Volumes One and Two were so popular, here is another tremendously useful volume of introductions to well-known hymns. These sound great on any size instrument. Tunes included in this volume are: Foundation * Ode to Joy * French Carol * Lauda Anima * Mit Freuden Zart * Leoni * Laudes Domini.
Volumes One and Two were so popular, here is another tremendously useful volume of introductions to well-known hymns. These sound great on any size instrument. Tunes included in this volume are: Foundation * Ode to Joy * French Carol * Lauda Anima * Mit Freuden Zart * Leoni * Laudes Domini.
This exciting collection of familiar Christmas carol introductions will make even the moderate organist sound great, and will inspire congregational singing. Titles: * Angels, from the Realms of Glory * Angels We Have Heard on High * The First Noel * Go, Tell It on the Mountain * Good Christian Friends, Rejoice * Hark! The Herald Angels Sing * It Came Upon the Midnight Clear * Joy to the World! * O Come, All Ye Faithful * O Little Town of Bethlehem * Once in Royal David’s City * Silent Night * We Three Kings * What Child Is This?
Following the success of his first volume of hymn accompaniments, Matthew Corl has provided organists with 15 more. As with his first volume, most include an introduction, standard first verse, modulation/interlude, and final verse. Contains these favorites: Antioch * Aurelia * Crucifer * Cwm Rhondda * Ellacombe * Engelberg * Hymn to Joy * Llanfair * Lobe den Herren * Mendelssohn * Messiah * National Hymn * Slane * Spanish Hymn * Veni Emmanuel.
Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a 60-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing-yet important-in accessible formats for the current literature.
"This book presents music titles in which the organ is part of a chamber ensemble. Alphabetized by composer, entries contain the bibliographical information for each title and a brief commentary or description, as well as information on the level of difficulty, timing, mood, fingerings/pedalings, and other performance aids. The selections are suitable for concerts and religious services and are written in a variety of styles, from Baroque to contemporary." "This catalogue will be of interest to church organists searching for a piece for organ and brass appropriate for Easter, visiting instrumentalists choosing music for a Sunday service, teachers introducing their organ students to the experience of accompanying a violin, and instrumentalists seeking a composition to play with the organ, among many others."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A listing of organ settings, descants, and alternative harmonizations for the tunes of The Hymnal 1982 along with their publishers, volume location in a multi-volume work, or selection location in a collection, and level of difficulty. This book does not contain the music itself. The listings in this volume are of those titles published since the compilation of Volume I.
The Great Exhibition of 1851 was the outstanding public event of the Victorian era. Housed in Joseph Paxton’s Crystal Palace, it presented a vast array of objects, technologies and works of art from around the world. The sources in this edition provide a depth of context for study into the Exhibition.
Hermann Gunkel's commentary on Psalms (Die Psalmen, HKAT)—considered by many to be his magnum opus—was published in 1926. But he was unable to complete his final work on the Psalms. The severe suffering of the final months of his life forced him to hand over his incomplete manuscript, at Christmastime 1931, to his pupil Joachim Begrich. Gunkel died on 11 March 1932. Begrich put the final touches on the organization of Gunkel's last work on Psalms, and it was published in 1933 as Einleitung in die Psalmen: die Gattungen der religiosen Lyrik Israels. As with much of Gunkel's other work, the influence of Einleitung in die Psalmen on the study of the Pslams, Hebrew poetry, and, indeed, the whole realm of Old Testament literature, lyric, and cult, as already noted, "can scarcely be overestimated.”