Shakespeare and Realism
Shakespeare and Realism

Author: Peter Lichtenfels

Publisher: Rowman & Littlefield

Published: 2020-07-08

Total Pages: 149

ISBN-13: 1683931718

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This collection of essays examines the works of the most famous writer of plays in the English language within the most culturally pervasive genre in which they are performed. Though Realist productions of Shakespeare are central to the ways in which his work is produced and consumed in the 21st century-and has been for the last 100 years-scholars are divided on the socio-political, historical, and ethical effects of this marriage of content and style. The book is divided into two sections, the first of which focuses on how Realist performance style influences our understanding of Shakespeare’s characters. These chapters engage in close readings of multiple performances, interrogating the ways in which actors’ specific characterizations contribute to extremely varied interpretations of a single character. The second section then considers audiences’ experiences of Shakespearean texts in Realist performance. The essays in this section-all written by theatre directors-imagine out what might constitute Realism. Each chapter focuses on a particular production, or set of productions by a single company, and considers how the practitioners utilized critically informed notions of what constitutes “the real” to reframe what Realism looks like on stage. This is a book of arguments by both theatre practitioners and scholars. Rather than presenting a unified critical position, this collection seeks to stimulate the debate around Realist Shakespeare performance, and to attend to the political consequences of particular aesthetic choices for the audience, as well as for Shakespeare critics and theatre artists.

A New Mimesis
A New Mimesis

Author: Anthony David Nuttall

Publisher: Yale University Press

Published: 2007-01-01

Total Pages: 228

ISBN-13: 9780300118650

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In pursuit of a powerful, common-sense argument about realism, renowned scholar A. D. Nuttall discusses English eighteenth-century and French neo-classical conceptions of realism, and considers Julius Caesar, Coriolanus, The Merchant of Venice, Othello, and both parts of King Henry IV as a prolonged feat of mimesis, with particular emphasis on Shakespeare’s perception of society and culture as subject to historical change. Shakespeare is chosen as the great example of realism because he addresses not only the stable characteristics but also the flux of things, and he is thus seen as a perceiver of that flux and not a mere specimen. An acknowledged classic of literary studies, A New Mimesis is reissued here with a new preface by the author.

Theatre, Magic and Philosophy
Theatre, Magic and Philosophy

Author: Gabriela Dragnea Horvath

Publisher: Taylor & Francis

Published: 2017-07-06

Total Pages: 271

ISBN-13: 1134767714

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Analyzing Shakespeare's views on theatre and magic and John Dee's concerns with philosophy and magic in the light of the Italian version of philosophia perennis (mainly Marsilio Ficino, Pico della Mirandola and Giordano Bruno), this book offers a new perspective on the Italian-English cultural dialogue at the Renaissance and its contribution to intellectual history. In an interdisciplinary and intercultural approach, it investigates the structural commonalities of theatre and magic as contiguous to the foundational concepts of perennial philosophy, and explores the idea that the Italian thinkers informed not only natural philosophy and experimentation in England, but also Shakespeare's theatre. The first full length project to consider Shakespeare and John Dee in juxtaposition, this study brings textual and contextual evidence that Gonzalo, an honest old Counsellor in The Tempest, is a plausible theatrical representation of John Dee. At the same time, it places John Dee in the tradition of the philosophia perennis-accounting for what appears to the modern scholar the conflicting nature of his faith and his scientific mind, his powerful fantasy and his need for order and rigor-and clarifies Edward Kelly's role and creative participation in the scrying sessions, regarding him as co-author of the dramatic episodes reported in Dee's spiritual diaries. Finally, it connects the Enochian/Angelic language to the myth of the Adamic language at the core of Italian philosophy and brings evidence that the Enochian is an artificial language originated by applying creatively the analytical instruments of text hermeneutics used in the Cabala.

Double Shakespeares
Double Shakespeares

Author: Cary M. Mazer

Publisher: Rowman & Littlefield

Published: 2015-09-10

Total Pages: 215

ISBN-13: 1611478448

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Double Shakespeares examines contemporary performances of Shakespeare plays that employ the “emotional realist” traditions of acting that were codified by Stanislavski over a century ago. These performances recognize the inescapable doubleness of realism: that the actor may aspire to be the character but can never fully do so. This doubleness troubled the late-nineteenth-century actors and theorists who first formulated realist modes of acting; and it equally troubles theorists and theatre practitioners today. The book first looks at contemporary performances that foreground the doubleness of the actor’s body, particularly through cross-dressing. It then examines narratives of Shakespearean rehearsal—both fictional representations of rehearsal in film and video, and eye-witness narratives of actual rehearsals—and how they show us the process by which the actor does or does not “become” the character. And, finally, it looks at modern performances that “frame” Shakespeare’s play as a play-within-a-play, showing the audience both the character in the Shakespeare play-within and the actor in the frame-play acting that character.

Shakespeare's Political Realism
Shakespeare's Political Realism

Author: Tim Spiekerman

Publisher: SUNY Press

Published: 2001-01-25

Total Pages: 228

ISBN-13: 9780791448687

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Explores the continuing relevance of important political themes in five of Shakespeare's English History plays.

Renaissance Realism
Renaissance Realism

Author: Alastair Fowler

Publisher:

Published: 2003

Total Pages: 314

ISBN-13: 9780199259588

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Early narratives have tended to be critiqued as novels, an approach that misses their distinctive Renaissance realism. Alastair Fowler surveys picturing and perspective from the fifteenth century to the eighteenth, drawing analogies between literature and visual art. The book is based on the history of the narrative imagination after single-point perspective. The habit of an older, multi-point perspective long continued, accounting for "anachronism," discontinuous realism, "double time-schemes," and depiction of different moments as simultaneous.

Mimesis
Mimesis

Author: Erich Auerbach

Publisher:

Published: 1991

Total Pages:

ISBN-13: 9780691012698

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One Foot in the Finite
One Foot in the Finite

Author: K. L. Evans

Publisher: Northwestern University Press

Published: 2017-12-15

Total Pages: 225

ISBN-13: 0810136147

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One Foot in the Finite inspires a radical shift in our view of Melville’s project in Moby-Dick, for its guiding notion is that Melville uses his book to call into question the naturalism that distinguishes the early modern period in Europe. Naturalism is not only the idea that reality is exhausted by nature, or that there exists a domain of physical entities subject to autonomous laws and unaffected by human ingenuity; it also implies a counterpart, a world of pretense and deception, a domain of mental entities ontologically distinct from physical entities and therefore constituting a different realm. To naturalists, whales are part of the background of existing objects against which man assembles his various, subjective, rather arbitrary interpretations. But in Moby-Dick Melville casts upon the world a more ingenious eye, one free of the dualist veil. He confronts a basic misconception: that the contents of consciousness comprise a different order from physical life. He rubs out the dividing line modernity has drawn between the human world of names or concepts and the nonhuman world of plants, creatures, geological features, and natural forces. Melville’s philosophizing, carried by fiction, has dramatic consequence. It overturns our view of language as a system of mental representations that might turn out to represent falsely.

Realism, Writing, Disfiguration
Realism, Writing, Disfiguration

Author: Michael Fried

Publisher: University of Chicago Press

Published: 1987

Total Pages: 244

ISBN-13: 9780226262116

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"A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America."—Svetlana Alpers, University of California, Berkeley "An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies."—Sacvan Bercovitch, Harvard University

Kierkegaard, Language, and the Reality of God
Kierkegaard, Language, and the Reality of God

Author: Steven Shakespeare

Publisher: Routledge

Published: 2001

Total Pages: 272

ISBN-13:

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This title was first published in 2001: Debate about the reality of God risks becoming an arid stalemate. An unbridgeable gulf seems to be fixed between realists, arguing that God exists independently of our language and beliefs, and anti-realists for whom God-language functions to express human spiritual ideals, with no reference to a reality external to the faith of the believer. Soren Kierkegaard has been enlisted as an ally by both sides of this debate. Kierkegaard, Language and the Reality of God presents a new approach, exploring the dynamic nature of Kierkegaard's texts and the way they undermine neat divisions between realism and anti-realism, objectivity and subjectivity. Showing that Kierkegaard's understanding of language is crucial to his practice of communication, and his account of the paradoxes inherent in religious discourse, Shakespeare argues that Kierkegaard advances a form of 'ethical realism' in which the otherness of God is met in the making of liberating signs. Not only are new perspectives opened on Kierkegaard's texts, but his own contribution to ongoing debates is affirmed in its vital, creative and challenging significance.