Selected English Writings of Yone Noguchi: Poetry
Author: Yoné Noguchi
Publisher:
Published: 1990
Total Pages: 224
ISBN-13:
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Selected English Writings of Yone Noguchi
Author: Yoné Noguchi
Publisher:
Published: 1992
Total Pages: 360
ISBN-13:
DOWNLOAD EBOOKA collection of about a third of Japanese transcultural poet and critic Yone Noguchi's works in English between 1896 and 1940, focusing on the poetry the young immigrant wrote while living in the Sierra Mountains before the turn of the century and also poems he wrote in Japan in the early part of the twentieth century.
Selected Poems of Yone Noguchi
Author: Yone Noguchi
Publisher: Graphic Arts Books
Published: 2021-03-24
Total Pages: 83
ISBN-13: 1513287540
DOWNLOAD EBOOKSelected Poems of Yone Noguchi (1921) is a collection of poems by Yone Noguchi. Although he is widely recognizing as a leading poet in English and Japanese of the modernist period, Noguchi was also a dedicated literary critic who advocated for the cross-pollination of national poetries. Alongside a brilliant introduction, in which he addresses the collective power of world literature, he provides a selection of his best poems from a quarter century of work. ”The time is coming when, as with international politics where the understanding of the East with the West is already an unmistakable fact, the poetries of these two different worlds will approach of one another and exchange their cordial greetings.” A firm believer in plainspoken language and a practitioner of free verse, Noguchi envisioned his art as a humble contribution to the union of East and West. In his early poems written in California, he reflects on loneliness and the natural world while reveling in the extended lines and celebratory phrases made popular by Whitman. In his third collection, From the Eastern Sea (1903) he settles into a more reserved prosody, characterized by stillness and vibrant imagery. Included in this collection are his prose poems and a series of Japanese Hokkus, whose minimalism and spiritual clarity continue to captivate readers and poets of all languages and nations. “Is there anything new under the sun? / Certainly there is. / See how a bird flies, how flowers smile!” These poems not only teach us to look, but to see the world anew. With a beautifully designed cover and professionally typeset manuscript, this edition of Yone Noguchi’s Selected Poems of Yone Noguchi is a classic of Japanese American literature reimagined for modern readers.
Modernity in East-West Literary Criticism
Author: Yoshinobu Hakutani
Publisher: Fairleigh Dickinson Univ Press
Published: 2001
Total Pages: 244
ISBN-13: 9780838639078
DOWNLOAD EBOOKThis collection of eleven essays concerns the movement of modernity in East-West literary criicism. Most of the contributions address particular cross-cultural relationships such as W.B. Yeat's interest in the 'noh' play, Ezra Pound's imagism, and the influence of Zen aesthetics on Western poetry. The Western writers discussed range from Americans, including Emerson, Thoreau, Faulkner, Wright, and Snyder, to Europeans, such as Marcel Proust. The Eastern writers include Basho, Tanizaki, Lao Tzu, Wan Wei, Tagore, and Yone Noguchi.
Edward Thomas
Author: Judy Kendall
Publisher: University of Wales Press
Published: 2012-02-15
Total Pages: 258
ISBN-13: 0708324525
DOWNLOAD EBOOKA critical study of the much-loved early twentieth century English poet Edward Thomas - the 'poet's poet'. It includes illuminating new readings of his poems, prose and letters. Topics covered include his close relation to nature, the land and landscape.
Learning to Kneel
Author: Carrie J. Preston
Publisher: Columbia University Press
Published: 2016-08-30
Total Pages: 388
ISBN-13: 0231541546
DOWNLOAD EBOOKIn this inventive mix of criticism, scholarship, and personal reflection, Carrie J. Preston explores the nature of cross-cultural teaching, learning, and performance. Throughout the twentieth century, Japanese noh was a major creative catalyst for American and European writers, dancers, and composers. The noh theater's stylized choreography, poetic chant, spectacular costumes and masks, and engagement with history inspired Western artists as they reimagined new approaches to tradition and form. In Learning to Kneel, Preston locates noh's important influence on such canonical figures as Pound, Yeats, Brecht, Britten, and Beckett. These writers learned about noh from an international cast of collaborators, and Preston traces the ways in which Japanese and Western artists influenced one another. Preston's critical work was profoundly shaped by her own training in noh performance technique under a professional actor in Tokyo, who taught her to kneel, bow, chant, and submit to the teachings of a conservative tradition. This encounter challenged Preston's assumptions about effective teaching, particularly her inclinations to emphasize Western ideas of innovation and subversion and to overlook the complex ranges of agency experienced by teachers and students. It also inspired new perspectives regarding the generative relationship between Western writers and Japanese performers. Pound, Yeats, Brecht, and others are often criticized for their orientalist tendencies and misappropriation of noh, but Preston's analysis and her journey reflect a more nuanced understanding of cultural exchange.
Transcending Space
Author: Henry David Thoreau
Publisher: Bucknell University Press
Published:
Total Pages: 400
ISBN-13: 9780838754016
DOWNLOAD EBOOKThe Chinese May Fourth Generation and the Irish Literary Revival: Writers and Fighters
Author: Simone O’Malley-Sutton
Publisher: Springer Nature
Published: 2023-11-07
Total Pages: 444
ISBN-13: 9819952697
DOWNLOAD EBOOKThis book examines how the early twentieth-century Irish Renaissance (Irish Literary Revival) inspired the Chinese Renaissance (the May Fourth generation) of writers to make agentic choices and translingual exchanges. It sheds a new light on “May Fourth” and on the Irish Renaissance by establishing that the Irish Literary Revival (1900-1922) provided an alternative decolonizing model of resistance for the Chinese Renaissance to that provided by the western imperial center. The book also argues that Chinese May Fourth intellectuals translated Irish Revivalist plays by W. B. Yeats, Lady Gregory, Seán O’Casey and Synge and that Chinese peasants performed these plays throughout China during the 1920s and 1930s as a form of anti-imperial resistance. Yet this literary exchange was not simply going one way, since Yeats, Lady Gregory, Synge and O’Casey were also influenced by Chinese developments in literature and politics. Therefore this was a reciprocal encounter based on the circulation of Anti-colonial ideals and mutual transformation.
Encyclopedia of Asian-American Literature
Author: Seiwoong Oh
Publisher: Infobase Publishing
Published: 2010-05-12
Total Pages: 401
ISBN-13: 1438120885
DOWNLOAD EBOOKTraces American writers whose roots are in all parts of Asia, including China, Korea, Japan, Southeast Asia, the Philippines, the Indian subcontinent, and the Middle East.
American Haiku
Author: Toru Kiuchi
Publisher: Lexington Books
Published: 2017-11-30
Total Pages: 357
ISBN-13: 1498527183
DOWNLOAD EBOOKAmerican Haiku: New Readings explores the history and development of haiku by American writers, examining individual writers. In the late nineteenth century, Japanese poetry influenced through translation the French Symbolist poets, from whom British and American Imagist poets, Amy Lowell, Ezra Pound, T. E. Hulme, and John Gould Fletcher, received stimulus. Since the first English-language hokku (haiku) written by Yone Noguchi in 1903, one of the Imagist poet Ezra Pound’s well-known haiku-like poem, “In A Station of the Metro,” published in 1913, is most influential on other Imagist and later American haiku poets. Since the end of World War II many Americans and Canadians tried their hands at writing haiku. Among them, Richard Wright wrote over four thousand haiku in the final eighteen months of his life in exile in France. His Haiku: This Other World, ed. Yoshinobu Hakutani and Robert L. Tener (1998), is a posthumous collection of 817 haiku Wright himself had selected. Jack Kerouac, a well-known American novelist like Richard Wright, also wrote numerous haiku. Kerouac’s Book of Haikus, ed. Regina Weinreich (Penguin, 2003), collects 667 haiku. In recent decades, many other American writers have written haiku: Lenard Moore, Sonia Sanchez, James A. Emanuel, Burnell Lippy, and Cid Corman. Sonia Sanchez has two collections of haiku: Like the Singing Coming off the Drums (Boston: Beacon Press, 1998) and Morning Haiku (Boston: Beacon Press, 2010). James A. Emanuel’s Jazz from the Haiku King (Broadside Press, 1999) is also a unique collection of haiku. Lenard Moore, author of his haiku collections The Open Eye (1985), has been writing and publishing haiku for over 20 years and became the first African American to be elected as President of the Haiku Society of America. Burnell Lippy’s haiku appears in the major American haiku journals, Where the River Goes: The Nature Tradition in English-Language Haiku (2013).Cid Corman is well-known not only as a haiku poet but a translator of Japanese ancient and modern haiku poets: Santoka, Walking into the Wind (Cadmus Editions, 1994).
