When he wakes up naked by the side of the highway in the middle of the desert, twenty-two-year-old Bailey Quinn is only sure of a few things: He’s in a world of testicle pain. He’s tripping out of his head on peyote. And someone seems to have made a half-assed attempt at slashing his throat. As Bailey hits the road to track down his “friends” in Matthew Carnahan’s short novel, a black-edged, hilarious caper unfolds.
Melissa Bashardoust's Girl, Serpent, Thorn is “an alluring feminist fairy tale” (Kirkus) about a girl cursed to be poisonous to the touch and who discovers what power might lie in such a curse. There was and there was not, as all stories begin, a princess cursed to be poisonous to the touch. But for Soraya, who has lived her life hidden away, apart from her family, safe only in her gardens, it’s not just a story. As the day of her twin brother’s wedding approaches, Soraya must decide if she’s willing to step outside of the shadows for the first time. Below in the dungeon is a demon who holds knowledge that she craves, the answer to her freedom. And above is a young man who isn’t afraid of her, whose eyes linger not with fear, but with an understanding of who she is beneath the poison. Soraya thought she knew her place in the world, but when her choices lead to consequences she never imagined, she begins to question who she is and who she is becoming...human or demon. Princess or monster.
Melissa Bashardoust’s acclaimed debut novel Girls Made of Snow and Glass is “Snow White as it’s never been told before...a feminist fantasy fairy tale not to be missed” (BookPage)! “Utterly superb.” —ALA Booklist, starred review “Dark, fantastical, hauntingly evocative.” —Kirkus Reviews, starred review “An empowering and progressive original retelling.” —SLJ, starred review Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother. Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known...or else defeat her once and for all. Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.
DRAGON AWARD–NOMINATED SERIES. New entry in the Witchy War series, blending alternate history, Appalachian Folklore, and epic fantasy. Sarah Calhoun has taken her father’s throne and ascended into her goddess’s presence in Unfallen Eden as her father never did. And Sarah Calhoun is dying. Her uncle Thomas Penn isn’t done with her. Armed with new powers conferred upon him by the Necromancer and with new allies won via his impending marriage, Penn aims to remove Sarah from her throne—and from the world of the living. In the meantime, Sarah has fallen out with one of her best allies. Against Sarah’s advice, her brother Nathaniel heads into Imperial Philadelphia with the reckless and likely impossible aim of healing the Emperor Thomas. On the shores of the northern seas, agents of Franklin’s Conventicle with an unlikely connection to the Emperor struggle to win allies among the pole-dwelling giants, who are torn between seizing land covertly from the Firstborn of the Ohio and entering the war openly on the side of Simon Sword. In the west, the Heron King rides an explosive storm into war, crushing the mortal kingdoms in his path and bearing down on Sarah’s Cahokia. To survive—and to gain the strength she needs to fight this impossible war—Sarah must unite the Moundbuilder kings to enact an ancient rite that will propel her beyond mortality. To do so, she must not only win over doubters among the Firstborn kings, but she must also beat back a rebellion among the Handmaids of her goddess—for there are some of the goddess’s priestesses who long for the dark days of human sacrifice, and who are willing to throw Sarah herself upon the altar. Praise for Witchy Winter: “Butler follows Witchy Eye with a satisfying second tale of a magic-filled early America. . . . Deep and old magic influences both places and characters, and the story is tightly focused on the determined Sarah . . . Fans of epic and alternate historical fantasy will savor this tale of witchery and intrigue.”—Publishers Weekly "For readers who love history-based fantasy, steampunk, or urban fantasy . . . this series that gives the genre a new twist."—Booklist Praise for Witchy Eye and D.J. Butler: “ . . . you can’t stop yourself from taking another bite . . . and another . . . and another . . . I didn’t want to stop reading . . . Kudos!”—R.A. Salvatore “Excellent book. I am impressed by the creativity and the depth of the world building. Dave Butler is a great storyteller.”—Larry Correia “Witchy Eye is an intricate and imaginative alternate history with a cast of characters and quirky situations that would make a Dickens novel proud.” —Kevin J. Anderson "Butler’s fantasy is by turns sardonic and lighthearted; ghoulish shadows claw into the most remote areas and heroism bursts out of the most unlikely people. Sarah is the epitome of the downtrodden hero who refuses to give up until she gets what she needs, and her story will appeal to fantasy readers of all stripes."—Publishers Weekly "David's a pro storyteller, and you're in for a great ride."—Larry Dixon " . . . a fascinating, grittily-flavored world of living legends. Hurry up and write the next one, Dave."—Cat Rambo "This is enchanting! I'd love to see more."—Mercedes Lackey “Goblin Market meets Magical Musketpunk . . . A great ride that also manages to cover some serious cultural terrain.” —Charles E. Gannon "Witchy Eye is a brilliant blend of historical acumen and imagination, a tour-de-force that is at once full of surprises and ultimately heart-warming. This is your chance to discover one of the finest new stars writing today!"—David Farland “A gritty, engrossing mash-up of history, fantasy, and magic. Desperate characters careen from plot twist to plot twist until few are left standing.”—Mario Acevedo "Captivating characters. Superb world-building. Awesome magic. Butler fuses fantasy and history effortlessly, creating a fascinating new American epic. Not to be missed!"—Christopher Husberg "[A] unique alternative-history that is heavily influence by urban and traditional fantasy and steeped in the folklore of the Appalachians. . . . Fans of urban fantasy looking to take a chance on something with a twist on a historical setting may find this novel worth their time."—Booklist
'Not all Essex girls are party girls. They can be sages, martyrs, leaders. In her neat and provocative little book, Sarah Perry celebrates their courage and vivacity.' Hilary Mantel A defence and celebration of the Essex Girl by the best-selling author of The Essex Serpent Essex Girls are disreputable, disrespectful and disobedient. They speak out of turn, too loudly and too often, in an accent irritating to the ruling classes. Their bodies are hyper-sexualised and irredeemably vulgar. They are given to intricate and voluble squabbling. They do not apologise for any of this. And why should they? In this exhilarating feminist defence of the Essex girl, Sarah Perry re-examines her relationship with her much maligned home county. She summons its most unquiet spirits, from Protestant martyr Rose Allin to the indomitable Abolitionist Anne Knight, sitting them alongside Audre Lorde, Kim Kardashian and Harriet Martineau, and showing us that the Essex girl is not bound by geography. She is a type, representing a very particular kind of female agency, and a very particular kind of disdain: she contains a multitude of women, and it is time to celebrate them.
First in a new series. "Never a dull moment for our ordinary-girl-turned-demon-fighting-princess Kiranmala in this hilarious, action-packed romp. Also, there is snot. It's, like, everywhere."--Lisa McMann, "New York Times"-bestselling author of The Unwanteds series.
'A tense, unsettling and emotionally engaging whydunnit' - SOPHIE HANNAH 'Gritty, tense, and superbly plotted' - HARRIET TYCE TWO BOYS LOVED HER. BUT WHICH ONE KILLED HER? On a dark night two years ago, teenagers Rob and Paige broke into a house. They beat and traumatised the occupants, then left, taking only a bracelet. No one knows why, not even Luke, Rob's younger brother and Paige's confidant. Paige disappeared after that night. And having spent her life in children's homes and the foster system, no one cared enough to look for her. Now Rob is out of prison, and probation officer Wren Reynolds has been tasked with his rehabilitation. But Wren has her own reasons for taking on Rob as a client. Convinced that Rob knows what happened to Paige, and hiding a lifetime of secrets from her heavily pregnant wife, Wren's obsession with finding a missing girl may tear her family apart... This compelling and unputdownable thriller about the forgotten children of the foster system is perfect for readers of Harriet Tyce, Sophie Hannah and Lisa Jewell. 'Immersive and compelling, authentic and raw' - S.E. LYNES 'Superb. A rare combination of stunning twists and exceptional prose' - DAVID JACKSON 'A mesmerising tale. One of the rising stars of crime fiction' - TREVOR WOOD
Alessandra Cecchi is not quite fifteen when her father, a prosperous cloth merchant, brings a young painter back from northern Europe to decorate the chapel walls in the family’s Florentine palazzo. A child of the Renaissance, with a precocious mind and a talent for drawing, Alessandra is intoxicated by the painter’s abilities. But their burgeoning relationship is interrupted when Alessandra’s parents arrange her marriage to a wealthy, much older man. Meanwhile, Florence is changing, increasingly subject to the growing suppression imposed by the fundamentalist monk Savonarola, who is seizing religious and political control. Alessandra and her native city are caught between the Medici state, with its love of luxury, learning, and dazzling art, and the hellfire preaching and increasing violence of Savonarola’s reactionary followers. Played out against this turbulent backdrop, Alessandra’s married life is a misery, except for the surprising freedom it allows her to pursue her powerful attraction to the young painter and his art. The Birth of Venus is a tour de force, the first historical novel from one of Britain’s most innovative writers of literary suspense. It brings alive the history of Florence at its most dramatic period, telling a compulsively absorbing story of love, art, religion, and power through the passionate voice of Alessandra, a heroine with the same vibrancy of spirit as her beloved city.
The richest, most powerful woman in the world, Cleopatra ruled the East and tamed the West. With both cunning and charm, she beguiled two of the most famous men in history, entwining Egypt’s destiny with Rome’s. Many believed she was as sly as a serpent. Or was she just smart? Gorgeous illustrations and an intelligent, evocative story bring to life a real dastardly dame who, despite her schemes, lost everything—including her beloved homeland.
“The guys who were supposed to be my crew, my pals, my posse, had left me for dead, after I had gone above and beyond for them, after I had sussed out the perfect score, after I had done my homework, after I had overcome their stupidity, after I had sacrificed my near-virginity by having sex with the limbless lady.” When he wakes up naked by the side of the highway in the middle of the desert, twenty-two-year-old Bailey Quinn is only sure of a few things: He’s in a world of testicle pain. He’s tripping out of his head on peyote. And someone seems to have made a half-assed attempt at slashing his throat. He can’t for the life of him remember what happened. And then it all comes back: His boys screwed him over. Bailey, college dropout and carny, was working props and rigging for a touring tent circus and freak show. The Freaks were the nastiest, most tweaked-out group of misfits Bailey had ever come across. But the Freaks were doing some shady bookkeeping in addition to a boatload of veterinary Quaalude and crystal meth. So to get the inside dope on the circus payroll, Bailey took up with Eelie, the Serpent Girl, and began an unexpectedly erotic and dangerous odyssey. As Bailey hits the road to track down his “friends” and get his loot back, a black-edged, hilarious caper unfolds. From Tank Deerflower, the drug-dealing rodeo rider, and Arnold, the fire-eater with a temper as black as his charred throat, to Sissy, the beautiful ex-junkie/whore who steals Bailey’s heart, strange characters and stranger events converge in this fast, gritty, and unforgettable novel. Crafted with artistry and deftness, Serpent Girl is a voyage into the darkest depths of carny life–and, remarkably, a tender love story to boot.
