Sensual Reading is a collection of essays that attempts to rearticulate the relationship between reading and the different senses as a way of moving beyond increasingly homogenized discourses of the "body" and the "subject." Contributions engage with the individual senses, with the themes of sensory richness and sensory deprivation, and with the notion of "telesensuality."
Jaurretche (English, U. of California-Los Angeles) traces the development of the Irish writer's mystical aesthetic through his novels to its supreme culmination and negation in Finnegan's Wake. She also shows how the search to surmount all human categories and sensations in order to encounter the divine, arose and developed in the Middle Ages, and was transmitted into modernism during and just before Joyce's time. Annotation copyrighted by Book News, Inc., Portland, OR
Indulge your senses in an extravagant, evocative experience, as we celebrate what is most pleasing to the eye, delicious and fragrant to taste and smell, nice to the touch, and soothing to the ear. Taking each sense in turn, a visually sophisticated photographer shows how it functions individually, affects our moods, and interrelates with the others. Explore all possibilities, and as you roam these magnificent interiors, think of fresh ways to bring pleasure and comfort to your private dwelling.
Destitute spinster Helen Hamilton finds herself at a brothel where she agrees to sell herself to a client of wealth and prestige. Tristan Odell buys her, but what he wants is a governess for his younger siblings. What he gets is so much more...
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.
Best-selling author Samona de la Cruz has found herself on the wrong side of love. Even though she knows that loving Elliot Louis-Jacques is wrong, she has no desire to be right. There’s just one problem: Elliot is in a long-term relationship with Demitri Alexander. As an openly bisexual man, Elliot has no problem with having his cake and eating it too. When he tells Mona and Demitri that he wants both of them at the same time, all hell breaks loose. And then, just when you think you have it all figured out, Elliot’s ex steps into the picture and throws a monkey wrench that Mona never saw coming. Sparks fly, attitudes clash, secrets are revealed, and sensuality knows no bounds in Nikki-Michelle’s new novel, Bi-Sensual.
Praise for Saeed Jones: "Jones is the kind of writer who's more than wanted: he's desperately needed."—FlavorWire "I get shout-happy when I read these poems; they are the gospel; they are the good news of the sustaining power of imagination, tenderness, and outright joy."—D. A. Powell "Prelude to Bruise works its tempestuous mojo just under the skin, wreaking a sweet havoc and rearranging the pulse. These poems don't dole out mercy. Mr. Jones undoubtedly dipped his pen in fierce before crafting these stanzas that rock like backslap. Straighten your skirt, children. The doors of the church are open."—Patricia Smith "It's a big book, a major book. A game-changer. Dazzling, brutal, real. Not just brilliant, caustic, and impassioned but a work that brings history—in which the personal and political are inter-constitutive—to the immediate moment. Jones takes a reader deep into lived experience, into a charged world divided among unstable yet entrenched lines: racial, gendered, political, sexual, familial. Here we absorb each quiet resistance, each whoop of joy, a knowledge of violence and of desire, an unbearable ache/loss/yearning. This is not just a "new voice" but a new song, a new way of singing, a new music made of deep grief's wildfire, of burning intelligence and of all-feeling heart, scorched and seared. In a poem, Jones says, "Boy's body is a song only he can hear." But now that we have this book, we can all hear it. And it's unforgettable."—Brenda Shaughnessy "Inside each hunger, each desire, speaks the voice of a boy that admits "I've always wanted to be dangerous." This is not a threat but a promise to break away from the affliction of silence, to make audible the stories that trouble the dimensions of masculinity and discomfort the polite conversations about race. With impressive grace, Saeed Jones situates the queer black body at the center, where his visibility and vulnerability nurture emotional strength and the irrepressible energy to claim those spaces that were once denied or withheld from him. Prelude to a Bruise is a daring debut."—Rigoberto González From "Sleeping Arrangement": Take your hand out from under my pillow. And take your sheets with you. Drag them under. Make pretend ghosts. I can't have you rattling the bed springs so keep still, keep quiet. Mistake yourself for shadows. Learn the lullabies of lint. Saeed Jones works as the editor of BuzzfeedLGBT.
Sensual Seduction centres an erotic love story around two main characters, Alejandro and Leila. They’re separated early in their romance, seducing each other from a distance with words. They fall in love before they ever touch. Alejandro has a tragic, dark past. As a result, he is a protective, devoted, and loving man who falls hard for Leila, a journalist and poet. They find passion through dance, but he has a hidden life as a songwriter. That isn’t his only secret, though. He has a sexy dominant side and wants to make her feel safe enough to explore her body, mind, and limits. Leila finds this both thrilling and daunting. She’s strong, independent, and doesn’t know how to relinquish control. Alejandro tries to earn her trust, showing her as they form a strong bond. When he returns, their relationship becomes highly erotic, as he takes her on a sensual journey of self-discovery. Leila is also investigating a dangerous serial killer for the newspaper she works at. His obsession for stalking his victims starts to impact her mentally. She isn’t sure if she is being watched by him. He will become Alejandro’s nemesis. Can Alejandro keep her safe, though?
Reimagines black and brown sensuality to develop new modes of knowledge production In Sensual Excess, Amber Jamilla Musser imagines epistemologies of sensuality that emerge from fleshiness. To do so, she works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics. Each chapter draws our attention to particular aspects of pornotropic capture that black and brown bodies must always negotiate. Though these technologies differ according to the nature of their encounters with white supremacy, together they add to our understanding of the ways that structures of domination produce violence and work to contain bodies and pleasures within certain legible parameters. To do so, Sensual Excess analyzes moments of brown jouissance that exceed these constraints. These ruptures illuminate multiple epistemologies of selfhood and sensuality that offer frameworks for minoritarian knowledge production which is designed to enable one to sit with uncertainty. Through examinations of installations and performances like Judy Chicago’s The Dinner Party, Kara Walker’s A Subtlety, Patty Chang’s In Love and Nao Bustamante’s Neapolitan, Musser unpacks the relationships between racialized sexuality and consumption to interrogate foundational concepts in psychoanalytic theory, critical race studies, feminism, and queer theory. In so doing, Sensual Excess offers a project of knowledge production focused not on mastery, but on sensing and imagining otherwise, whatever and wherever that might be.
From the poignant to the explicit, the suggestive to the sublime, what unites these varied stories of sex, sensuality and passion is their unbridled quest to challenge and entertain. Top women writers from all realms of fiction are brought together under one sizzling cover. Sometimes darkly humorous and often blistering hot; whether straight, bisexual, or lesbian; fetish, vanilla, or experimental in tone, Stirring Up a Storm is imaginative storytelling at its best from today's hottest women writers. Some of the more notable writers include Dorothy Allison; two-time O. Henry Short Story Prize winner and Pushcart Prize Winner Janice Eidus; Pushcart Prize winner and National Book Award finalist Kim Addonizio; Bellwether Prize winner Milda M. De Voe; Pushcart Prize nominee Holly Farris; Lauren Henderson; Jennifer Jordan; Joyce Carol Oates; Australia's platinum-selling recording artist Max Sharam; Solvej Schou; top-selling erotica writer Alison Tyler; Margaret Atwood; and top-selling BDSM writer Claire Thompson.
