Trying astral projection is just a joke. Zach never expects to leave his body and soar into a strange shadow place. On his first trip, he meets Emory, another astral traveler who’s intriguing (and cute). Then Zach’s little brother Gilbert disappears. Zach and Emory try to rescue Gilbert, but there’s a menacing creature in their way.
***to be read after The Howler and before Faded*** Elliot Gunfield has been in a coma for a month since that fateful night on Halloween. The night The Howler came into their lives and destroyed all he knew...including him. After waking, he finds that he’s different. He feels 1083 years old, that he’s lived a thousand lifetimes, and he’s running out of time. He doesn’t know why, just that he is. His dreams are haunted by bony creatures and hands pulling his heart out of his chest, and he finds out what happened to his best friend, Sam Almaw. With only two weeks of school left for the year, Elliot returns to find he is now the freak of the school. It seems that dying has left him with an unnatural eye colour, so different to his usual dark brown. The fiery amber of his glowing eyes freaks everyone out, especially Gretchen Merryweather, his arch nemesis. But why can’t he stop staring at Gretchen, and why does his shadow look messy and black? Elliot finds that death came with an unexpected visitor and that visitor is here to stay unless he can do something about it. And when he finds out what he can do he doesn’t believe that’s the only way. And it all has to do with Gretchen...
A chilling tale from the critically acclaimed author of Spirit Stalker. A group of unloved, runaway children escapes into the deep woods and seeks shelter in an abandoned mental hospital, where they form a club to protect the youngest and weakest of them. But not even the strongest of the children can resist the ancient evil that lurks within the walls of the decaying building.
Elves and dwarves, trolls and giants, talking dragons, valkyries and werewolves: all these are familiar in modern movies and commercial fantasy. But where did the concepts come from? Who invented them? Almost two centuries ago, Jacob Grimm assembled what was known about such creatures in his work on 'Teutonic Mythology', which brought together ancient texts such as Beowulf and the Elder Edda with the material found in Grimm's own famous collection of fairy-tales. This collection of essays now updates Grimm, adding much material not known in his time, and also challenges his monolithic interpretations, pointing out the diversity of cultural traditions as well as the continuity of ancient myth.
'A crime debut that evokes modern Mongolia with vividness and flair?a robust and entertaining first novel.' ( The Age) As winter falls upon the streets of Ulan Bataar, Mongolia, a serial killer is just getting warmed up. When the mutilated body of a fourth victim is found in one of the city's most expensive hotels, Nergui, the former head of the Serious Crimes squad, is no closer to catching the killer and will accept any help he can get. Drew McLeish, a senior British CID officer and no stranger to the savage side of human nature, is sent out to lend his expertise to the investigation. From the abandoned factories of the city's decaying suburbs to the icy expanse of the barren steppes, Nergui and McLeish follow a trail of the dead.
Masterfully told, marked by irony and humor as well as outrage and a barely contained sadness, Jerald Walker’s Street Shadows is the story of a young man’s descent into the “thug life” and the wake-up call that led to his finding himself again. Walker was born in a Chicago housing project and raised, along with his six brothers and sisters, by blind parents of modest means but middle-class aspirations. A boy of great promise whose parents and teachers saw success in his future, he seemed destined to fulfill their hopes. But by age fourteen, like so many of his friends, he found himself drawn to the streets. By age seventeen he was a school dropout, a drug addict, and a gangbanger, his life spiraling toward the violent and premature end all too familiar to African American males. And then came the blast of gunfire that changed everything: His coke-dealing friend Greg was shot to death—less than an hour after Walker scored a gram from him. “Twenty-five years later, tossing the drug out the window is still the second most difficult thing I’ve ever done. The most difficult thing is still that I didn’t follow it.” So begins the story, told in alternating time frames, of the journey that Walker took to become the man he is today—a husband, father, teacher, and writer. But his struggle to escape the long shadows of the streets was not easy. There were racial stereotypes to overcome—his own as well as those of the very white world he found himself in—and a hard grappling with the meaning of race that came to an unexpected climax on a trip to Africa. An eloquent account of how the past shadows but need not determine the present, Street Shadows is the opposite of a victim narrative. Walker casts no blame (except upon himself), sheds no tears (except for those who have not shared his good fortune), and refuses the temptations of self-pity and self-exoneration. In the end, what Jerald Walker has written is a stirring portrait of two Americas—one hopeless, the other inspirational—embodied within one man.
John Bemrose’s highly acclaimed national bestseller tells the story of a family who slips from fortune’s favour in a southwestern Ontario mill town during the mid-1960s. Like his father before him, Alf Walker is a fixer in the local textile mill. When a labour dispute forces him to choose between loyalty to his friends and his own advancement, Alf’s actions inadvertently set in motion a series of events that will reverberate far into the future. Meanwhile, Alf’s wife, Margaret, must reconcile her middle-class upbringing with her blue-collar reality, as her marriage is undermined by forces she cannot name. And after their eldest son, Joe, falls headlong for a girl he first glimpses on a bridge, the boy finds his world overturned by the passion and uncertainty of young love. At once intimate and epic in scope, The Island Walkers follows the Walker family to the very bottom of their night, only to confirm, in the end, life’s regenerative power.