This volume contains the proceedings of the 75th anniversary of Progress in Oil Field Science and Technology as gathered at the symposium in London on 12th July 1988.
As founding editor of Creative Nonfiction and architect of the genre, Lee Gutkind played a crucial role in establishing literary, narrative nonfiction in the marketplace and in the academy. A longstanding advocate of New Journalism, he has reported on a wide range of issues—robots and artificial intelligence, mental illness, organ transplants, veterinarians and animals, baseball, motorcycle enthusiasts—and explored them all with his unique voice and approach. In My Last Eight Thousand Days, Gutkind turns his notepad and tape recorder inward, using his skills as an immersion journalist to perform a deep dive on himself. Here, he offers a memoir of his life as a journalist, editor, husband, father, and Pittsburgh native, not only recounting his many triumphs, but also exposing his missteps and challenges. The overarching concern that frames these brave, often confessional stories, is his obsession and fascination with aging: how aging provoked anxieties and unearthed long-rooted tensions, and how he came to accept, even enjoy, his mental and physical decline. Gutkind documents the realities of aging with the characteristically blunt, melancholic wit and authenticity that drive the quiet force of all his work.
Since its inception in 1933, the Tennessee Valley Authority has played a dual role as federal agency and steward of the Tennessee River Valley. While known to most people today as an energy provider, the agency is also charged with managing and protecting the nation's fifth-largest river system, the Tennessee River, and vast tracts of land and resources encompassing Tennessee and portions of Alabama, Georgia, Kentucky, Mississippi, North Carolina, and Virginia. Included in TVA's mandate is the preservation of the archaeological record of the valley's prehistoric peoples-a record that would have been forever lost beneath floodwaters had TVA not demonstrated a commitment to minimize its impact on the valley and sought to protect its archaeological resources. In TVA Archaeology, fourteen contributors who have worked with TVA in its conservation effort discuss prehistoric excavations conducted at Tellico, Normandy, Jonathan's Creek, and many other sites. They explore TVA's role in the excavations and how the agency facilitated prehistoric investigations along proposed dam sites. They also delve into the history of TVA as it grew from a New Deal program to a federal corporation and reveal how, during the agency's formative years, the TVA board responded to prodding from archaeologists David DeJarnette and William Webb and molded TVA into the steward of a region it is today. TVA remains a mainstay of progress and conservation within an important region of the United States, and its safeguarding of the valley's prehistory cements its legacy as more than just an energy supplier. Students and researchers interested in prehistoric archaeology, the Tennessee Valley, and the history of TVA will find this volume an invaluable contribution to the study of the region. Erin E. Pritchard is an archaeologist with the Tennessee Valley Authority. Her work includes multiple archaeological site investigations, most notably Dust Cave in northern Alabama, and she has authored and coauthored numerous site reports for TVA.
Focusing on Black Americans' participation in world’s fairs, Emancipation expositions, and early Black grassroots museums, Negro Building traces the evolution of Black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W. E. B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the Black cities of Chicago and Detroit became the sites of major Black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.
This book tells about a frontier region in economic transition. Its focus is the successful adoption of new technology to the particular economic and engineering circumstances associated with the newness or frontier nature of Ontario mining to 1890.