Shakespeare and the Spanish Comedia

Shakespeare and the Spanish Comedia

Author: Bárbara Mujica

Publisher: Bucknell University Press

Published: 2013-10-03

Total Pages: 310

ISBN-13: 1611485185

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Shakespeare and the Spanish Comedia is a nearly unique transnational study of the theater / performance traditions of early modern Spain and England. Divided into three parts, the book focuses first on translating for the stage, examining diverse approaches to the topic. It asks, for example, whether plays should be translated to sound as if they were originally written in the target language or if their “foreignness” should be maintained and even highlighted. Section II deals with interpretation and considers such issues as uses of polyphony, the relationship between painting and theater, and representations of women. Section III highlights performance issues such as music in modern performances of classical theater and the construction of stage character. Written by a highly respected group of British and American scholars and theater practitioners, this book challenges the traditional divide between the academy and the stage and between one theatrical culture and another.


Shakespeare and Latinidad

Shakespeare and Latinidad

Author: Trevor Boffone

Publisher: Edinburgh University Press

Published: 2021-06-30

Total Pages: 351

ISBN-13: 147448851X

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Shakespeare and Latinidad is a collection of scholarly and practitioner essays in the field of Latinx theatre that specifically focuses on Latinx productions and appropriations of Shakespeare’s plays.


Remaking the Comedia

Remaking the Comedia

Author: Harley Erdman

Publisher: Boydell & Brewer Ltd

Published: 2015

Total Pages: 325

ISBN-13: 1855662922

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Leading Golden Age theatre experts examine the ways that comedias have been adapted and reinvented, offering a broad performance history of the genre for scholars and practicioners alike. This volume brings together twenty-six essays from the world's leading scholars and practitioners of Spanish Golden Age theatre. Examining the startlingly wide variety of ways that Spanish comedias have been adapted, re-envisioned, and reinvented, the book makes the case that adaptation is a crucial lens for understanding the performance history of the genre. The essays cover a wide range of topics, from the early stage history of the comedia through numerous modern and contemporary case studies, as well as the transformation of the comedia into other dramatic genres, such as films, musicals, puppetry, and opera. The essays themselves are brief and accessible to non-specialists. This book will appeal not only to Golden Age scholars and students but also to theater practitioners, as well as to anyone interested in the theory and practice of adaptation. Harley Erdman is Professor of Theaterat the University of Massachusetts, Amherst Susan Paun de García is Professor of Spanish at Denison University. Contributors: Sergio Adillo Rufo, Karen Berman, Robert E. Bayliss, Laurence Boswell, Bruce R.Burningham, Amaya Curieses Irarte, Rick Davis, Harley Erdman, Susan L. Fischer, Charles Victor Ganelin, Francisco García Vicente, Alejandro González Puche, Valerie Hegstrom, Kathleen Jeffs, David Johnston, Gina Kaufmann, Catherine Larson, Donald R. Larson, Barbara Mujica, Susan Paun de García, Felipe B. Pedraza Jiménez, Veronika Ryjik, Jonathan Thacker, Laura L. Vidler, Duncan Wheeler, Amy Williamsen, Jason Yancey


Shakespeare in the Spanish Theatre

Shakespeare in the Spanish Theatre

Author: Keith Gregor

Publisher: A&C Black

Published: 2011-11-03

Total Pages: 348

ISBN-13: 1441129383

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Shakespeare in the Spanish Theatre offers an account of Shakespeare's presence on the Spanish stage, from a production of the first Spanish rendering of Jean-François Ducis's Hamlet in 1772 to the creative and controversial work of directors like Calixto Bieito and Alex Rigola in the early 21st century. Despite a largely indirect entrance into the culture, Shakespeare has gone on to become the best and known and most widely performed of all foreign playwrights. What is more, by the end of the 20th and beginning of the 21st century there have been more productions of Shakespeare than of all of Spain's major Golden Age dramatists put together. This book explores and explains this spectacular rise to prominence and offers a timely overview of Shakespeare's place in Spain's complex and vibrant culture.


A Kind of Wild Justice

A Kind of Wild Justice

Author: Linda Anderson

Publisher: University of Delaware Press

Published: 1987

Total Pages: 204

ISBN-13: 9780874133196

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This study demonstrates not only that the devices of revenge are structurally useful in comedy, but also that there is a consistent conception of revenge as an ethical social instrument in the comedies of Shakespeare.


Text

Text

Author: D. C. Greetham

Publisher: University of Michigan Press

Published: 1996-04

Total Pages: 528

ISBN-13: 9780472107162

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The distinguished annual in interdisciplinary textual studies


All the World's a Stage

All the World's a Stage

Author: Joseph Rosenblum

Publisher: Rowman & Littlefield

Published: 2019-10-15

Total Pages: 377

ISBN-13: 1538113813

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William Shakespeare wrote during a great age of exploration, of not only England but around the globe. The locales featured in the playwright’s works are crucial to the drama that unfolds in each of his plays. Though England figures in many of his works, his vision encompassed countries all over Europe—from Shylock’s house in The Merchant of Venice to Kronberg castle in Hamlet. In All the World’s a Stage: A Guide to Shakespearean Sites, Joseph Rosenblum identifies and describes all of the settings featured in the bard’s plays—from modest dwellings noted in a brief scene to the wide array of castles depicted in many of his histories and tragedies. Locations that figure significantly in Shakespeare’s plays include Austria in Measure for Measure, Cypress in Othello, Illyria in Twelfth Night, Egypt in Antony and Cleopatra, and Flroence in All’s Well That End’s Well, among others. Historic buildings are also scrutinized, from the Tower of London in several plays to Notre Dame in Henry VI and the Forum in Julius Caesar. In addition to plot summaries, the author analyzes the choice of locations, delineating the historically prominent settings of Shakespeare’s epic dramas, such as the glorified Rome and the sensual Egypt that Marc Antony is torn between in his pursuit of Cleopatra. Rosenblum also discusses how some of Shakespeare’s settings were either altered or invented for dramatic purposes, such as the imagined sea coast of Bohemia in A Winter’s Tale and Prospero’s island in The Tempest. Though focused on plays, this volume also discusses locations associated with Shakespeare that do not appear in his works. In addition to descriptions of very real settings throughout Great Britain, the author notes underground stops in London ideal for tourist exploration. Indeed, anyone interested in a Shakespearean tour of England will find material here for designing such a trip. Meticulously researched and featuring an appendix of works by location, All the World’s a Stage: A Guide to Shakespearean Sites is an invaluable resource for scholars, students, and fans of England’s greatest playwright.


Shakespeare Survey

Shakespeare Survey

Author: Kenneth Muir

Publisher: Cambridge University Press

Published: 2002-11-28

Total Pages: 224

ISBN-13: 9780521523578

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The first fifty volumes of this yearbook of Shakespeare studies are being reissued in paperback.


Shakespeare and the Visual Arts

Shakespeare and the Visual Arts

Author: Michele Marrapodi

Publisher: Taylor & Francis

Published: 2017-02-17

Total Pages: 425

ISBN-13: 135181513X

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Drawing on the poetics of intertextuality and profiting from the more recent concepts of cultural mobility and permeability between cultures in the early modern period, this volume’s tripartite structure considers the relationship between Renaissance material arts, theatre, and emblems as an integrated and intermedial genre, explores the use and function of Italian visual culture in Shakespeare’s oeuvre, and questions the appropriation of the arts in the production of the drama of Shakespeare and his contemporaries. An afterword, a rich bibliography of primary and secondary literature, and a detailed Index round off the volume.