Shakespeare's Individualism

Shakespeare's Individualism

Author: Peter Holbrook

Publisher: Cambridge University Press

Published: 2010-01-21

Total Pages: 257

ISBN-13: 0521760674

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Why should we bother with Shakespeare today? A provocative perspective on the theme of individual freedom in Shakespeare's work.


How to Think Like Shakespeare

How to Think Like Shakespeare

Author: Scott Newstok

Publisher: Princeton University Press

Published: 2021-08-31

Total Pages: 206

ISBN-13: 0691227691

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"This book offers a short, spirited defense of rhetoric and the liberal arts as catalysts for precision, invention, and empathy in today's world. The author, a professor of Shakespeare studies at a liberal arts college and a parent of school-age children, argues that high-stakes testing and a culture of assessment have altered how and what students are taught, as courses across the arts, humanities, and sciences increasingly are set aside to make room for joyless, mechanical reading and math instruction. Students have been robbed of a complete education, their imaginations stunted by this myopic focus on bare literacy and numeracy. Education is about thinking, Newstok argues, rather than the mastery of a set of rigidly defined skills, and the seemingly rigid pedagogy of the English Renaissance produced some of the most compelling and influential examples of liberated thinking. Each of the fourteen chapters explores an essential element of Shakespeare's world and work, aligns it with the ideas of other thinkers and writers in modern times, and suggests opportunities for further reading. Chapters on craft, technology, attention, freedom, and related topics combine past and present ideas about education to build a case for the value of the past, the pleasure of thinking, and the limitations of modern educational practices and prejudices"--


Shakespeare's Hamlet and the Controversies of Self

Shakespeare's Hamlet and the Controversies of Self

Author: John Lee

Publisher: Oxford University Press, USA

Published: 2000

Total Pages: 294

ISBN-13:

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This text offers a new approach to the discussion of English Renaissance literary subjectivity. Unhappy with new historicist and cultural materialistic criticism, it traces the history of the controversies of self.


Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance

Shakespeare and Language: Reason, Eloquence and Artifice in the Renaissance

Author: Jonathan Hope

Publisher: Bloomsbury Publishing

Published: 2014-09-22

Total Pages: 264

ISBN-13: 1408143755

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'This book is nothing short of brilliant. It is bursting with new observations, pithy readings and sensitive analyses. One of Hope's skills is to show us that 'language' is not separable from 'ideas'; both are systems of representation. This is a book about words, conventions, artifice, mythology, innovation, reason, eloquence, silence, control, communication, selfhood, dialect, 'late style' and much, much more. After reading Hope's book you will never read Shakespeare in the same way.' (Professor Laurie Maguire, Magdalen College, Oxford) Our understanding of words, and how they get their meanings, relies on a stable spelling system and dictionary definitions - things which simply did not exist in the Renaissance. At that time, language was speech rather than writing; a word was by definition a collection of sounds not letters - and the consequences of this run deep. They explain our culture's inability to fully appreciate Shakespeare's wordplay and they also account for the rift that opened up between Shakespeare and us as language came to be regarded as essentially 'written'. In Shakespeare and Language, Jonathan Hope considers the ideas about language that separate us from Shakespeare. His comprehensive study explores the visual iconography of language in the Renaissance, the influence of the rhetorical tradition, the extent to which Shakespeare's late style is driven by a desire to increase the subjective content of the text, and contemporary ways of studying his language using computers.


Shakespeare's Prop Room

Shakespeare's Prop Room

Author: John Leland

Publisher: McFarland

Published: 2016-01-21

Total Pages: 229

ISBN-13: 147666336X

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This study provides the first comprehensive examination of every prop in Shakespeare's plays, whether mentioned in stage directions, indicated in dialogue or implied by the action. Building on the latest scholarship and offering a witty treatment of the subject, the authors delve into numerous historical documents, the business of theater in Renaissance England, and the plays themselves to explain what audiences might have seen at the Globe, the Rose, the Curtain, or the Blackfriars Playhouse, and why it matters. Students of the plays will be able to read beyond Shakespeare's words and visualize the drama as it might have appeared on the stage. Scholars will find a wealth of previously unmined material for reconstructing Renaissance theatrical practices. School drama groups, amateur theaters and directors and prop masters of professional troupes will find help in mounting their own productions as the Bard's audiences would have seen them.


The Art of Shakespeare’s Sonnets

The Art of Shakespeare’s Sonnets

Author: Helen Vendler

Publisher: Harvard University Press

Published: 1999-11-01

Total Pages: 693

ISBN-13: 0674088603

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Helen Vendler, widely regarded as our most accomplished interpreter of poetry, here serves as an incomparable guide to some of the best-loved poems in the English language. In detailed commentaries on Shakespeare’s 154 sonnets, Vendler reveals previously unperceived imaginative and stylistic features of the poems, pointing out not only new levels of import in particular lines, but also the ways in which the four parts of each sonnet work together to enact emotion and create dynamic effect. The commentaries—presented alongside the original and modernized texts—offer fresh perspectives on the individual poems, and, taken together, provide a full picture of Shakespeare’s techniques as a working poet. With the help of Vendler’s acute eye, we gain an appreciation of “Shakespeare’s elated variety of invention, his ironic capacity, his astonishing refinement of technique, and, above all, the reach of his skeptical imaginative intent.”


The Oxford Handbook of Shakespeare's Poetry

The Oxford Handbook of Shakespeare's Poetry

Author: Jonathan F. S. Post

Publisher:

Published: 2013-07-18

Total Pages: 775

ISBN-13: 0199607745

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The Oxford Handbook of Shakespeare's Poetry provides the widest coverage yet of Shakespeare's poetry and its afterlife in English and other languages.


Shakespeare's Lost Kingdom

Shakespeare's Lost Kingdom

Author: Charles Beauclerk

Publisher: Open Road + Grove/Atlantic

Published: 2011-02-08

Total Pages: 448

ISBN-13: 0802197140

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“A book for anyone who loves Shakespeare . . . One of the most scandalous and potentially revolutionary theories about the authorship of these immortal works.” —Mark Rylance, First Artistic Director of Shakespeare’s Globe Theatre It is perhaps the greatest story never told: the truth behind the most enduring works of literature in the English language, perhaps in any language. Who was William Shakespeare? Critically acclaimed historian Charles Beauclerk has spent more than two decades researching the authorship question, and if the plays were discovered today, he argues, we would see them for what they are—shocking political works written by a court insider, someone with the monarch’s indulgence, shielded from repression in an unstable time of armada and reformation. But the author’s identity was quickly swept under the rug after his death. The official history—of an uneducated merchant writing in near obscurity, and of a virginal queen married to her country—dominated for centuries. Shakespeare’s Lost Kingdom delves deep into the conflicts and personalities of Elizabethan England, as well as the plays themselves, to tell the true story of the “Soul of the Age.” “Beauclerk’s learned, deep scholarship, compelling research, engaging style and convincing interpretation won me completely. He has made me view the whole Elizabethan world afresh. The plays glow with new life, exciting and real, infused with the soul of a man too long denied his inheritance.” —Sir Derek Jacobi