An epic tale of an ancient European dynasty whose youngest member, a magnificent daughter, is suddenly and mysteriously reported missing in far-off Canada. A story harking back centuries and told movingly by the family's eighty-five year-old nanny, as she traces each step of her lost charge, undaunted, to the very bottom of a modern-day hell.
Are they real or are they a hoax? Are they a hallucination or mass hysteria? Are they a secret weapon of our Army? Are they enemy missiles from Russia? Are they space ships from Venus? Is it true little men three feet high were found inside them? These questions and many more you never dreamed of are answered openly in this fascinating book!
Reflections on the ways discriminatory hiring practices and racist ad campaigns seep into American life Why hate Abercrombie? In a world rife with human cruelty and oppression, why waste your scorn on a popular clothing retailer? The rationale, Dwight A. McBride argues, lies in “the banality of evil,” or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture. McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar. As adept at analyzing affirmative action as dissecting Queer Eye for the Straight Guy, McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.
Pamela Gillilan was born in London in 1918, married in 1948 and moved to Cornwall in 1951. When she sat down to write her poem Come Away after the death of her husband David, she had written no poems for a quarter of a century. Then came a sequence of incredibly moving elegies. Other poems followed, and two years after starting to write again, she won the Cheltenham Festival poetry competition. Her first collection That Winter (Bloodaxe, 1986) was shortlisted for the Commonwealth Poetry Prize.
Shaping the debate on how to save the military from itself. The first part recognizes what the military has done well in attracting and developing leadership talent. The book then examines the causes and consequences of the modern military's stifling personnel system and offers solutions for attracting and retaining top talent.
A study of the historical origins of cultural criticism in the novel since the mid-19th century, using the critical theory of the Frankfurt School to declare the critical force of mass culture as crucial to the making of the modern novel. Discusses how mass audiences and politics presented problems to major novelists and how they responded in their writings and lives. Paper edition (unseen), $19.95. Annotation copyright by Book News, Inc., Portland, OR
