The serpent of ancient times was more often associated with positive attributes like healing and eternal life than it was with negative meanings. This groundbreaking book explores in plentiful detail the symbol of the serpent from 40,000 BCE to the present, and from diverse regions in the world. In doing so it emphasizes the creativity of the biblical authors' use of symbols and argues that we must today reexamine our own archetypal conceptions with comparable creativity.--From publisher description.
First with your head and then with your heart ...So says Hoppie Groenewald, boxing champion, to a seven-year-old boy who dreams of being the welterweight champion of the world. For the young Peekay, its a piece of advice he will carry with him thr...
Although a story with a serpent, a damsel in distress, and a serpent slayer may sound like just another fairy tale, it is, in fact, part of the greatest true account ever told—the Bible. Epic tales resonate with readers because they echo the greatest story. In this new addition to the Short Studies in Biblical Theology series, Andrew David Naselli traces the theme of snakes and dragons from the serpent in the garden to the devouring dragon in Revelation, culminating with the return of the King. New and seasoned Christians alike will experience afresh the captivating unifying narrative behind all stories as they embark on a journey through the Bible with a trusted biblical scholar.
Introduction to Art: Design, Context, and Meaning offers a deep insight and comprehension of the world of Art. Contents: What is Art? The Structure of Art Significance of Materials Used in Art Describing Art - Formal Analysis, Types, and Styles of Art Meaning in Art - Socio-Cultural Contexts, Symbolism, and Iconography Connecting Art to Our Lives Form in Architecture Art and Identity Art and Power Art and Ritual Life - Symbolism of Space and Ritual Objects, Mortality, and Immortality Art and Ethics
Vergil's Aeneid has been considered a classic, if not the classic, of Western literature for two thousand years. In recent decades this famous poem has become the subject of fresh and searching controversy. What is the poem's fundamental meaning? Does it endorse or undermine values of empire and patriarchy? Is its world view comic or tragic? Many studies of the poem have focused primarily on selected books. The approach here is comprehensive. An introduction by editor Christine Perkell discusses the poem's historical background, its reception from antiquity to the present, and its most important themes. The book-by-book readings that follow both explicate the text and offer a variety of interpretations. Concluding topic chapters focus on the Aeneid as foundation story, the influence of Apollonius' Argonautica, the poem's female figures, and English translations of the Aeneid. Written in an accessible style and providing translations of all Latin passages, this volume will be of particular value to teachers and students of humanities courses as well as to specialists.
Eminently qualified to write this groundbreaking book, Philip King is known as both an archaeological and biblical authority. Defining biblical archaeology as the "process of correlating archaeological evidence with the biblical record," he sees the function of this discipline as the illumination of the events recorded in the Bible in order to clarify the text. In Amos, Hosea, and Micah, King offers an enlightening and elegant commentary on the eight-century prophets from an archaeological perspective.
In this study, Brian A. Verrett argues that 1–2 Samuel contains a serpent motif by practicing biblical theology and literary criticism. This motif derives from the serpent in Genesis 3, and its function within the Samuel narrative is to heighten the reader’s anticipation in the coming messiah, who is the son of David and the seed of the woman from Genesis 3:15. This messiah will defeat the serpent and inaugurate his glorious reign over a renewed world. When 1–2 Samuel is read in this way, one appreciates previously unnoticed features of the text, understands aspects of the text that were formerly confusing, and rightly sees that the whole of 1–2 Samuel is a messianic document.