For Dennis Covington, what began as a journalistic assignment - covering the trial of an Alabama preacher convicted of attempting to murder his wife with poisonous snakes - would evolve into a headlong plunge into a bizarre, mysterious, and ultimately irresistible world of unshakable faith: the world of holiness snake handling, where people drink strychnine, speak in tongues, lay hands on the sick, and, some claim, raise the dead. Set in the heart of Appalachia, Salvation on Sand Mountain is Covington's unsurpassed and chillingly captivating exploration of the nature, power, and extremity of faith - an exploration that gradually turns inward, until Covington finds himself taking up the snakes. University.
A Stunning action-packed adventure. BLINK is a thrilling, unexpected and addictive fantasy perfect for fans of Leigh Bardugo and Neal Shusterman. Blink is a creatively written teen and young adult sci fi fantasy novel series by Michael Riggs with a rich complex fantasy universe of magic, teleportation, time travel, alien planets, clean romance, strong friendships, thought provoking concepts, action and adventure, alien creatures, mystery, twists, turns and more! With an ever expanding underground fandom - Blink is rapidly becoming one of the most popular self published teen fantasy and sci-fi book series. An inescapable destiny… Brody Calix is chased by a blue eyed wolf in the woods just before meeting a mysterious girl named Sky at a party. When he finds a crystal necklace where they first met, he is introduced to a power he never could have imagined existed before and an entire universe of adventure and mystery awaiting him. A threat to humanity… A tribe of unlikely companions fight for survival in a deep forest on an alien world with no idea how to get home. When Brody and Sky arrive, the tribe finds that something dark has been lured to them — a human hunting shadow entity who knows them by name. Survival on another world… As Brody finds himself falling for Sky he knows one thing for sure — he must find a way to get them back home safely. The longer it takes, the more impossible it seems. The more he learns about Sky, the more he realizes she might be the one protecting him. REVIEWS: “I really enjoyed this first book in the series. This is a highly creative and unique story that grabs you from the very beginning. I felt like I was part of the story and watching it all unfold in front of my eyes. The main character, Brody was done exceptionally well. I found myself rooting for him throughout the chapters. Sky was another cool character. Another thing I enjoyed was the great descriptions of the environment, strange animals, and beings. It was just enough to create a picture in my mind, without being overly descriptive. This is an easy to read, fast paced and highly entertaining read. Fans of science-fiction, fantasy, and thrillers will enjoy this great novel. Now that I'm hooked and invested in the characters, I'm going to start reading the sequel to find out what happens next.” “If you’re in the market for a fast-paced thrill of a read with twists and turns aplenty, then you really need look no further than BLINK, the first instalment in the YA fantasy/sci-fi Blink Series. Exciting, dramatic and gripping right from the first page to the last, Michael Riggs has presented us with the perfect opportunity to get completely lost and absorbed in this fantastic novel, at least for a few hours! Books have always been the most perfect form of escapism to me, and if you too are looking for something to take your mind of the current state of the world then BLINK really does deserve a place at the top of your TBR list. It’s not often that you come across a fantasy/sci-fi novel that, while using many of the traditional themes and tropes that we all know and love, manages to feel completely fresh and unique, even to this devotee of the genre. I won’t give too much away here in terms of the plot, as due to the relatively short length this is easily a book you could devour in a single sitting. In fact, I’m sure that must be the only way to read it, as once you begin, I don’t think you’ll be able to stop!”
Jimmy Morrow, a pastor and serpent handler for over a quarter of a century explores the history of serpent handling from a variety of sources, including his extensive familiarity with families whose roots are deep in Appalachia. As a native Appalachian Jimmy has access to histories unavailable to outsiders. While not formally trained as a historian, Jimmy's own narrative of the Jesus Name tradition is a unique contribution to not only Appalachian studies, but to the history of what many have prematurely thought to be a tradition whose obituary is soon to be written. Jimmy's astounding photographs and his keen insight to the power of this tradition that he proudly upholds suggests that while unlikely ever to be a dominant form of religious expression, it will continue as perhaps Americas most unique form of religion that persists in Appalachia despite laws against the practice of handling serpents. This is an extraordinary personal account of a unique form of religious devotion and dedication. It will be of interest to anyone interested in Appalachian culture or religion in the South.
"An astounding epic novel of J.R.R. Tolkien proportions!" — Steven Pressfield, Bestselling author of Gates of Fire and The War of Art Raiders of the Lost Ark playing A Game of Thrones The Sand Sea takes place on an alternative Earth roiled by war and conquest that mirrors our own Gilded Age. The treasure that ignites greed and folly in this parallel world is not petroleum, but beserite—a mineral of immeasurable value. Captivated by an ancient prophecy and the call of adventure, inexperienced nobleman and scholar Peter Harmon (think of a young Winston Churchill-like naif) joins an expedition to stake his nation’s claim to a global empire. Harmon’s destination is a vast and inhospitable desert halfway around the world, dominated by the iron-fisted Grand Vizer Jemojeen Jongdar. A tyrant on a mission to secure the ancient and supernatural Staff of the Ram, the Lion, and the Serpent, Jongdar knows the truth that others can only imagine: The one who controls the staff will possess the power to rule the world. Before he can seize his destiny, Jongdar must find and destroy the one person capable of thwarting his ambition, the rightful heir to the Sand Sea realm, an innocent woman named Selena Savanar. Can the brave and indomitable Selena accept her true destiny and rally her people in the eye of a gathering storm? To do so will require her to outwit the man who burned her father alive and left her an orphan and beggar a lifetime ago. Or will Peter Harmon and the cadre of opportunists he rides with conquer the divided empire? With the mythic structure of J.R.R. Tolkien’s The Lord of the Rings trilogy in a world as rich and real as George R.R. Martin’s Westeros, The Sand Sea is an immersive experience made to order for epic fantasy fans and anyone who enjoys grand-scale historical fiction.
What is art history? Why, how and where did it originate, and how have its aims and methods changed over time? The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century,debates about art and its histories have intensified. Historians, philosophers, psychologists and anthropologists among others have changed our notions of what art history has been, is, and might be. This anthology is a guide to understanding art history through a critical reading of the field''s most innovative and influential texts over the past two centuries. Each section focuses on a key issue: aesthetics, style, history as an art, iconography and semiology, gender, modernity and postmodernity, deconstruction and museology. More than thirty readings from writers as diverse as Winckelmann, Kant, Gombrich, Warburg, Panofsky, Heidegger, Lisa Tickner,Meyer Schapiro, Jacques Derrida, Mary Kelly, Michel Foucault, Rosalind Krauss, Louis Marin, Margaret Iversen and Nestor Canclini are brought together, and Donald Preziosi''s introductions to each topic provide background information, bibliographies, and critical elucidations of the issues at stake.His own concluding essay is an important and original contribution to scholarship in the field. From the pre-publication reviews: ''Until now, anthologies about the history of art have tended to be worthy yet inert, plotting a linear evolution from the great precursors (Vasari, Winckelmann) to the founding fathers of the modern discipline (Wolfflin, Riegl, Panofsky) to the achievements and refinements of today''s scholarship.The texts that Donald Preziosi has brought together provide something far more challenging: the juxtapositions and alignments between individual essays point the reader towards unresolved problems, ongoing debates, and paths not takenor not taken yet. In place of the consoling tale of intellectualprogress, the collection defamiliarizes the whole field, and opens up a space for radical reflection on its basic procedures and assumptions. Definitely the best introduction to art history currently available.'' Professor Norman Bryson, Harvard University ''Donald Preziosi has prepared an anthologyfrom the Greek, a collection of flowersof art history. His bouquet contains representatives from the discipline''s two-hundred year history, arranged in standard and innovative methodological categories. Within each, the readings selected providestimulating congruencies and contradictions that will inspire productive debate and contemplation. But what makes this anthology more than an arresting assemblage is the author''s critical stance toward what he has wrought. His introduction and concluding chapter write around and under the subjectspresented, emphasizing the ''art'' of art history, its kinship with modernity''s post-Enlightenment project, and its collaboration with the rise of nationalism. Thus the discipline''s past is probed and questioned and made relevant for its present and future. The whole thereby addresses, withouthealing or concealing, the disciplinary ruptures of modernism. The book might also have explored further nature of art history''s history within the emergent discourse of post-colonialism and the globalization of culture Yet the many new perspectives it does offer help to re-present the discipline for its readers, students, teachers, and curators, for other areas of humanistic inquiry, which are being subject to similar critiques, and for artists and the larger art community, for whom history, narrative, and anaccounting of art''s past have once again become vital issues'' Professor Robert S. Nelson, Professor of Art History and Chair, Committee for the History of Culture, University of Chicago ''Rather than focusing on its Vasarian moment or on the later academic institutionalization of art history in the 19th and 20th centuries, Donald Preziosi, in The Art of Art History, constructs a reading of this hegemonic and reductive practice of making ''the visible legible'' as one that isinextricably tied to the museographic paradigm of late 18th and early 19th centuries. This shift, he sees as equivalent in importance to the brought by the ''invention'' of perspective. But the author goes further than to underline the implication of art history with the premises of modernity, hemakes a strong case, in a vivid and inspiring prose, for a tighter equation between art history and modernity: an equation grounded in his insightful considerations (and meteoric formulations) of the epistemological setting, rhetorical operations political (colonialist) aims and schizophrenic yetall-invasive aestheticization of knowledge that, in the last two centuries, have fashioned what we will no longer dare to call the discipline of art history. The result is a flamboyant book that offers anything but a celebratory reading of art history. It does not constitute an articulation of canonical texts or an up-to-date menu of art historical currents, methods, or trends. Yet it manages to avoid none of these dimensions. Art history is notenvisages as the learned discourse of modernity on a specific class of objects nor is it reduced to a genealogy of outstanding artist-subjects and their volatile constellations of contemporary subjects-readers. It becomes a practice wherein objects and subjects relate and relations oftencrystallize, under the unrecognized aegis of the fetish, this Other of art, since Preziosi concisely defines art as ''the anti-fetish fetish''. Far from the fantastic neutrality that is traditionally found in the format of such an historiographic endeavour, Preziosi frames his selection of text andthreads through them with an array of different strategic voices, superimposed (to stress a spatial figure he is keen to discern) in order to elaborate a strong polemic position that situates art history as an enduring and well disguised fictional genre. In the process, the author courageouslytakes on the paradox that is at the core of his project: to introduce students to the coming out o art history... as art, one that is not necessarily meant to be our coming out of it but that certainly well establishes our motives to continue to shake its grounds and its multi-storied apparatus.'' Professor Johanne Lamoureux, University of Montreal.
The State of Texas not only boasts the largest snakes in North America, but also the largest number of species—105. This guide describes in detail each and every one of them, from the benign Texas long-nosed snake, to the venomous Western Cottonmouth. Facts on the biology and behavior are given, plus the latest findings on abundance, reproduction, prey, sizes, and habitat. In addition, introductory chapters describe the physiology and diet of snakes, and an all-important section on "Venom and Evenomation" debunks the many myths surrounding what to do when bit by a venomous snake. 128 color plates of species and subspecies aid in identification.
The Hugo and Nebula Award–winning novel from the New York Times–bestselling author of The King’s Daughter. On an Earth scarred by nuclear war, Snake harnesses the power of venom to cure illnesses and vaccinate against disease. The healer can even ease patients into death with the power of her dreamsnake. But she is not respected and trusted by all, and when she tries to help a sick nomad child, the frightened clan kills her dreamsnake. Ashamed of being misjudged and grieving the loss of her dreamsnake, Snake has one choice to maintain her livelihood: she must travel to the city, which jealously guards its knowledge. And before she faces the prejudices and arrogance of the people there, Snake must make her way across a barren desert, surviving storms and radiation poisoning, helping those she can—all while a madman stalks her every move . . . “[Dreamsnake] is filled with scenes as suspenseful as anyone could wish . . . but most of all it addresses the humanity in all of us.” —The Seattle Times “A haunting, rich, and tender novel that explores the human side of science fiction in a manner that’s all too uncommon.” —Robert Silverberg “A splendid tale, combining the sensitivity and attention to mood of the new generation of SF writers with a gripping and well-worked-out adventure . . . The novel is rich in character, background and incident—unusually absorbing and moving.” —Publishers Weekly “Instead of kicking butt, the lead character is dedicated to saving lives. . . . Snake’s blighted world is expertly drawn, and her encounters with dysfunctional societies can be bracing and challenging reading.” —The Guardian “This is an exciting future-dream with real characters, a believable mythos and, what’s more important, an excellent, readable story.” —Frank Herbert, author of the Dune series
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This revised edition of West's revolutionary reinterpretation of the civilization of Egypt challenges all that has been accpeted as dogma concerning this ancient and enigmatic land. It features a new introduction linking Egyptian science with the perennial wisdom tradition and an appendix updating the author's work in redating the Sphinx. Illustrations.