This book will serve to help the reader of Shakespeare’s plays by providing an introduction to the various literary critical issues that this great writer regularly generates. The ‘help rendered’ is largely referential, reminding the reader who said what and thought what at which point within the plays. Some of the critical issues discussed include: What is the secret of the rounded Shakespearean character (for instance, Falstaff)? What is a problem play, and what kind of philosophical arguments does Shakespeare introduce in such plays? What is the value of Shakespeare’s perspective for thinking effectively in our world now?
The American English Compendium is a fun way to explore the nuances of the English language—learn that a group of lions is called a pride; a group of whales, a pod; and a group of owls, a parliament. Distinguish between a quack and a shyster. Learn that “tabling a motion” in a U.S. court has an opposite meaning from the same term in England. This book picks up where other language dictionaries leave off: it includes common proverbs, a sampling of American English versus British English, popular American expressions and slang, acronyms, and varied information on everything from wildlife to currency. In this new edition, the staples have been updated and fresh chapters have been added, with information on pronunciation, oddball English words, and even some of the new Internet terminology, including Twitterspeak.
What PC English professors don't want you to learn from . . . - Beowulf: If we don't admire heroes, there's something wrong with us - Chaucer: Chivalry has contributed enormously to women's happiness - Shakespeare: Some choices are inherently destructive (it's just built into the nature of things) - Milton: Our intellectual freedoms are Christian, not anti-Christian, in origin - Jane Austen: Most men would be improved if they were more patriarchal than they actually are - Dickens: Reformers can do more harm than the injustices they set out to reform - T. S. Eliot: Tradition is necessary to culture - Flannery O'Connor: Even modern American liberals aren't immune to original sin
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.
Languages have become more mobile than ever before, producing translations, transplantations, and cohabitations of all kinds. The early modern period also witnessed profound linguistic transformation, but in very different ways. Interlinguicity, Internationality, and Shakespeare undoes the illusion that Shakespeare wrote in what we now think of as English. In a series of essays approaching Shakespeare from unique and thought-provoking perspectives, contributors from history, performance criticism, and comparative literature look at "interlinguicity," the condition of being between languages, and "internationality," the condition of being between countries. Each essay focuses on local issues, such as community identification in the Netherlands of Shakespeare’s time and the appropriation of Shakespeare in German literature in the nineteenth century, to suggest that Shakespeare never wrote "in" English because English was not then, nor is it now, an intact, knowable system. Many languages existed in sixteenth-century London, and English did not have clear limits. Interlinguicity, Internationality, and Shakespeare helps to explain the hybridity that Shakespeare embraced in all his writing. Contributors include Paula Blank (College of William and Mary), Lauren Coker (Saint Louis University), Brian Gingrich (Princeton University), Alexa Huang (George Washington University), James Loehlin (University of Texas at Austin), Scott Newstok (Rhodes College), Patricia Parker (Stanford University), Elizabeth Pentland (York University), Philip Schwyzer (University of Exeter), Gary Waite (University of New Brunswick), and Robert N. Watson (University of California, Los Angeles)
Challenging basic assumptions about human nature, while considering individual and collective behavioural patterns, this text reflects on ways in which a new world view could end current difficulties, to create a more Utopian society.
Click here to find out more about the 2009 MLA Updates and the 2010 APA Updates. Writing about Literature introduces strategies for reading literature, explains the writing process and common writing assignments for literature courses, provides instruction in writing about fiction, poetry, and drama, and includes coverage of writing a research paper and of literary criticism and theory. This volume in Bedford/St. Martin’s popular series of Portable Anthologies and Guides offers the series’ trademark combination of high quality and great value for teachers looking to assign supplementary instruction on reading and writing about literature to their students.
The Little Shakespeare Book is the perfect primer to the works of William Shakespeare, packed with witty illustrations and inspirational quotes, now in a handy compact size. This bold book covers every work, from the comedies of Twelfth Night and As You Like It to the tragedies of Julius Caesar and Hamlet, plus lost plays and less well-known works of poetry. Easy-to-understand graphics and illustrations bring the themes, plots, characters and language of Shakespeare to life, including illustrated timelines which offer an at-a-glance summary of the action for each play. With detailed plot summaries and an in-depth analysis of the major characters and themes, this is a brilliant, innovative exploration of the entire canon of Shakespeare plays, sonnets and poetry. Whether you're a Shakespeare scholar or a student of the great Bard, The Little Book of Shakespeare Book offers a fuller appreciation of his phenomenal talent and lasting legacy.
