Shane Meadows

Shane Meadows

Author: Martin Fradley

Publisher: Edinburgh University Press

Published: 2013-07-31

Total Pages: 327

ISBN-13: 0748676422

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Explores the full range of Shane Meadows' work, from its origins in local no-budget D.I.Y. media through to international festival acclaim and multiple award wins.


Shane Meadows

Shane Meadows

Author: Martin Fradley

Publisher: Edinburgh University Press

Published: 2013-07-22

Total Pages: 224

ISBN-13: 0748676406

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"e;From his breakthrough short films in the early 1990s and feature debut TwentyFourSeven (1997) through to the BAFTA-winning This Is England (2007) and hit television spin-off, director Shane Meadows has emerged as one of the most distinctive and influential voices in contemporary British cinema. Danny Perkins, CEO of StudioCanal UK, credits Meadows as the key figure in British film's contemporary renaissance, with This Is England "e;"e;doing more than any other [film] to change British audiences' attitudes"e;"e; to home-grown cinema. This book will explore the full range of Meadows' work, from its origins in local D.I.Y. media through to international festival acclaim. Over the course of its 15 chapters, it will present a comprehensive analysis of Meadows' oeuvre to date, situating it in the context of British cinema history as well as wider cultural changes from the nineties to now. "e;


Social Realism

Social Realism

Author: David Forrest

Publisher: Cambridge Scholars Publishing

Published: 2013-09-27

Total Pages: 245

ISBN-13: 1443853062

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This book presents a radical reappraisal of one of the most persistent and misunderstood aspects of British cinema: social realism. Through means of close textual analysis, David Forrest advances the case that social realism has provided British national culture with a consistent and distinctive art cinema, arguing that a theoretical re-assessment of the mode can enable it to be located within the context of broader traditions of global cinema. The book begins with the documentary movement and British wartime cinema, before moving to the British new wave and social problem cycle; the films of Ken Loach; the films of Mike Leigh; realism in the 1980s, specifically the work of Stephen Frears and Alan Clarke; before concluding with a discussion of contemporary realist cinema, specifically the work of Shane Meadows, Andrea Arnold and other recent exponents of the mode. These case studies give a thorough platform to explore the most prominent and diverse examples of realist practice in Britain over the last 80 years. The construction and critical analysis of this ‘social realist canon’ creates the conditions to reassess and look anew at this most British of cinematic traditions.


New Realism

New Realism

Author: David Forrest

Publisher: Edinburgh University Press

Published: 2020-03-18

Total Pages: 224

ISBN-13: 1474413048

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The tradition of British realism has changed dramatically over the last 20 years, where films by directors such as Duane Hopkins, Joanna Hogg, Andrea Arnold, Shane Meadows and Clio Barnard have suggested a markedly poetic turn. This new realism rejects the instrumentalism and didacticism of filmmakers like Ken Loach in favour of lyrical and often ambiguous encounters with place, where the physical processes of lived experience interacts with the rhythms of everyday life. Taking these 5 filmmakers as case studies, this book seeks to explore in depth this new tradition of British cinema - and in the process, it reignites debates over realism that have concerned scholars for decades.


The '80s Resurrected

The '80s Resurrected

Author: Randy Laist

Publisher: McFarland

Published: 2023-03-10

Total Pages: 235

ISBN-13: 1476686513

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The 1980s is remembered as a time of big hair, synthetic music, and microwave cookery. It is also remembered as the heyday of conservative politics, socioeconomic inequality, and moral panics. It is dichotomously remembered as either a nostalgic age of innocence or a regressive moral wasteland, depending on who you ask, and when. But, most of all, it is remembered. In retro fashion trends, in '80s-based film and television narratives, and through countless rebooted movies, video games, superheroes, and even political slogans imploring us to Make America Great Again (Again). More than merely a historical period, "the '80s" has grown into a contested myth, ever-evolving through the critical and expressive lens of popular culture. This book explores the many shapes the '80s mythos has taken across a diverse array of media. Essays examine television series such as Stranger Things, Cobra Kai, and POSE, films such as Dallas Buyers Club, Summer of '84, and Chocolate Babies, as well as video games, pop music, and toys. Collectively, these essays explore how representations of the 1980s influence the way we think about our past, our present, and our future.


British Film Directors

British Film Directors

Author: Robert Shail

Publisher: SIU Press

Published: 2007

Total Pages: 260

ISBN-13: 9780809328321

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This concise, authoritative volume analyses critically the work of 100 British directors, from the innovators of the silent period to contemporary auteurs.


The Daily Planet

The Daily Planet

Author: Patricia Aufderheide

Publisher: U of Minnesota Press

Published: 2000-01-01

Total Pages: 374

ISBN-13: 9780816633425

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The Daily Planet is a long-awaited selection of Patricia Aufderheide's most important critical essays, updated and organized thematically to demonstrate the breadth of her thinking on media and film, public telecommunications policy, and contemporary society. The result is a pithy and provocative exploration of "the culture of daily life under capitalism". Here, Aufderheide demonstrates criticism that is both activist and analytical. She probes the processes that shape our culture by examining diverse subjects, including the struggle to create quality children's television programming, the meaning of Paul Harvey, the evolution of the war film over the past thirty years, and the ways journalism is changed by the Internet and other new technologies. Throughout, Aufderheide foregrounds democratic values, displaying the penetrating insights that have made her a leading public intellectual and commentator on contemporary culture.


The Gallows Pole

The Gallows Pole

Author: Benjamin Myers

Publisher: Bloomsbury Publishing

Published: 2019-02-21

Total Pages: 385

ISBN-13: 1526611147

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____________________ The inspiration for the BBC TV series, directed by Shane Meadows and starring Tom Burke, George MacKay and Thomas Turgoose WINNER OF THE 2018 WALTER SCOTT PRIZE ____________________ 'Powerful, visceral writing, historical fiction at its best. Benjamin Myers is one to watch' - Pat Barker 'Phenomenal' - Sebastian Barry 'Superb' - The Times ____________________ From his remote moorland home, David Hartley assembles a gang of weavers and land-workers to embark upon a criminal enterprise that will capsize the economy and become the biggest fraud in British history. They are the Cragg Vale Coiners and their business is 'clipping' – the forging of coins, a treasonous offence punishable by death. When an excise officer vows to bring them down and with the industrial age set to change the face of England forever, Hartley's empire begins to crumble. Forensically assembled, The Gallows Pole is a true story of resistance and a rarely told alternative history of the North. ____________________ 'One of my books of the year ... It's the best thing Myers has done' - Robert Macfarlane, Big Issue Books of the Year


Cultural Feelings

Cultural Feelings

Author: Ben Highmore

Publisher: Taylor & Francis

Published: 2017-05-18

Total Pages: 193

ISBN-13: 1136474668

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Cultural Feelings: Mood, Mediation and Cultural Politics sets out to examine the role of feelings and mood in the production of social and cultural experience. By returning to the work of Raymond Williams, and informed by recent ‘affect theory’, it treats feeling as a foundational term for cultural studies. Ben Highmore argues that feelings are political and cultural forms that orchestrate our encounters with the world. He utilises a range of case studies from twentieth-century British culture, focusing in particular on Home Front morale during the Blitz, the experiences of Caribbean migration in the post-war decades, the music of post-punk bands in the late 1970s and early 1980s, and more recent ‘state of the nation’ film and television, including Our Friends in the North and This is England. He finds evidence in oral history, in films, photographs, television, novels, music, policy documents, and journalism. Through these sources, this book tells a vivid and compelling story of our most recent history and argues that the urgent task for a progressive cultural politics will require the changing of moods as well as minds. Cultural Feelings is essential reading for students and researchers with an interest in affect theory, emotion and culture.


Mapping the Self

Mapping the Self

Author: Alex Goody

Publisher: Cambridge Scholars Publishing

Published: 2015-10-05

Total Pages: 195

ISBN-13: 1443884316

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As the title indicates, three themes of perpetual interest in contemporary cultural studies – place, identity, and nationality – converge in this critical essay collection. While proffering varied and sometimes clashing arguments concerning the title themes, the essays and their authors all assert the importance of the creative text in defining, contesting, and understanding place, identity, and nationality in the modern and contemporary globalised world. The critical frameworks of these essays grow out of the groundbreaking literary and cultural studies theory of the past two decades. However, several of the essays map hitherto unchartered territory by engaging with recent works from emerging authors and a director, and providing new insight into the work of established authors. Beyond mapping new academic terrain, the collection is further distinguished by its global perspective with texts and authors from around the world which come together in a unique multinational dialogue. The collection is divided into three sections. The first, “Women Writers and Nationalism”, includes essays on Gertrude Stein, Adrienne Rich, Jo Shapcott, and Leila Aboulela. The second, “National Identity and Contemporary Fictions”, examines the role of contemporary fiction in establishing the respective national identities and histories of Wales and Australia. The third, “Transnational Identities”, analyses Partition literature, migrant women’s literature of France and Spain, and film director Shane Meadows’ take on new forms of nationalism. From India, Africa, Europe, Australia, and the United States, the texts and essays crisscross the globe, exploring the relationships between nationality and identity through film, memoir, poetry, and the novel. Some examine national literatures and identities; others focus on the struggle of the individual, particularly the migrant individual, to define his or her identity within a multicultural, multinational framework. Together, the essays register both collective and individual responses to nationality and illustrate new forms of nationalism and identity in the modern and contemporary world.