Mr. Rummage, who works at Knicknack Market, shares with Digby and his sister Hannah background information about William Shakespeare and his becoming a well-known playwright.
This classic tale by Freeman is the story of Willoughby Waddles, a goose in Elizabethan London who befriends a playwright named Will and helps the young man by giving up some of his feathers.
License to Quill is a page-turning James Bond-esque spy thriller starring William Shakespeare and Christopher Marlowe during history's real life Gunpowder Plot. The story follows the fascinating golden age of English espionage, the tumultuous cold war gripping post-Reformation Europe, the cloak-and-dagger politics of Shakespeare's England, and lastly, the mysterious origins of the Bard's most haunting play: Macbeth. You won't want to miss this fast-paced historical retelling!
Thinking Shakespeare gives theater artists practical advice about how to make Shakespeare’s words feel spontaneous, passionate, and real. Based on Barry Edelstein’s thirty-year career directing Shakespeare’s plays, this book provides the tools that artists need to fully understand and express the power of Shakespeare’s language.
To be (or not to be) the man to save England England's finest swordsman and fight choreographer at the magnificent new Globe Theatre has hit rock bottom. John Lawley just wants to win back his beloved, become a decent father to his son, and help his friend William Shakespeare finish The Tragedy of Hamlet, the play that threatens to destroy him. But all is not fair in love and war. Dogged by his three devils—whiskey, women, and Mad Robbie Deveraux—John is dragged by Queen Elizabeth herself into a dangerous game of politics, conspiracy, and rebellion. Will the hapless swordsman figure out how to save England before it's too late? Brimming with vivid periodic detail, Shakespearean drama, and irresistible wit, Shakespeare's Rebel is a thrilling romp through the romantic, revolutionary times of Elizabethan England that will delight historical fiction fans and Shakespeare enthusiasts alike.
In a quiet manor house in Oxfordshire, an ailing housekeeper by the name of Aerlene Ward feels the time has come to confess the great secret that has shaped her life --
William Shakespeare lived at a remarkable time—a period we now recognize as the first phase of the Scientific Revolution. New ideas were transforming Western thought, the medieval was giving way to the modern, and the work of a few key figures hinted at the brave new world to come: the methodical and rational Galileo, the skeptical Montaigne, and—as Falk convincingly argues—Shakespeare, who observed human nature just as intently as the astronomers who studied the night sky. In The Science of Shakespeare, we meet a colorful cast of Renaissance thinkers, including Thomas Digges, who published the first English account of the "new astronomy" and lived in the same neighborhood as Shakespeare; Thomas Harriot—"England's Galileo"—who aimed a telescope at the night sky months ahead of his Italian counterpart; and Danish astronomer Tycho Brahe, whose observatory-castle stood within sight of Elsinore, chosen by Shakespeare as the setting for Hamlet—and whose family crest happened to include the names "Rosencrans" and "Guildensteren." And then there's Galileo himself: As Falk shows, his telescopic observations may have influenced one of Shakespeare's final works. Dan Falk's The Science of Shakespeare explores the connections between the famous playwright and the beginnings of the Scientific Revolution—and how, together, they changed the world forever.
This practical handbook is invaluable for anyone performing, teaching, studying or simply wanting a new way to enjoy Shakespeare. It provides an outline of Meisner's work and legacy, a discussion of that legacy in the light of the enduring global popularity of Shakespeare, and a wealth of practical exercises drawn from Meisner's techniques. Shakespeare writes about the truth in human relationships and human hearts. Sanford Meisner's work unlocks truthful acting. They would seem a perfect match. Yet, following Meisner's note to his actors that 'text is your greatest enemy', Shakespeare and Meisner are often considered 'strange bedfellows'. The rhetorical complexity of Shakespeare's text can often be perceived as rules an actor must learn in order to perform Shakespeare 'properly'. Meisner's main rule is that 'you can't say ouch until you've been pinched': in other words, an actor must genuinely feel something in order to react in a performance which is alive to the moment. This book explores how actors can use Meisner's tools of 'acting is reacting' to discover the infinite freedom within the apparent constraints of Shakespeare's text.