String Quartets

String Quartets

Author: Mara Parker

Publisher: Routledge

Published: 2013-05-13

Total Pages: 513

ISBN-13: 1135848351

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This research guide is an annotated bibliography of sources dealing with the string quartet. This second edition is organized as in the original publication (chapters for general references, histories, individual composers, aspects of performance, facsimiles and critical editions, and miscellaneous topics) and has been updated to cover research since publication of the first edition. Listings in the previous volume have been updated to reflect the burgeoning interest in this genre (social aspects, newly issued critical editions, doctoral dissertations). It also offers commentary on online links, databases, and references.


From the Clarinet D'Amour to the Contra Bass

From the Clarinet D'Amour to the Contra Bass

Author: Albert R. Rice

Publisher: Oxford University Press

Published: 2009-03-31

Total Pages: 486

ISBN-13: 0199711178

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Following his much-acclaimed The Baroque Clarinet and The Clarinet in the Classical Period, Albert R. Rice now turns his signature detailed attention to large clarinets - the clarinet d'amour, the basset horn, the alto clarinet, bass and contra bass clarinets. Each chapter is devoted to a specific instrument, and offers a fascinating insider's look at its defining characteristics, a comprehensive history of its evolution, meticulously-researched information on its makers and aspects of construction, and a thorough discussion of its music. Rice illustrates how the introduction of large clarinets into chamber ensembles, wind bands, and opera orchestras was the result of experiments meant to address specific musical needs. Along the way, he brings to life the musicians, virtuosi, soloists, and orchestral and band musicians, as well as the instruments' makers and the composers from J. C. Bach to Smetana who wrote for them. Based on careful study of primary sources - musical compositions, patents, memoirs and diaries, and unfettered access to historical instruments themselves--Rice's expert presentation is nothing short of exhaustive. From the Clarinet d'Amour to the Contrabass will engage all who love the clarinet and its music.


Schubert, Müller, and Die Schöne Müllerin

Schubert, Müller, and Die Schöne Müllerin

Author: Susan Youens

Publisher: Cambridge University Press

Published: 1997-02-06

Total Pages: 276

ISBN-13: 9780521563642

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The collaboration of Schubert and the poet Wilhelm Müller produced some of the best loved of nineteenth-century lieder - in particular the song cycle Die schöne Müllerin. Professor Youens shows us how this archetypal tale of love and rejection, which has its origins in medieval romance, Minnesong and popular German legend, is reflected in the poet's own experience, the realms of art and life intertwining. Professor Youens considers other poets' explorations of the theme of a miller maid and her suitors, and looks at other musical settings of Müller's mill poems. But above all she examines Müller's permutation of the literary legends as an exploration of erotic obsession, delusion, frenzy, disillusionment and death and the way in which Schubert crucially altered Müller's vision when the poetic cycle became a musical text.


Pietro Von Abano

Pietro Von Abano

Author: Clive Brown

Publisher: Routledge

Published: 2020-10-07

Total Pages: 321

ISBN-13: 113574081X

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Volume 3 of the SELECTED WORKS OF Louis Spohr 1784-1859- Pietro von Abano. At about this time one of his pupils, the twenty-three-year-old Carl Friedrich Curschmann, who had ambitions to compose an opera, showed Spohr a libretto that had been adapted from Ludwig Tieck's novel Pietro von Abano oder Petrus Apone, eine Zaubergeschichte (Breslau 1825) by the Kassel lawyer and poet Carl Pfeiffer. Spohr was immediately impressed by the libretto and, having dissuaded Curschmann from going ahead with the project, probably on the grounds that he was too inexperienced for such a major undertaking, he came to an agreement with Curschmann and Pfeiffer that he should set it himself. Including the plot, script and screenshots of the original music documents.


The Oxford Handbook of the Book of Revelation

The Oxford Handbook of the Book of Revelation

Author: Craig Koester

Publisher: Oxford University Press

Published: 2020-06-12

Total Pages: 640

ISBN-13: 0190655445

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The Book of Revelation holds a special fascination for both scholars and the general public. The book has generated widely differing interpretations, yet Revelation has surprisingly not been the focus of many single-volume reference works. The Oxford Handbook of the Book of Revelation fills a need in the study of this controversial book. Thirty essays by leading scholars from around the world orient readers to the major currents in the study of Revelation. Divided into five sections-Literary Features, Social Setting, Theology and Ethics, History of Reception and Influence, and Currents in Interpretation-the essays identify the major lines of interpretation that have shaped discussion of these topics, and then work through the aspects of those topics that are most significant and hold greatest promise for future research.


Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

Author: D. J. Hoek

Publisher: Scarecrow Press

Published: 2007-02-15

Total Pages: 374

ISBN-13: 1461700795

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This new volume incorporates all entries from the previous editions by Arthur Wenk, expanding to cover writings drawn from periodicals, theses, dissertations, books, and Festschriften from 1940 to 2000. Over 9,000 references to analyses of works by over 1,000 composers of the nineteenth and twentieth centuries are included.


Die\Letzten Dinge

Die\Letzten Dinge

Author: Clive Brown

Publisher: Routledge

Published: 2020-10-08

Total Pages: 334

ISBN-13: 1135741093

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Volume 4 of the SELECTED WORKS OF Louis Spohr 1784-1859- Die Letzten Dinge. (The Last Judgement) Spohr was a key figure in the early history of the regional musical festivals that were to play such an important part in stimulating the composition of German oratorios. A subject which appealed to a number of German composers in the eighteenth century was the Apocalypse, a not inappropriate theme in the war-torn Europe of Napoleon. Including an introduction and score.