Shortlisted for the 2020 Booker Prize, and named a best book of the year by the New York Times, NPR, Elle, Time, and more, The Shadow King is an “unforgettable epic from an immensely talented author who’s unafraid to take risks” (Michael Schaub, NPR). Set during Mussolini’s 1935 invasion of Ethiopia, The Shadow King takes us back to the first real conflict of World War II, casting light on the women soldiers who were left out of the historical record. At its heart is orphaned maid Hirut, who finds herself tumbling into a new world of thefts and violations, of betrayals and overwhelming rage. What follows is a heartrending and unputdownable exploration of what it means to be a woman at war.
When Max Sumner and three friends play a magical card game called Round Table, they realize that it is up to them to prevent the wicked creatures of the cards from destroying their town, indeed, their world.
More than 3,000 years ago, King Tutankhamun's desiccated body was lovingly wrapped and sent into the future as an immortal god. After resting undisturbed for more than three millennia, King Tut's mummy was suddenly awakened in 1922. Archaeologist Howard Carter had discovered the boy-king's tomb, and the soon-to-be famous mummy's story--even more dramatic than King Tut's life--began. The mummy's "afterlife" is a modern story, not an ancient one. Award-winning science writer Jo Marchant traces the mummy's story from its first brutal autopsy in 1925 to the most recent arguments over its DNA. From the glamorous treasure hunts of the 1920s to today's high-tech scans in volatile modern Egypt, Marchant introduces us to the brilliant and sometimes flawed people who have devoted their lives to revealing the mummy's secrets, unravels the truth behind the hyped-up TV documentaries, and explains what science can and can't tell us about King Tutankhamun.
Abramm Kalladorne has returned to Kiriath to claim the crown he thought he would never wear and to prepare his people for the inevitable attack of the armies of the Black Moon. Though fiercely opposed by his own kin and reluctant to thrust his country into civil war at the worst possible time, he nevertheless believes this course of action is Kiriath's only hope of salvation. In the midst of this turmoil, a headstrong princess from a neighboring realm endeavors to uncover Abramm's secrets--including his heroic exploits as the White Pretender and the fact that he wears a golden shield upon his chest--and her interference threatens to destroy any chance he has of maintaining his rightful place of king. Against a backdrop of somber council meetings and back-alley sword fights, of magnificent ballrooms and windswept mountain fortresses, plots and counterplots unfold as old alliances dissolve and new ones form. If he is to succeed, Abramm must come to terms with his own limitations--and the sufficiency of the one who controls his destiny.
At long last, the peace King Arthur was born to usher in has settled over the realm. But Arthur was also born to be a warrior... and all true warriors are restless without a fight.
A thrilling new account of the tragic story and troubled times of Henry VI, who inherited the crowns of both England and France and lost both. Firstborn son of a warrior father who defeated the French at Agincourt, Henry VI of the House of Lancaster inherited the crown not only of England but also of France, at a time when Plantagenet dominance over the Valois dynasty was at its glorious height. And yet, by the time he died in the Tower of London in 1471, France was lost, his throne had been seized by his rival, Edward IV of the House of York, and his kingdom had descended into the violent chaos of the Wars of the Roses. Henry VI is perhaps the most troubled of English monarchs, a pious, gentle, well-intentioned man who was plagued by bouts of mental illness. In The Shadow King, Lauren Johnson tells his remarkable and sometimes shocking story in a fast-paced and colorful narrative that captures both the poignancy of Henry’s life and the tumultuous and bloody nature of the times in which he lived.
Impeccably researched, and written like a thriller, Edmund Richardson's The King's Shadow is the extraordinary untold and wild journey of Charles Masson - think Butch Cassidy and the Sundance Kid meets Indiana Jones - and his search for the Lost City of Alexandria in the "Wild East" during the age of empires, kings, and spies. For centuries the city of Alexandria Beneath the Mountains was a meeting point of East and West. Then it vanished. In 1833 it was discovered in Afghanistan by the unlikeliest person imaginable: Charles Masson, deserter, pilgrim, doctor, archaeologist, spy, one of the most respected scholars in Asia, and the greatest of nineteenth-century travelers. On the way into one of history's most extraordinary stories, he would take tea with kings, travel with holy men and become the master of a hundred disguises; he would see things no westerner had glimpsed before and few have glimpsed since. He would spy for the East India Company and be suspected of spying for Russia at the same time, for this was the era of the Great Game, when imperial powers confronted each other in these staggeringly beautiful lands. Masson discovered tens of thousands of pieces of Afghan history, including the 2,000-year-old Bimaran golden casket, which has upon it the earliest known face of the Buddha. He would be offered his own kingdom; he would change the world, and the world would destroy him. This is a wild journey through nineteenth-century India and Afghanistan, with impeccably researched storytelling that shows us a world of espionage and dreamers, ne'er-do-wells and opportunists, extreme violence both personal and military, and boundless hope. At the edge of empire, amid the deserts and the mountains, it is the story of an obsession passed down the centuries.
They knew what was coming. Man and beast knew what lay ahead. After the war cry. Bitter the grave. At long last, the peace King Arthur was born to usher in has settled over the realm. But Arthur was also born to be a warrior... and all true warriors are restless without a fight. Yearning for battle and ever-loyal, Arthur is easily deceived into setting sail for Gaul to defend its territories-leaving his country vulnerable and leaderless. A beacon of hope in a land of desolation, he was to be the Lord of the Summer Land for now and forever. But first, the Pendragon must face the ultimate test, one that will take all his courage, strength of will, and honor to survive. Because once destiny is fulfilled, can you ever truly win again? "Helen Hollick has it all. She tells a great story..." -Bernard Cornwell "Hollick's interpretation is bold, affecting, and well worth fighting to defend." -Publishers Weekly
It is commonly assumed that the rise of modern democracies put an end to the spectacular and ceremonial aspects of political rule that were so characteristic of monarchies and other earlier regimes. The medieval idea that the king had two bodies - a mortal physical body and an eternal political body - strikes us today as alien and remote from our understanding of politics: with the transition from monarchy to modern representative democracy, the idea of the body politic was abandoned. Or was it? In this remarkable and highly original book Philip Manow shows that the body politic, though so often pronounced dead, remains alive in modern democracies. It is just one of the many ideas that we have inherited from our predecessors and that continue to shape our modern forms of political life. Why did the semi-circle become the main seating plan for modern parliaments? Why do we think that parliament should mirror the diversity of society? Why does the president's motorcade always have more than one identical-looking Cadillac? Why do we pay so much attention to the physical features and appearance - the body - of our political leaders today? In answering these and other questions Manow sheds fresh light on the pre-modern origins of our modern political institutions and practices and shows convincingly that all political power - including democracy - requires and produces its own political mythology.
