Serials Guide to Ethnoart

Serials Guide to Ethnoart

Author: Eugene C. Burt

Publisher: Greenwood

Published: 1990-08-15

Total Pages: 400

ISBN-13:

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With the growth in interest in ethnographic materials, this is an essential publication for large public libraries serving patrons with interests in anthropology and art. Choice This indispensable directory of data on serials that contain information relevant to the study of ethnoart fills a gap long perceived by scholars of the indigenous arts of Africa, Oceania, and the Americas, an area of academic focus in which reference materials have been generally lacking. Culled from a database developed by compiler Eugene C. Burt to track potentially useful periodicals in connection with his publication, Ethnoarts Index, the volume is designed to aid those with an interest in ethnoart in determining which serial publications best suit their research needs. In the main directory users can find information on former titles, publisher, editorial focus, content features, and a relevancy rating on each of almost 700 individual serial titles that have an editorial focus related to ethnoart. Nine separate appendices list recommended titles in various categories as well as serials that include indexing, bibliographic or abstracting services, ceased titles, and more. Titles include publications from the fields of art history, anthropology, history, area studies, librarianship, museum studies, and general interest magazines. Prefatory material explains the book's organization and the rationale for its recommendations and is followed by the major portion of the volume, the database of serials arranged alphabetically by title. In each entry more than 20 categories of information are provided including an assigned relevancy rating that rates the level of relevancy of a publication to ethnoart based on the frequency that ethnoart-oriented articles, reviews, etc. appear. Several indices make collection development recommendations based on the relevancy ratings, with approximate cost information. Additional appendices list titles by country of publication, relevant ceased titles, and more. Finally, a unique, rotated-keyword-in-title index that includes subtitles and former titles provides easy access to the main database. All of this information will be welcomed by librarians, scholars, collectors, dealers, curators, and students of ethnoart. Highly recommended for librarians building ethnoart collections; for university libraries where courses on any aspect of ethnoart are taught; and for libraries of museums and research institutions with an interest in ethnoart.


Reference Guide to Africa

Reference Guide to Africa

Author: Alfred Kagan

Publisher: Rowman & Littlefield

Published: 2014-10-16

Total Pages: 241

ISBN-13: 1442242612

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This third edition of the Reference Guide to Africa explains the most important resources for the study of the continent of Africa. It contains a general sources section and a larger disciplinary oriented section. All sources are annotated. A new edition is sorely needed since the last edition was published nine years ago. The previous editions have been successfully used in research libraries worldwide since 1999, and it has been used to teach several African studies research courses. The book provides an orientation for researching almost any topic in the arts, humanities and social sciences concerning the continent of Africa, and all of its countries and ethnic groups. The first part explains and lists portals, databases, bibliographies, indexes, guides, encyclopedias, country sources, biography, primary sources, government publications, and statistics. The second part presents 16 subject-oriented chapters, mostly in the arts, humanities and social sciences, from agriculture and food security to women studies. It covers sources that broadly cover the continent, or in some cases only North Africa (and the Middle East). It generally excludes sources limited to one country or region of Africa, except for North Africa because of the nature of the literature. One-third of the sources in this edition are new, and nearly half of them are available in electronic format. There are author/title and subject indexes. This unique work is intended for students, teachers, librarians, and researchers. It likely will be used most by reference librarians and teachers for students in high school through graduate studies. It will also be used independently by undergraduate and graduate students. It can be used to answer simple reference questions, provide the resources for an undergraduate paper, or for comprehensive work by advanced students and researchers.


Cultural Anthropology

Cultural Anthropology

Author: JoAnn Jacoby

Publisher: Bloomsbury Publishing USA

Published: 2007-05-30

Total Pages: 300

ISBN-13: 0313094853

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The latest edition of a major literature guide provides citations and informative annotations on a wide range of reference sources, including manuals, bibliographies, indexes, databases, literature surveys and reviews, dissertations, book reviews, conference proceedings, awards, and employment and grant sources. The organization closely follows that of the 1st edition, with some much-needed additions relating to online resources and new areas of interest within the field (such as forensic anthropology, environmental anthropology, and Lesbian, Bisexual, Gay, and Transgendered Anthropology). Separate sections focus on individual subfields, as well as emerging concerns such as ethical issues in cultural heritage preservation. For academic and research library collections, as well as faculty members in anthropology, area studies, and intercultural studies.


Guide to the Literature of Art History 2

Guide to the Literature of Art History 2

Author: Max Marmor

Publisher: ALA Editions

Published: 2005

Total Pages: 928

ISBN-13:

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"This bibliography supplements the greatest of modern art bibliographies, Etta Arntzen and Robert Rainwater's Guide to the literature of art history (ALA, 1980)"--Preface.


Action Art

Action Art

Author: John Gray

Publisher: Bloomsbury Publishing USA

Published: 1993-05-30

Total Pages: 360

ISBN-13: 0313387575

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This comprehensive international bibliography is the first to attempt documentation of this diverse field, covering the history of Artist's Performance. It focuses on its early twentieth-century antecedents in such movements as Futurism, Dada, Russian Constructivism, and the Bauhaus as well as its peak period in the 1950s, 1960s, and 1970s with such developments as Gutai, Fluxus, Viennese Actionism, Situationism, and Guerrilla Art Action. Major emphasis is also given to sources on 115 individual performance artists and groups. More than 3700 entries document print and media materials dating from 1914 to 1992. Organized for maximum accessibility, the sources are also extensively cross-referenced and are indexed by artist, subject, title, and author. Three appendices identify reference works, libraries, and archives, and addenda material not found in the book text, and two others list artists by country and by group or collective.


Les Fauves

Les Fauves

Author: Russell T. Clement

Publisher: Bloomsbury Publishing USA

Published: 1994-05-25

Total Pages: 720

ISBN-13: 0313369550

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This is the first comprehensive scholarly bibliography/research guide/sourcebook on the major French Fauve painters (Henri Matisse and Georges Braque are treated in separate Greenwood bio-bibliographies). It includes information on 3,120 books and articles as well as chronologies, biographical sketches, and exhibition lists. Each artist receives a primary and secondary bibliography with many annotated entries. Secondary bibliographies include details about each artists' life and career, relationships with other artists, work in various media, iconography, and more. Designed for art historians, art students, museum and gallery curators, and art lovers alike, this volume organizes the vast literature surrounding this fascinating, revolutionary, 20th-century art group. Genuinely new art is always challenging, sometimes even shocking to those unprepared for it. In 1905, the paintings of Matisse, Derain, Vlaminck and their friends shocked conservative museum-goers; hence, the eventual popularity of art critic Louis Vauxcelles's tag les fauves, or wild beasts by which these artists became known. Although it lasted only three or four years, Fauvism is recognized as the first artistic revolution of international consequence in the 20th century. It was based on the glorification of pure saturated colors and the free expression of primitivism. It was a dynamic sensualism; an equilibrium of passion and order, fire and austerity that could not last. By the end of 1908, Fauvism collapsed in the face of Cubism, which, moreover, several Fauve artists helped to form.


Neo-Impressionist Painters

Neo-Impressionist Painters

Author: Russell T. Clement

Publisher: Bloomsbury Publishing USA

Published: 1999-09-30

Total Pages: 414

ISBN-13: 0313032181

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This reference provides biographical, historical, and critical information on Neo-Impressionist painting and its most significant painters. Neo-Impressionism, also called Divisionism and Pointillism, was one of the most innovative and startling late 19th-century French avant-garde styles. Over 2,000 books, articles, manuscripts, and audiovisual materials as well as chronologies, biographical sketches, and exhibition lists are cited. Also provided are both primary and secondary bibliographies for each artist. Secondary bibliographies capture details about each artist's life and career, relationships with other artists, work in various media, iconography, critical reception and interpretation, archival sources and more. Art scholars will appreciate the comprehensive bibliographic research contained in this one volume. Entries on Neo-Impressionism in general, on exhibitions, and the primary and secondary bibliographies of artists follow an introduction about Neo-Impressionism and a Neo-Impressionism chronology that spans the years 1881 to 1905. An index of art works and an index of personal names complete the volume.


American Women Photographers

American Women Photographers

Author: Martha Kreisel

Publisher: Bloomsbury Publishing USA

Published: 1999-02-28

Total Pages: 368

ISBN-13: 0313032262

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American women have made significant contributions to the field of photography for well over a century. This bibliography compiles more than 1,070 sources for over 600 photographers from the 1880s to the present. As women's role in society changed, so did their role as photographers. In the early years, women often served as photographic assistants in their husbands' studios. The photography equipment, initially heavy and difficult to transport, was improved in the 1880s by George Eastman's innovations. With the lighter camera equipment, photography became accessible to everyone. Women photographers became journalists and portraitists who documented vanishing cultures and ways of life. Many of these important female photographers recorded life in the growing Northwest and the streets of New York City, became pioneers of historic photography as they captured the plight of Americans fleeing the Dust Bowl and the horrors of the concentration camps, and were members of the Photo-Secessionist Movement to promote photography as a true art form. This source serves as a checklist for not only the famous but also the less familiar women photographers who deserve attention.