Tobit is one of the Apocrypha, a collection of books rejected from their canon by the Jews but accepted by some of the Christian church fathers. Ever since the 4th century CE, commentaries have been written on Tobit. The original Hebrew and Aramaic versions of Tobit were lost, until fragments were discovered as part of the Dead Sea Scrolls in 1947. The present work is the first Greek text and commentary of Tobit to be published since the publication of the Hebrew and Aramaic fragments. This edition contains the text from two fourth century CE manuscripts, the Codex Sinaiticus (long version) and Codex Vaticanus (short version) as well as a translation into English and a commentary.
The differences between the Vaticanus and Sinaiticus versions of Tobit are too extensive to treat the books as the same book, however, their story is essentially the same. The two books must have had a common source, however, the Sinaiticus's version is over 20% longer than the Vaticanus's version, and appears to be an older version of Tobit. One of the reasons that the Book of Tobit is interpreted as fiction, is the existence of historical errors and anachronisms found in the Vaticanus version, which includes the Babylonian king Nebuchadnezzar and the Persian king Ahasuerus jointly destroying Nineveh, the capital of the Assyrian Empire. Nineveh was sacked by Babylonian King Nabopolassar in 612 BC, along with Median and Persian allies, led by the Median King Cyaxares, who then integrated the city into his Median Empire. Nabopolassar's son Nebuchadnezzar, who assumed the throne in 605 BC, finally conquered the remnants of the Assyrian forces in Syria at the Battle of Carchemish that same year, however, he did not attack or destroy Nineveh. Meanwhile, the name Ahasuerus was the Aramaic name of Xerxes, the Persian king who ruled between 486 and 465 BC. These anachronisms are not found in the Codex Sinaiticus' version, which does not mention either king, but gives credit to King Achiacharos of Media, which is likely an attempt to transliterate the Median name of King Cyaxares into Aramaic. Cyaxares's Median name was Uvaxshtra, however, it was transliterated several ways into the languages and scripts of the day, including the Assyrian and Babylonian Umakishtar, and the Phrygian Ksuwaksaros, and the Greek Cyaxares from which the modern English name is derived. The Sinaiticus version of Tobit describes King Achiacharos as conquering Nineveh and integrating it into his Median Kingdom, which, was done by King Cyaxares according to the Median, Persian, Babylonian, Egyptian, and Greek records from the era, and so, even if the origin of the name is disputed, the person described in King Cyaxares. There are several differences between the Vaticanus and Sinaiticus versions that point to the Sinaiticus version being older, and that point to the Vaticanus version being a later translation created in Alexandria, likely from an Aramaic early-Jewish redaction of the original Aramaic version.
The Book of Tobit appears to be from an older sect of Judaism, likely the one led by the 'false priest' Tobiah, who was expelled from the temple by Ezra when his genealogy could not be proven in 2ⁿᵈ Ezra. 2ⁿᵈ Ezra was the version of Ezra used by the Pharisee sect which emerged under the Hasmonean Dynasty, while Tobit, along with Enoch, Jubilees, and Job appears to have primarily been used by the Essenes sects. The Book of Tobit is generally viewed as fiction by most scholars for a variety of reasons. One major reason it is viewed as fiction is the presence of Tobit's cousin Ahikar, in both versions of the book, who is the protagonist of the Words of Ahikar, a book set in the same era, which is also considered fiction. It is quite clear from the text of Tobit, that it is the same Ahikar, and not just someone with the same name, as Ahikar's betrayal by his nephew is mentioned, which is part of the early section of Ahikar. Nevertheless, both books, Tobit and Ahikar survive in various forms, meaning that they were edited multiple times before the versions that survive to the present were transcribed. The surviving copies of the Septuagint include two versions of the Book of Tobit, the more common form, found in the Codex Vaticanus, Codex Alexandrinus, and most other surviving copies of the Septuagint, and the less common version found in the Codex Sinaiticus. The differences between the Vaticanus and Sinaiticus versions of Tobit are too extensive to treat the books as the same book, however, their story is essentially the same. The two books must have had a common source, however, the Sinaiticus's version is over 20% longer than the Vaticanus's version, and appears to be an older version of Tobit. One of the reasons that the Book of Tobit is interpreted as fiction, is the existence of historical errors and anachronisms found in the Vaticanus version, which includes the Babylonian king Nebuchadnezzar and the Persian king Ahasuerus jointly destroying Nineveh, the capital of the Assyrian Empire. Nineveh was sacked by Babylonian King Nabopolassar in 612 BC, along with Median and Persian allies, led by the Median King Cyaxares, who then integrated the city into his Median Empire. Nabopolassar's son Nebuchadnezzar, who assumed the throne in 605 BC, finally conquered the remnants of the Assyrian forces in Syria at the Battle of Carchemish that same year, however, he did not attack or destroy Nineveh. Meanwhile, the name Ahasuerus was the Aramaic name of Xerxes, the Persian king who ruled between 486 and 465 BC.
The Words of Ahikar is the oldest surviving Israelite story, with known copies in Aramaic dating back to the 5ᵗʰ century BC, making it a couple of centuries older than the oldest of the Dead Sea Scrolls. While the story is set during the Assyrian Captivity of the Samaritans during the 7ᵗʰ century BC, it is generally accepted by scholars that the book was written in its current form in the 6ᵗʰ century BC, during the Babylonian Captivity of the Judahites. It does not appear to have been considered a religious book by Judahites under Greek rule, or later when Judea became independent, and was not included in either the Septuagint or the Masoretic Text. Nevertheless, the author of the Book of Tobit, which is in the Septuagint, clearly viewed the Words of Ahikar as authentic, as his protagonist Tobit claimed that he was Ahikar's uncle, and both Ahikar and his nephew Nadan make a brief appearance in the book of Tobit at Tobit’s son Tobiah’s marriage feast in Nineveh. The Book of Tobit was likely written in the Median Empire, and carried into Judea by the priest Tobiah, who was listed as one of the leaders of the Israelites that returned to Judea after Cyrus II (the Great) released the Judahites when he conquered Babylon. The version of the book of Tobit found in the Codex Vaticanus and most surviving copies of the Septuagint, was translated into Greek from Aramaic and added to the Septuagint, likely before 200 BC when the Judean Revolt against the Ptolemys rule, resulted in most Jews and Samaritans fleeing from Egypt, either east into Judea, or south into Nubia. There is another version of the Book of Tobit found in the Codex Sinaiticus, which appears to be older than the version in the other codices, and not translated in the Ptolemy’s Egypt, but somewhere in the Seleucid’s Empire. The Book of Tobit is generally viewed as fiction by most scholars for a variety of reasons. One major reason it is viewed as fiction is the presence of Tobit’s cousin Ahikar, in both versions of the book, who is the protagonist of the Words of Ahikar, a book set in the same era, which is also considered fiction. It is quite clear from the text of Tobit, that it is the same Ahikar, and not just someone with the same name, as Ahikar’s betrayal by his nephew is mentioned, which is part of the early section of Ahikar. Nevertheless, both books, Tobit and Ahikar survive in various forms, meaning that they were edited multiple times before the versions that survive to the present were transcribed. The surviving copies of the Septuagint include two versions of the Book of Tobit, the more common form, found in the Codex Vaticanus, Codex Alexandrinus, and most other surviving copies of the Septuagint, and the less common version found in the Codex Sinaiticus. Additionally, fragments of Tobit found among the Oxyrhynchus Papyri don’t match either the Vaticanus or Sinaiticus version of Tobit. The Oxyrhynchus Papyri are a collection of ancient texts found in southern Egypt dating to the Greek, Roman, and Byzantine eras of Egyptian history, approximately 300 BC to 640 AD. Among the Oxyrhynchus Papyri, two fragments of Tobit have been found, Papyrus 1594, dated to circa 275 AD, and Papyrus 1076, dated to circa 550 AD. Unfortunately, these fragments are extremely short, with only a few lines surviving from chapters 12 and 2 respectively. The Oxyrhynchus Papyri fragments of Tobit are in Greek but do not match surviving versions found in the Septuagint codices, meaning there were no less than three Greek versions of Tobit in circulation by 350 AD, when the Codex Vaticanus and Codex Sinaiticus are dated to.
Despite the ever-present oppression of the Jim Crow South around him, Tobit Messager had become a prosperous and well-respected man. Then one day forces beyond his control start a cascade of misfortune that leaves him blind and nearly destitute. It is then that an affable travelling musician, who calls himself Ace Redbone, shows up on his doorstep claiming to be a distant relative. In an effort to alleviate his family's dire situation, Tobit allows his son, Tobias, to accompany Ace Redbone on a quest to collect a long overdue debt. Together, Ace, Tobias, and a most peculiar dog named Okra set off on a journey that will lead to unexpected consequences. Currents of grace begin rippling through not only Tobit's family but his entire community as hidden crimes are revealed and justice, which had almost been despaired of, is served. This retelling of the biblical story of Tobit, set in North Carolina during the Depression, brings to life in surprising ways the beloved Old Testament characters, including the important but often overlooked family dog.
The Septuagint (the ancient Greek translation of Jewish sacred writings) is of great importance in the history of both Judaism and Christianity. The first translation of the books of the Hebrew Bible (plus additions) into the common language of the ancient Mediterranean world made the Jewish scriptures accessible to many outside Judaism. Not only did the Septuagint become Holy Writ to Greek speaking Jews but it was also the Bible of the early Christian communities: the scripture they cited and the textual foundation of the early Christian movement. Translated from Hebrew (and Aramaic) originals in the two centuries before Jesus, the Septuagint provides important information about the history of the text of the Bible. For centuries, scholars have looked to the Septuagint for information about the nature of the text and of how passages and specific words were understood. For students of the Bible, the New Testament in particular, the study of the Septuagint's influence is a vital part of the history of interpretation. But until now, the Septuagint has not been available to English readers in a modern and accurate translation. The New English Translation of the Septuagint fills this gap.
Part of the popular textbook series introducing key themes and issues of books of the Apocrypha and Jewish Pseudepigrapha. The two apochryphal books, Tobit and Judith, are Jewish legends presumably created in the 3rd or 2nd century BCE, the first in the Eastern Diaspora, the other in Palestine. The events related are placed in the Assyrian epoch in the 7th century BCE. The book discusses the problems between real history and historical fiction, the genres and purposes of the two books, and the literary and religious motives of the tales. Also dealt with are textual problems such as the Greek text in the Septuagint vs. Hebrew and Aramaic Tobit-fragments from Qumran.
The book sheds light on various chapters in the long history of Protestant-Jewish relations, from the Reformation to the present. Going beyond questions of antisemitism and religious animosity, it aims to disentangle some of the intricate perceptions, interpretations, and emotions that have characterized contacts between Protestantism and Judaism, and between Jews and Protestants. While some papers in the book address Luther’s antisemitism and the NS-Zeit, most papers broaden the scope of the investigation: Protestant-Jewish theological encounters shaped not only antisemitism but also the Jewish Reform movement and Protestant philosemitic post-Holocaust theology; interactions between Jews and Protestants took place not only in the German lands but also in the wider Protestant universe; theology was crucial for the articulation of attitudes toward Jews, but music and philosophy were additional spheres of creativity that enabled the process of thinking through the relations between Judaism and Protestantism. By bringing together various contributions on these and other aspects, the book opens up directions for future research on this intricate topic, which bears both historical significance and evident relevance to our own time.
In the mid-3rd century BC, King Ptolemy II Philadelphus of Egypt ordered a translation of the ancient Hebrew scriptures for the Library of Alexandria. The creation of the Septuagint resulted from this order. It is generally accepted that there were several versions of the ancient Hebrew and Samaritan scriptures before the translation of the Septuagint. The Book of Odes is not believed to have been added until the 3rd-century AD, and is the only specifically Christian book to be added to the Septuagint. It includes the older Prayer of Manasseh, which was found in some copies of the Septuagint, but not all. The Prayer of Manasseh is believed to have been added in the 2nd-century BC, which is why it is not found in all copies. The current scholarly view is that it was likely written in Greek, and is not the original Prayer of Manasseh mentioned in the Septuagint's 2nd Paraleipomenon. Fragments of a different Prayer of Manasseh have been discovered among the dead sea scrolls, written in Hebrew, which could be the original, however, it is more likely that the original would have been written in Canaanite (Samaritan, Paleo-Hebrew) than Hebrew, and therefore it is still not clear which, if either, is the original Prayer of Manasseh. Most of the other songs and prayers in the Book of Odes are copied from other books found in the Septuagint, although not exactly word for word. These songs and prayers include works attributed to Moses, Hannah the mother of Samuel, King Hezekiah, the prophets Habakkuk, Isaiah, Jonah, Azariah, Hananiah, and Mishael. Additionally, the Odes includes specifically Christian prayers copied from either the Gospel of Luke, by Zechariah the father of John the Baptist, Simeon, and in some manuscripts Mary the God-Bearer.
In the mid 3ʳᵈ century BC, King Ptolemy II Philadelphus of Egypt ordered a translation of the ancient Hebrew scriptures for the Library of Alexandria, which resulted in the creation of the Septuagint. It is generally accepted that there were several versions of the ancient Hebrew and Samaritan scriptures before the translation of the Septuagint. The two books of Ezra were translated into Greek and added to the Septuagint before 200 BC when a large number of refugees fled the ongoing wars in Judea and settled in Egypt. The two books of Ezra were two different versions of the same basic story, one likely a Sadducee version, and the other a Pharisee text. 2ⁿᵈ Ezra became in the Masoretic Texts' version of Ezra, and by the year 100 AD, the Apocalypse of Ezra was in circulation as 3ʳᵈ Ezra. This has created some confusion among Biblical Translators throughout the centuries. This version of Ezra is called 1ˢᵗ Esdras (1ˢᵗ Ezra) in Orthodox Bibles and Protestant Bibles that include the Apocrypha, 3 Esdras in Catholic Bibles that include the Apocrypha, and Greek Ezra in the Ethiopian Bible. The Septuagint's 1ˢᵗ and 2ⁿᵈ Ezra are thematically similar, telling the generally same story, however from two different points of view. They tell the story of the fall of Jerusalem, first to the Egyptians, and then the Babylonians, followed by Babylon's fall to the Persians, following which the Judahites returned to Judah and rebuilt the temple in Jerusalem. 1ˢᵗ Ezra was clearly written from a non-spiritual viewpoint, common among the Sadducees, and repeatedly makes it clear that the author, Ezra, and various kings, viewed the Lord as the Judahite version of other gods, including the Egyptian creator and Sun-god Atum, and the Zoroastrian 'god of truth' and 'King of the Sky' Ahura Mazda. These views are inconsistent with the view of the Pharisees, which developed under the rule of the Hasmonean dynasty after Judea broke free from the rule of the Greeks, and the Lord became a separate god from all others. Both the Greek translations of 1ˢᵗ and 2ⁿᵈ Ezra, and the Hebrew translation of Ezra-Nehemiah (2ⁿᵈ Ezra), contain relics of an Aramaic source-text, unfortunately, the Aramaic Book of Ezra is lost. The difference in the surviving Aramaic words within the Greek 1ˢᵗ Ezra, and Hebrew Ezra-Nehemiah, it appears that the two versions of Ezra already existed in the Aramaic versions. 1ˢᵗ Ezra, the less spiritual of the two, clearly dates to the Persian era, as it treats the Judahite Lord of the Temple in Jerusalem as another version of Ahura Mazda, the Zoroastrian God. Several Zoroastrian titles of Ahura Mazda are applied to the Judahite Lord, including King of Truth, and King of the Sky. Letters from the Persian Kings Cyrus II, Artaxerxes I, and Darius II, as included in the book, all of which were closely associated with Zoroastrianism, yet, referred to the Judahite Lord using titles generally associated with Ahura Mazda. In the Greek 1ˢᵗ Ezra and 2ⁿᵈ Ezra, and the Hebrew Ezra-Nehemiah, the temple is described as being a Zoroastrian fire-temple, containing an eternal fire, which Nehemiah even referred to as burning naphtha, like the other fire-temples across the Persian Empire.