In this latest foray into the ailing American psyche, Joan Didion takes her scalpel to inauthenticity and dogma, and lays bare the discrepancies between urban realities and the images peddled by America's attendant quack doctors. Like its great predecessors, 'Slouching Towards Bethlehem' and 'The White Album', 'Sentimental Journeys' is a thoroughly astringent, bracing report on the State of the Union.
Lahore, First Published In 1993, Is Pran Nevile S Tribute To The Land Of His Birth. Grounded In Memory And Redolent With Nostalgia, Nevile S Reminiscences Transport The Reader Into The Heart Of Lahore As It Was In The 1930S And 40S A City Bustling With Activity Where People Coexisted Harmoniously, Unfettered By Considerations Of Religion, Region Or Caste. From The Riotous Seasonal Festivities Of Kite-Flying To Clandestine Love-Affairs Upon Rooftops, From Matinee Shows At The Cinema To Twilight Hours Spent Amongst The Bejewelled Dancing Girls Of Hira Mandi, Lahore Emerges As A City Of Mesmerizing Contradictions And Chaotic Splendour. The Author Underscores The Contrast Between Pre- And Post-Partition Lahore, And The Sense Of Pain, Loss And Longing For One S Homeland Experienced By The Displaced Millions In India And Pakistan Is Palpable. Evocative And Informative, Lahore Is At Once Social Commentary, Historical Documentation And Memoir.
Alfred Jacob Miller (1810-1874) was the first artist to journey into the heart of the Rocky Mountains. He did so as the commissioned expedition artist for William Drummond Stewart (1795-1871), a Scottish nobleman and veteran of a five-year hunting tour in America. Their destination would be the annual fur traders' rendezvous at Horse Creek, near the present-day border of Colorado and Wyoming. Miller, Stewart, and the rest of their party departed from Independence, Missouri, in mid-May 1837. They arrived at the rendezvous two months later and, after a week among the trappers and traders, headed into the Wind River Mountains to the source of the Green River. There, they spent the waning summer hunting moose and elk before returning to St. Louis in early October. Miller executed some one hundred watercolor and pen-and-ink sketches during the expedition, and he later reworked them into finished watercolors and oils for a variety of patrons. Over the past two decades, much valuable scholarship has emerged on how western American art has reflected American nationalist or expansionist ideologies. In Sentimental Journey: The Art of Alfred Jacob Miller, Lisa Strong takes a new approach, however, by examining how Miller tailored his western scenes to suit the specific needs and interests of local American audiences. She also crosses national boundaries to explore how Miller's paintings helped promote a vision of Scottish aristocratic identity.
Doris Day, once called an Actors Studio unto herself, was one of the twentieth century's greatest entertainers, with a career spanning 39 films, more than 150 television shows, and more than 500 recordings. This work covers the life and career of the singer and star of such films as Pillow Talk, The Man Who Knew Too Much and Calamity Jane. The work is divided into four sections, beginning with a biography of Day's life from her birth in Cincinnati, Ohio, through four marriages, near-bankruptcy, and her dedication to animal rights, and concluding with her contented present life. A filmography lists each film with full credits, synopsis and reviews, plus her popularity rankings and awards. The third section lists complete record album releases with notes, single record releases, unreleased songs and recordings, music awards and nominations, radio appearances from big bands to solo work, her seven million-sellers, and chart placements. The final section lists Day's television appearances, including synopses and credits for her five-season run with The Doris Day Show on CBS, the cable show Doris Day's Best Friends, and her appearances in variety specials, talk shows, and documentaries.
Incisive essays on Patty Hearst and Reagan, the Central Park jogger and the Santa Ana winds, from the New York Times–bestselling author of South and West. In these eleven essays covering the national scene from Washington, DC; California; and New York, the acclaimed author of Slouching Towards Bethlehem and The White Album “capture[s] the mood of America” and confirms her reputation as one of our sharpest and most trustworthy cultural observers (The New York Times). Whether dissecting the 1988 presidential campaign, exploring the commercialization of a Hollywood murder, or reporting on the “sideshows” of foreign wars, Joan Didion proves that she is one of the premier essayists of the twentieth century, “an articulate witness to the most stubborn and intractable truths of our time” (Joyce Carol Oates, The New York Times Book Review). Highlights include “In the Realm of the Fisher King,” a portrait of the White House under the stewardship of Ronald and Nancy Reagan, two “actors on location;” and “Girl of the Golden West,” a meditation on the Patty Hearst case that draws an unexpected and insightful parallel between the kidnapped heiress and the emigrants who settled California. “Sentimental Journeys” is a deeply felt study of New York media coverage of the brutal rape of a white investment banker in Central Park, a notorious crime that exposed the city’s racial and class fault lines. Dedicated to Henry Robbins, Didion’s friend and editor from 1966 until his death in 1979, After Henry is an indispensable collection of “superior reporting and criticism” from a writer on whom we have relied for more than fifty years “to get the story straight” (Los Angeles Times).
'Love is nothing without feeling. And feeling is still less without love.' Celebrated in its own day as the progenitor of 'a school of sentimental writers', A Sentimental Journey (1768) has outlasted its many imitators because of the humour and mischievous eroticism that inform Mr Yorick's travels. Setting out to journey to France and Italy he gets little further than Lyons but finds much to appreciate, in contrast to contemporary travel writers whom Sterne satirizes in the figures of Smelfungus and Mundungus. A master of ambiguity and double entendre, Sterne is nevertheless as concerned as his peers with exploring the nature of virtue; unlike other writers of sentimental fiction Sterne insists on the inseparability of desire and feeling. This new edition includes a selection from The Sermons of Mr Yorick, which shed light on the concerns of the Journey, The Journal to Eliza, which records Sterne's feelings as he languishes for the company of Eliza Draper, and A Political Romance, the satire on a local ecclesiastical squabble that was the catalyst for Sterne's literary career. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
Airborne is how William F. Buckley, Jr. describes his sail across the wide Atlantic with his son and five friends. The trip, for fifteen years a dream, for fifteen months a planned operation, was always a risk: one doesn’t set out haphazardly in a small sailboat across 4,400 miles of ocean, and Buckley’s account of perils of the sea as experienced by himself since he acquired his first sailboat at age thirteen is at once graphic, instructive, and terrifying. But, we learn quickly, the concern is mostly for the prospect of thirty days and thirty nights away from the cosmopolitan jungle to which he and his friends are accustomed; their lair, so to speak. But it happened: notwithstanding vicissitudes amusing, annoying, and even dangerous, suddenly the schooner, and the entire trip, were airborne, and the experience resulted in a fusion of hopes, fears, ambitions, and pleasures that lifts the book from the category of mere chronicles of the sea, into a chronicle of our time, a passage of the spirit.
Sarah Vap's End of The Sentimental Journey is a beautiful collection of critically astute filth. With humor, stunning insight, and shimmering vulgarity Vap invents a fresh means of poetic critique in the poem itself. What she unveils for us is our own culpability in the gendered policing of contemporary poetry. The first installment of the Infidel Poetics series, this piece of literary criticism is poetry and poetics intertwined. The Infidel Poetics Series is a venue for shorter critical works by poets in which they address the overlap between poetry and politics, often interrogating notions of identity and their work.
Laurence Sterne’s A Sentimental Journey through France and Italy continues to be as widely read and admired as upon its first appearance. Deemed more accessible than Sterne’s Life and Opinions of Tristram Shandy, Gentleman, and often assigned as a college text, A Sentimental Journey has received its share of critical attention, but—unlike Tristram Shandy—to date it has not been the subject of a dedicated anthology of critical essays. This volume fills that gap with fresh perspectives on Sterne’s novel that will appeal to students and critics alike. Together with an introduction that situates each essay within A Sentimental Journey’s reception history, and a tailpiece detailing the culmination of Sterne’s career and his death, this volume presents a cohesive approach to this significant text that is simultaneously grounded and revelatory.
A group of determined men and women--scientist Kitty Kincaid, U.S. Army major J.R. Cassidy, pilot Charlotte Morrison, small-town Texan Red Walker, and Royal Air Force ace George "Skip" Inskip--finds adventure and passion against the backdrop of World War II.
