After a high-profile case puts him in the headlines, private detective John Shaft is looking for something low profile and easy that will keep him out of the spotlight, out of danger. Shaft takes a missing person case that proves to be more difficult than he initially thought. At the same time, he is hired to be a consultant on a low budget film that may or may not be based on his life, and proves to be as dangerous as any job he's ever had. But when there's danger all about, John Shaft is the cat that won't cop out - even if it means squaring off against sadistic gangsters that want him dead.
Working as a consultant on a film proves to be more difficult that Shaft had expected. Not t to mention more dangerous. Things take a potentially deadly turn when the police bring Shaft in for questioning on an unrelated case.
Who is John Shaft? John Shaft is a private eye. John Shaft is a black man made of muscle and ice, and he has no prejudices. John Shaft will kill anyone... black or white. When the cloistered daughter of Harlem's crime boss discovers the true nature of her father's work, she runs off to be as bad as Dad. By the time she disappears, she's into sex, liquor, dope, and a few other scenes. Now, Big Daddy wants Shaft to get his baby back. The tough, take-no-guff detective goes to work... and the Mafia, the Black militants, the NYPD, and City Hall go to work on him. The original and unabridged Shaft novel by Ernest Tidyman, the 1970 tour de force of hardboiled crime fiction that introduced an unsuspecting world to a cultural icon.
Like an unstoppable force of nature, private detective John Shaft is back with a vengeance. Ernest Tidyman s iconic detective returns in the first original Shaft novel in more than forty years, and he s as bad as ever. When the Godfather of crime in Harlem reaches out to Shaft for a favor, the hardboiled detective finds himself caught in a web of violence and murder. No one is safe as the bullets start to fly and the bodies start to drop, leaving Shaft with only two options: kill or be killed.
WINNER OF THE EISNER AWARD • A bold and fascinating graphic novel history of the revolutionary Black Panther Party. Founded in Oakland, California, in 1966, the Black Panther Party for Self-Defense was a radical political organization that stood in defiant contrast to the mainstream civil rights movement. This gripping illustrated history explores the impact and significance of the Panthers, from their social, educational, and healthcare programs that were designed to uplift the Black community to their battle against police brutality through citizen patrols and frequent clashes with the FBI, which targeted the Party from its outset. Using dramatic comic book-style retellings and illustrated profiles of key figures, The Black Panther Party captures the major events, people, and actions of the party, as well as their cultural and political influence and enduring legacy.
A graphic novel biography of the escaped slave, abolitionist, public speaker, and most photographed man of the nineteenth century, based on his autobiographical writings and speeches, spotlighting the key events and people that shaped the life of this great American. Recently returned to the cultural spotlight, Frederick Douglass's impact on American history is felt even in today's current events. Comic book writer and filmmaker David F. Walker joins with the art team of Damon Smyth and Marissa Louise to bring the long, exciting, and influential life of Douglass to life in comic book form. Taking you from Douglass's life as a young slave through his forbidden education to his escape and growing prominence as a speaker, abolitionist, and influential cultural figure during the Civil War and beyond, The Life of Frederick Douglass presents a complete illustrated portrait of the man who stood up and spoke out for freedom and equality. Along the way, special features provide additional background on the history of slavery in the United States, the development of photography (which would play a key role in the spread of Douglass's image and influence), and the Civil War. Told from Douglass's point of view and based on his own writings, The Life of Frederick Douglass provides an up-close-and-personal look at a history-making American who was larger than life.
A NEW YORK TIMES CRITICS' TOP BOOK OF THE YEAR • BOOKLISTS' EDITOR'S CHOICE • ONE OF NPR'S BEST BOOK OF THE YEAR “At once a film book, a history book, and a civil rights book.… Without a doubt, not only the very best film book [but] also one of the best books of the year in any genre. An absolutely essential read.” —Shondaland This unprecedented history of Black cinema examines 100 years of Black movies—from Gone with the Wind to Blaxploitation films to Black Panther—using the struggles and triumphs of the artists, and the films themselves, as a prism to explore Black culture, civil rights, and racism in America. From the acclaimed author of The Butler and Showdown. Beginning in 1915 with D. W. Griffith's The Birth of a Nation—which glorified the Ku Klux Klan and became Hollywood's first blockbuster—Wil Haygood gives us an incisive, fascinating, little-known history, spanning more than a century, of Black artists in the film business, on-screen and behind the scenes. He makes clear the effects of changing social realities and events on the business of making movies and on what was represented on the screen: from Jim Crow and segregation to white flight and interracial relationships, from the assassination of Malcolm X, to the O. J. Simpson trial, to the Black Lives Matter movement. He considers the films themselves—including Imitation of Life, Gone with the Wind, Porgy and Bess, the Blaxploitation films of the seventies, Do The Right Thing, 12 Years a Slave, and Black Panther. And he brings to new light the careers and significance of a wide range of historic and contemporary figures: Hattie McDaniel, Sidney Poitier, Berry Gordy, Alex Haley, Spike Lee, Billy Dee Willliams, Richard Pryor, Halle Berry, Ava DuVernay, and Jordan Peele, among many others. An important, timely book, Colorization gives us both an unprecedented history of Black cinema and a groundbreaking perspective on racism in modern America.
Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .
Former U.S. Marine sniper Quarry has found a new vocation as a professional assassin. But when his latest contact turns out to be an old acquaintance from his military days, the fresh-faced hit man finds himself battling against his own conscience as secrets from the past start to reveal themselves. Written by renowned comics writer and author of the Quarry novel series, Max Allan Collins (Road to Perdition, Batman) and illustrated by Szymon Kudranski (Batman: Streets of Gotham) and Edu Menna (The Twilight Zone), Quarry’s War marks the long-serving hit man’s first ever comic book appearance. Collects Quarry’s War #1-4 “You’ll want to enlist in Quarry’s War” – The Multiverse “Another Collin’s hit most definitely!” – Nerdly “You’re in for a crime fiction treat.” – Rogues Portal
School kid Ryder Stone’s life is turned upside down when he’s caught in the middle of a fight between two super-powered opponents, both of whom want Ryder’s secret power--a power he doesn’t know he has! Can Ryder unlock the hero from within before it’s too late?
