There has never been an edition of the selected letters of Walt Whitman, a remarkable fact considering how accustomed we are to becoming acquainted with major writers through their letters. Now Edwin Haviland Miller, editor of the six-volume collected writings of Whitman, has used his intimate knowledge of the "good gray poet's" correspondence to produce this revealing selection of 250 letters, introduced and annotated concisely and evocatively. Whitman in these letters is simple, direct, colloquial, adding a counterpoint to his artistic voice and persona as a poet.
There has never been an edition of the selected letters of Walt Whitman, a remarkable fact considering how accustomed we are to becoming acquainted with major writers through their letters. Now Edwin Haviland Miller, editor of the six-volume collected writings of Whitman, has used his intimate knowledge of the "good gray poet's" correspondence to produce this revealing selection of 250 letters, introduced and annotated concisely and evocatively. Whitman in these letters is simple, direct, colloquial, adding a counterpoint to his artistic voice and persona as a poet.
In 1961 the first volume of Edwin Haviland Miller’s The Correspondence was published in the newly established series the Collected Writings of Walt Whitman. Miller proceeded to publish five additional volumes of Whitman letters, and other leading scholars, including Roger Asselineau, compiled accompanying volumes of prose, poems, and daybooks. Yet by the late 1980s, the Whitman Collected Writings project was hopelessly scattered, fragmented, and incomplete. Now, more than forty years after the inaugural volume’s original publication, Ted Genoways brings scholars the latest volume in Walt Whitman: The Correspondence. Incorporating all of the letters Miller had collected before his death in 2001 and combining them with more than a hundred previously unknown letters he himself gathered, Genoways’s volume is a perfect accompaniment to Miller’s original work. Among the more than one hundred fifty letters collected in this volume are numerous correspondences concerning Whitman’s Civil War years, including a letter sending John Hay, the personal secretary to Abraham Lincoln, a manuscript copy of “O Captain, My Captain!” Additional letters address various aspects of the production of Leaves of Grass, the most notable being an extensive correspondence surrounding the Deathbed Edition, gathered by Whitman’s friend Horace Traubel, and reproduced here for the first time. Most significantly, this volume at last incorporates Whitman’s early letters to Abraham Paul Leech, first published by Arthur Golden in American Literature in 1986. The revelations contained in these letters must be considered among the most important discoveries about Whitman’s life made during the last half of the twentieth century. Regardless of whether their significance is great or small, immediate or long-term, each new piece of Whitman’s correspondence returns us to a particular moment in his life and suggests the limitless directions that remain for Whitman scholarship.
The letters of John Keats are, T. S. Eliot remarked, what letters ought to be; the fine things come in unexpectedly, neither introduced nor shown out, but between trifle and trifle. This new edition, which features four rediscovered letters, three of which are being published here for the first time, affords readers the pleasure of the poet's trifles as well as the surprise of his most famous ideas emerging unpredictably. Unlike other editions, this selection includes letters to Keats and among his friends, lending greater perspective to an epistolary portrait of the poet. It also offers a revealing look at his posthumous existence, the period of Keats's illness in Italy, painstakingly recorded in a series of moving letters by Keats's deathbed companion, Joseph Severn. Other letters by Dr. James Clark, Percy Bysshe Shelley, and Richard Woodhouse--omitted from other selections of Keats's letters--offer valuable additional testimony concerning Keats the man. Edited for greater readability, with annotations reduced and punctuation and spelling judiciously modernized, this selection recreates the spontaneity with which these letters were originally written.
The Letters of Anne Gilchrist and Walt Whitman present the correspondence between famous American poet and British author who wrote the first great criticism of Whitman's monumental work "Leaves of Grass". Their correspondence was initiated through William Michael Rossetti, English writer and critic who edited Whitman's works. Gilchrist traveled to the States in 1876 where she met Whitman and they formed a lasting friendship. The correspondence started with Gilchrist's letter to Whitman in the form of a critical essay she wrote in his defense called A Woman's Estimate of Walt Whitman.
Shortly after the third edition of Leaves of Grass was published, in 1860, Walt Whitman seemed to drop off the literary map, not to emerge again until his brother George was wounded at Fredericksburg two and a half years later. Past critics have tended to read this silence as evidence of Whitman's indifference to the Civil War during its critical early months. In this penetrating, original, and beautifully written book, Ted Genoways reconstructs those forgotten years—locating Whitman directly through unpublished letters and never-before-seen manuscripts, as well as mapping his associations through rare period newspapers and magazines in which he published. Genoways's account fills a major gap in Whitman's biography and debunks the myth that Whitman was unaffected by the country's march to war. Instead, Walt Whitman and the Civil War reveals the poet's active participation in the early Civil War period and elucidates his shock at the horrors of war months before his legendary journey to Fredericksburg, correcting in part the poet's famous assertion that the "real war will never get in the books."
The Letters of Anne Gilchrist and Walt Whitman present the correspondence between famous American poet and British author who wrote the first great criticism of Whitman's monumental work "Leaves of Grass". Their correspondence was initiated through William Michael Rossetti, English writer and critic who edited Whitman's works. Gilchrist traveled to the States in 1876 where she met Whitman and they formed a lasting friendship. The correspondence started with Gilchrist's letter to Whitman in the form of a critical essay she wrote in his defense called A Woman's Estimate of Walt Whitman.
This early work edited by Emory Holloway was originally published in 1938 and we are now republishing it. 'Walt Whitman - Complete Poetry and Selected Prose and Letters' is a huge collection of writing by this legendary American literary figure.
