The rocking is not done in chairs at the Pleasant Valley Retirement Home, especially since Howard discovered Viagra! The feisty divorcee and lovely widow who are constantly scurrying out if his reach and refuse to play strip poker or skinny dip in the hot tub breathe a sigh of relief when a new resident actually seems to enjoy Howard's advances. She turns out to be a con artist intent on fleecing Howard and, with the help of her brother, a shy spinster. Other roles for senior actors include a less than energetic wife and her husband, a gardening fanatic. Don't miss the hilarity in this wonderful comedy for a mature cast by the author of The Abduction, The Reunion and other plays.
The Santa Cruz River that once flowed through Tucson, Arizona is today a sad mirage of a river. Except for brief periods following heavy rainfall, it is bone dry. The cottonwood and willow trees that once lined its banks have died, and the profusion of birds and wildlife recorded by early settlers are nowhere to be seen. The river is dead. What happened? Where did the water go. As Robert Glennon explains in Water Follies, what killed the Santa Cruz River -- and could devastate other surface waters across the United States -- was groundwater pumping. From 1940 to 2000, the volume of water drawn annually from underground aquifers in Tucson jumped more than six-fold, from 50,000 to 330,000 acre-feet per year. And Tucson is hardly an exception -- similar increases in groundwater pumping have occurred across the country and around the world. In a striking collection of stories that bring to life the human and natural consequences of our growing national thirst, Robert Glennon provides an occasionally wry and always fascinating account of groundwater pumping and the environmental problems it causes. Robert Glennon sketches the culture of water use in the United States, explaining how and why we are growing increasingly reliant on groundwater. He uses the examples of the Santa Cruz and San Pedro rivers in Arizona to illustrate the science of hydrology and the legal aspects of water use and conflicts. Following that, he offers a dozen stories -- ranging from Down East Maine to San Antonio's River Walk to Atlanta's burgeoning suburbs -- that clearly illustrate the array of problems caused by groundwater pumping. Each episode poses a conflict of values that reveals the complexity of how and why we use water. These poignant and sometimes perverse tales tell of human foibles including greed, stubbornness, and, especially, the unlimited human capacity to ignore reality. As Robert Glennon explores the folly of our actions and the laws governing them, he suggests common-sense legal and policy reforms that could help avert potentially catastrophic future effects. Water Follies, the first book to focus on the impact of groundwater pumping on the environment, brings this widespread but underappreciated problem to the attention of citizens and communities across America.
It's not that the dignified and rarefied old Episcopal Church quit believing in God. It's that the God you increasingly hear spoken of in Episcopal circles is infinitely tolerant and given to sudden changes of mind - not quite the divinity you thought you were reading about in the scriptures. Episcopalians of the twenty-first century, like their counterparts in other churches of the so-called American mainline - such as Methodists and Presbyterians - seem to prefer a God that the culture would be proud of, as against a culture that God would be proud of. While they work to rebrand and reshelve orthodox Christianity for the modern market, exponents of the new thinking are busy reducing mainstream Christian witness to a shadow of its former self. Mortal Follies is the story of the Episcopal Church's mad dash to catch up with a secular culture fond of self-expression and blissfully relaxed as to norms and truths. An Episcopal layman, William Murchison details how leaders of his church, starting in the late 1960s, looked over the culture of liberation, liked what they saw, and went skipping along with the shifting cultural mood - especially when the culture demanded that the church account for its sins of heterosexism and racism. Episcopalians have blended so deeply into the cultural woodwork that it's hard sometimes to remember that it all began as a divine calling to the normative and the eternal.
The local and regional shows staged throughout America use musical theater’s inherent power of deception to cultivate worldviews opposed to mainstream ideas. Jake Johnson reveals how musical theater between the coasts inhabits the middle spaces between professional and amateur, urban and rural, fact and fiction, fantasy and reality, and truth and falsehood. The homegrown musical provides a space to engage belief and religion—imagining a better world while creating opportunities to expand what is possible in the current one. Whether it is the Oklahoma Senior Follies or a Mormon splinter group’s production of The Sound of Music, such productions give people a chance to jolt themselves out of today’s post-truth malaise and move toward a world more in line with their desires for justice, reconciliation, and community. Vibrant and strikingly original, Lying in the Middle discovers some of the most potent musical theater taking place in the hoping, beating hearts of Americans.
In "How May I Love You Today?" author Duchess Dale takes the reader on a whirlwind two-year journey that finds her jetting across North America, joyfully walking the halls of the U.S. Congress, confidently speaking before crowds in several cities, and conversely weeping in her solitary apartment. She invites us into some of her most public and private thoughts; how she got her name, her devotion to her animals, the loss of her church, the death of her mother, her new found love, her wedding, and at last her triumphant return to the pulpit.
Dennis DeConcini, a contemporary of Arizona greats like Sandra Day O’Connor, Barry Goldwater, and Rose Mofford, is an Arizona icon in his own right. Starting his public career as the Pima County Attorney, DeConcini orchestrated an unprecedented rise to a seat in the U.S. Senate, which he held for eighteen years. His political memoir, co-authored with historian Jack L. August Jr., reaches beyond typical reflections to provide the reader with penetrating and revealing insights into the inner workings and colorful characters of Arizona politics and the United States Senate. A vigilant centrist, who got results by building coalitions on both sides of the aisle, Senator DeConcini’s approach was not bound to strict party alliances but was deeply rooted in the independent political environment of Arizona. During his career, he sponsored legislation limiting the sale of assault weapons, which provoked the National Rifle Association. He confounded Democratic Party regulars by supporting Clarence Thomas during the controversial confirmation hearings and again split with his party in his support for William Rehnquist’s nomination to Chief Justice. In 1980 he voted for Ronald Reagan, but in 1993 he cast the swing vote for President Bill Clinton’s tax bill, which was strongly opposed by Republicans in Arizona. This political memoir will be of interest to anyone concerned with the inner workings of the U.S. Senate or Arizona politics and offers relevant insights into today’s political climate.
