Shakespeare and the Eighteenth-Century Novel

Shakespeare and the Eighteenth-Century Novel

Author: Kate Rumbold

Publisher: Cambridge University Press

Published: 2016-03-08

Total Pages: 259

ISBN-13: 1316477894

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The eighteenth century has long been acknowledged as a pivotal period in Shakespeare's reception, transforming a playwright requiring 'improvement' into a national poet whose every word was sacred. Scholars have examined the contribution of performances, adaptations, criticism and editing to this process of transformation, but the crucial role of fiction remains overlooked. Shakespeare and the Eighteenth-Century Novel reveals for the first time the prevalence, and the importance, of fictional characters' direct quotations from Shakespeare. Quoting characters ascribe emotional and moral authority to Shakespeare, redeploy his theatricality, and mock banal uses of his words; by shaping in this way what is considered valuable about Shakespeare, the novel accrues new cultural authority of its own. Shakespeare underwrites, and is underwritten by, the eighteenth-century novel, and this book reveals the lasting implications for both of their reputations.


Shakespeare in the Eighteenth Century

Shakespeare in the Eighteenth Century

Author: Fiona Ritchie

Publisher: Cambridge University Press

Published: 2012-04-19

Total Pages: 469

ISBN-13: 0521898609

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This book examines Shakespeare's influence and popularity in all aspects of eighteenth-century literature, culture and society.


Shakespeare and the Book

Shakespeare and the Book

Author: David Scott Kastan

Publisher: Cambridge University Press

Published: 2001-09-20

Total Pages: 168

ISBN-13: 9780521786515

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An account of Shakespeare's plays as they were transformed from scripts into books.


Women and Shakespeare in the Eighteenth Century

Women and Shakespeare in the Eighteenth Century

Author: Fiona Ritchie

Publisher: Cambridge University Press

Published: 2014-06-02

Total Pages: 267

ISBN-13: 1107046300

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This book establishes the significance of actresses, female playgoers and women critics in shaping Shakespeare's burgeoning reputation in the eighteenth century.


The Book of William

The Book of William

Author: Paul Collins

Publisher: Bloomsbury Publishing USA

Published: 2009-07-07

Total Pages: 256

ISBN-13: 1596911956

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A history of the Bard's competitively pursued First Folio traces the author's travels from the site of a Sotheby auction to regions in Asia, throughout which he investigated the roles played by those who have sought and owned the Folios.


The Oxford Handbook of the Eighteenth-Century Novel

The Oxford Handbook of the Eighteenth-Century Novel

Author: J. A. Downie

Publisher: Oxford University Press

Published: 2016

Total Pages: 625

ISBN-13: 0199566747

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The Oxford Handbook of the Eighteenth Century Novel is the first published book to cover the 'eighteenth-century English novel' in its entirety. It is an indispensible resource for those with an interest in the history of the novel.


The Re-Imagined Text

The Re-Imagined Text

Author: Jean I. Marsden

Publisher: University Press of Kentucky

Published: 2021-10-21

Total Pages: 283

ISBN-13: 0813185556

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Shakespeare's plays were not always the inviolable texts they are almost universally considered to be today. The Restoration and eighteenth century committed what many critics view as one of the most subversive acts in literary history—the rewriting and restructuring of Shakespeare's plays. Many of us are familiar with Nahum Tate's "audacious" adaptation of King Lear with its resoundingly happy ending, but Tate was only one of a score of playwrights who adapted Shakespeare's plays. Between 1660 and 1777, more than fifty adaptations appeared in print and on the stage, works in which playwrights augmented, substantially cut, or completely rewrote the original plays. The plays were staged with new characters, new scenes, new endings, and, underlying all this novelty, new words. Why did this happen? And why, in the later eighteenth century, did it stop? These questions have serious implications regarding both the aesthetics of the literary text and its treatment, for the adaptations manifest the period's perceptions of Shakespeare. As such, they demonstrate an important evolution in the definition of poetic language, and in the idea of what constitutes a literary work. In The Re-Imagined Text, Jean I. Marsden examines both the adaptations and the network of literary theory that surrounds them, thereby exploring the problems of textual sanctity and of the author's relationship to the text. As she demonstrates, Shakespeare's works, and English literature in general, came to be defined by their words rather than by the plots and morality on which the older aesthetic theory focused—a clear step toward our modern concern for the word and its varying levels of signification.


Edmond Malone, Shakespearean Scholar

Edmond Malone, Shakespearean Scholar

Author: Peter Martin

Publisher: Cambridge University Press

Published: 1995-04-13

Total Pages: 364

ISBN-13: 9780521460309

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First modern full-length biography of scholar and member of late eighteenth-century intellectual elite.


The Bookman's Tale

The Bookman's Tale

Author: Charlie Lovett

Publisher: Penguin

Published: 2013-05-28

Total Pages: 336

ISBN-13: 1101622806

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A mysterious portrait ignites an antiquarian bookseller’s search through time and the works of Shakespeare for his lost love. Charlie Lovett’s new book, The Lost Book of the Grail, is now available. Guaranteed to capture the hearts of everyone who truly loves books, The Bookman’s Tale is a former bookseller’s sparkling novel and a delightful exploration of one of literature’s most tantalizing mysteries with echoes of Shadow of the Wind and A.S. Byatt's Possession. Nine months after the death of his beloved wife Amanda left him shattered, Peter Byerly, a young antiquarian bookseller, relocates from North Carolina to the English countryside, hoping to outrun his grief and rediscover the joy he once took in collecting and restoring rare books. But upon opening an eighteenth-century study of Shakespeare forgeries, he discovers a Victorian watercolor of a woman who bears an uncanny resemblance to Amanda. Peter becomes obsessed with learning the picture’s origins and braves a host of dangers to follow a trail of clues back across the centuries—all the way to Shakespeare’s time and a priceless literary artifact that could prove, once and for all, the truth about the Bard’s real identity.