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A collection of excerpts from Dostoyevsky's writings, demonstrating his spiritual thoughts and grouped under such headings as "Man's Rebellion Against God" and "Life in God."
War on Crime revises the history of the New Deal transformation and suggests a new model for political history-one which recognizes that cultural phenomena and the political realm produce, between them, an idea of "the state." The war on crime was fought with guns and pens, movies and legislation, radio and government hearings. All of these methods illuminate this period of state transformation, and perceptions of that emergent state, in the years of the first New Deal. The creation of G-men and gangsters as cultural heroes in this period not only explores the Depression-era obsession with crime and celebrity, but it also lends insight on how citizens understood a nation undergoing large political and social changes. Anxieties about crime today have become a familiar route for the creation of new government agencies and the extension of state authority. It is important to remember the original "war on crime" in the 1930s-and the opportunities it afforded to New Dealers and established bureaucrats like J. Edgar Hoover-as scholars grapple with the ways states assert influence over populations, local authority, and party politics while they pursue goals such as reducing popular violence and protecting private property.
Musaicum Books presents to you this carefully created collection of Fyodor Dostoyevsky's complete novels. This ebook has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Fyodor Dostoyevsky (1821-1881) was a Russian novelist, short story writer, essayist, journalist and philosopher. His literary works explore human psychology in the troubled political, social, and spiritual atmosphere of 19th-century Russia. Many of his works contain a strong emphasis on Christianity, and its message of absolute love, forgiveness and charity, explored within the realm of the individual, confronted with all of life's hardships and beauty. His major works include Crime and Punishment (1866), The Idiot (1869), Demons (1872) and The Brothers Karamazov (1880). Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. His novella Notes from Underground is considered to be one of the first works of existentialist literature. Table of Contents: NOVELS AND NOVELLAS: Poor Folk The Double The Landlady Netochka Nezvanova Uncle's Dream The Village of Stepanchikovo The Insulted and Humiliated The House of the Dead Notes from Underground Crime and Punishment The Gambler The Idiot The Permanent Husband The Possessed (Demons) The Raw Youth (The Adolescent) The Brothers Karamazov ESSAYS ON DOSTOYEVSKY: A SURVEY OF RUSSIAN LITERATURE by Isabel Florence Hapgood DOSTOYEVSKY AND HIS MESSAGE TO THE WORLD by Zinaida Vengerova ON RUSSIAN NOVELISTS by William Lyon Phelps Extract from 'AN OUTLINE OF RUSSIAN LITERATURE' by Maurice Baring BIOGRAPHY Fyodor Dostoyevsky, A Study by Aimée
The shorter works of one of the world's greatest writers, including The Gambler and Notes from Underground The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among literature's most revered works. The Gambler chronicles Dostoevsky's own addiction, which he eventually overcame. Many have argued that Notes from Underground contains several keys to understanding the themes of the longer novels, such as Crime and Punishment and The Idiot. Great Short Works of Fyodor Dostoevsky includes: Notes from Underground The Gambler A Disgraceful Affair The Eternal Husband The Double White Nights A Gentle Creature The Dream of a Ridiculous Man
This collection, unique to the Modern Library, gathers seven of Dostoevsky's key works and shows him to be equally adept at the short story as with the novel. Exploring many of the same themes as in his longer works, these small masterpieces move from the tender and romantic White Nights, an archetypal nineteenth-century morality tale of pathos and loss, to the famous Notes from the Underground, a story of guilt, ineffectiveness, and uncompromising cynicism, and the first major work of existential literature. Among Dostoevsky's prototypical characters is Yemelyan in The Honest Thief, whose tragedy turns on an inability to resist crime. Presented in chronological order, in David Magarshack's celebrated translation, this is the definitive edition of Dostoevsky's best stories.
Although Russian fiction master Fyodor Dostoyevsky is best known for epic, sprawling novels that detail psychological and philosophical problems in minute detail, his more concise work is also remarkable in its scope and depth. This collection of stories will please fans of classic Russian literature and Dostoyevsky buffs who are interested in sampling the author's forays into another format.
But reading all these professions de foi is a bore, I think, and so I’ll tell you a story; actually, it’s not even a story, but only a reminiscence of something that happened long ago and that, for some reason, I would very much like to recount here and now, as a conclusion to our treatise on the People. At the time I was only nine years old…. But no, I’d best begin with the time I was twenty-nine. It was the second day of Easter Week. The air was warm, the sky was blue, the sun was high, warm, and bright, but there was only gloom in my heart. I was wandering behind the prison bar- racks, examining and counting off the pales in the sturdy prison stockade, but I had lost even the desire to count, although such was my habit. It was the second day of “marking the holiday” within the prison compound; the prisoners were not taken out to work; many were drunk; there were shouts of abuse, and quarrels were constantly breaking out in all corners. Disgraceful, hideous songs; card games in little nooks under the bunks; a few convicts, already beaten half to death by sentence of their comrades for their particular rowdiness, lay on bunks covered with sheepskin coats until such time as they might come to their senses; knives had already been drawn a few times—all this, in two days of holiday, had worn me out to the point of illness. Indeed, I never could endure the drunken carousals of peasants without being disgusted, and here, in this place, particularly. During these days even the prison staff did not look in; they made no searches, nor did they check for alcohol, for they realised that once a year they had to allow even these outcasts to have a spree; otherwise it might be even worse. At last, anger welled up in my heart. I ran across the Pole M-cki, a political prisoner; he gave me a gloomy look, his eyes glittering and his lips trembling: “Je hais ces brigands!” he muttered, gritting his teeth, and passed me by. I returned to the barrack despite the fact that a quarter-hour before I had fled half-demented when six healthy peasants had thrown themselves as one man, on the drunken Tatar Gazin and had begun beating him to make him settle down; they beat him senselessly with such blows as might have killed a camel; but they knew that it was not easy to kill this Hercules and so they didn’t hold back.
Fyodor Mikhailovich Dostoyevsky (1821 - 188) was a Russian novelist, short story writer, essayist, journalist and philosopher. Dostoyevsky's literary works explore human psychology in the context of the troubled political, social, and spiritual atmosphere of 19th-century Russia. He began writing in his 20s, and his first novel, Poor Folk, was published in 1846 when he was 25. His major works include Crime and Punishment and The Brothers Karamazov (1880). His output consists of eleven novels, three novellas, seventeen short novels and numerous other works. Many literary critics rate him as one of the greatest and most prominent psychologists in world literature. In this book: The Brothers Karamazov Crime and Punishment Translator: Constance Garnett
