for the future.
Examining international case studies including USA, Asia, Australia and New Zealand, this book identifies and explores the use of heritage throughout the world. Challenging the idea that heritage value is self-evident, and that things must be preserved, it demonstrates how it gives tangibility to the values that underpin different communities.
This dissertation challenges the conventional narrative of Danish colonial history by critiquing the predominant reliance on textual records and archives as primary carriers of historical knowledge. Through case studies focused on landscape and landscaping practices, it offers an alternative approach to understanding the past by actively engaging with material heritage in what is conceptualized as a vibrant archive. Utilizing interdisciplinary and practice-led methodologies, from cultural and memory studies to ecocriticism, the research examines and engages with colonial history through case studies in dialog with contemporary interlocutors. Emphasizing the dynamic nature of landscapes as vibrant archives-in-the-making, building on Jane Bennett’s concept of vibrant matter, the dissertation underscores their capacity to both shape and be shaped by diverse actors and forces. This perspective prioritizes ethical considerations in preserving and interpreting cultural heritage, aiming to foster inclusivity and resilience in shaping future landscapes. As landscapes embody multiple pasts that transcend national borders, they reveal a global network of interconnected material heritage. However, prevailing historical understandings often prioritize certain discursive national formations, limiting a comprehensive grasp of global connectivity. By exploring contemporary investments in constructing new relational pasts, the dissertation seeks to broaden the analytical scope and challenge such dominant narratives. Through an exploration of colonial trauma and the enduring impacts of historical violence, the research delves into the entangled relationships between past, present, and future. Additionally, the dissertation investigates the role of sound recordings in creating immersive narratives and enhancing the communication of findings, offering insights into preservation efforts, cultural revitalization projects, and community-led initiatives in a contemporary context. Throughout the research, there is a consistent advocacy for a more just and inclusive approach to caring for the colonial archive within the context of colonial exploitation and ecological crisis. This emphasis on interconnectedness across social, environmental, and cultural dynamics highlights the urgent need to reckon with colonial legacies to promote social and environmental justice. Denna avhandling utmanar den konventionella berättelsen om dansk kolonialhistoria genom att kritisera den rådande särställning som skrivna dokument och arkiv har i förmedlingen av historisk kunskap. Via fallstudier som fokuserar på landskap och landskapspraktiker erbjuder den ett alternativt tillvägagångssätt för att förstå det förflutna genom att aktivt engagera sig med materiellt arv i det som konceptualiseras som ett vibrerande arkiv. Med hjälp av tvärvetenskapliga och praxisbaserade metoder, från kultur- och minnesstudier till ekokritik, undersöks kolonialhistorien i fallstudier i dialog med samtida samtalspartner. Genom att betona landskapens dynamiska natur som vibrerande arkiv under uppbyggnad, med utgångspunkt i Jane Bennetts begrepp vibrerande materia, framhåller avhandlingen deras förmåga att både forma och formas av olika aktörer och krafter. Detta perspektiv lyfter fram etiska överväganden i bevarandet och tolkningen av kulturellt arv, med målet att främja inkludering och resiliens i utformningen av framtida landskap. Eftersom landskap förkroppsligar flera skepnader av det förflutna som överskrider nationsgränser, vittnar de om ett globalt nätverk av sammanlänkat materiellt arv. Emellertid betonar rådande historiska förståelser ofta vissa diskursiva nationella formationer, vilket begränsar en heltäckande förståelse av en global sammanlänkning. Genom att utforska samtida ansatser att konstruera det förflutna som multipelt och relationellt, strävar avhandlingen efter att bredda den analytiska ramen och utmana sådana dominerande berättelser. Koloniala trauman och de bestående effekterna av historiskt våld utforskas, vilket leder till en fördjupad förståelse av de sammanflätade relationerna mellan förflutet, nutid och framtid. Dessutom undersöker avhandlingen ljudinspelningars roll i att skapa immersiva berättelser och förbättra kommunikationen av forskningsresultat, och erbjuder insikter i bevarandeinsatser, kulturella revitaliseringsprojekt och samhällsledda initiativ i en samtida kontext. Genomgående förespråkas i avhandlingen ett mer rättvist och inkluderande tillvägagångssätt när det gäller omsorgen om det koloniala arkivet inom ramen för kolonial exploatering och ekologisk kris. Denna betoning på sammanlänkning av sociala, miljömässiga och kulturella dynamiker framhäver det akuta behovet av att hantera det koloniala arvet för att främja social och miljömässig rättvisa.
This volume establishes new perspectives on African American history. The author discusses a wide range of issues and themes for understanding and analyzing African American history, the 20th century African American historical enterprise, and the teaching of African American history for the 21st century.
