The scenes and images that best typify Japan are showcased in this lavishroduction - full colour photographs throughout, with a succinct andlluminating text. Part 1 presents the tremendous range of landscapes andustoms in the various distinctive regions of this suprisingly large andiverse nation, while Part 2 concentrates on the arts and traditions of aulture that has been nurtured over centuries. Part 3 offers essentialackground on the country's history, language and people.
Preliminary Material -- Sports Celebrity in Japan: A Transnational History -- Saving Sumo: Re-Presenting the National Sport -- The Making of a Self-Made Star: Celebrity Images and the Emergence of a Sports-Star Paradigm -- "So, Your Daughter Is a Sportsman": Gender Anxiety and Nationalism in the Golden Age of Sports -- "Japan's Number One" Goes to War: Baseball, Militarization, and Memory -- Becoming the Kanmuriwashi: Ethnicity, Narrativity, and "Spectacular Difference" -- Epilogue -- Notes -- Bibliography -- Index -- Harvard East Asian Monographs.
Must-See Japan is your up-to-date and concise guide for discovering the best sights, the most delicious foods and the essential must-do activities in this fascinating and complex country. Written by someone who has spent to close to 10 years living in and travelling all around the country, this book is full of inside information to help you discover some of the best things on offer, from popular tourist attractions to hidden gems most tourists miss.Offering detailed itineraries for trips lasting a few days to a couple of weeks, this guide will help you plan every detail of your stay in Japan. Must-See Japan includes: * Insider tips and advice on when and where is best to visit, so you won't miss a thing * Detailed itineraries for making the most of your Japanese adventure * Travel advice, including information on rail passes, trains and buses * Lists everything from hotels, hot springs and restaurants, to best WiFi options and must-do activities * Useful direct links to websites with all the latest information * Practical advice on what to do and how to do it, drawing on the personal experience of the author, a long-term resident of Japan * Quickly find the information you need with guides to each region and city * Small, compact size, so you can take it anywhere * Unbeatable value for a guide packed with a decade's worth of firsthand and trustworthy advice
This anthology by Roland Barthes is a reflection on his travels to Japan in the 1960s. In twenty-six short chapters he writes about his encounters with symbols of Japanese culture as diverse as pachinko, train stations, chopsticks, food, physiognomy, poetry, and gift-wrapping. He muses elegantly on, and with affection for, a system "altogether detached from our own." For Barthes, the sign here does not signify, and so offers liberation from the West's endless creation of meaning. Tokyo, like all major cities, has a center--the Imperial Palace--but in this case it is empty, "both forbidden and indifferent ... inhabited by an emperor whom no one ever sees." This emptiness of the sign is pursued throughout the book, and offers a stimulating alternative line of thought about the ways in which cultures are structured.
Japan is regarded as a model case of successful language modernization. It is also often erroneously believed to be linguistically homogenous. This book explores the debates relating to language modernization from a language ideology perspective, and in doing so reveals the mechanisms by which language ideology undermines linguistic diversity.
This book will focus on analyzing the different aspects of Japan's representation in the novels of Haruki Murakami and David Mitchell. It is proven that Murakami creates and recreates Japan without implementing any orientalist features or exotic imagery. In the works of both authors, the intent to depict a new world of Japan stripped of traditional stereotypical traits becomes clear. The difference between Murakami and Mitchell's representation of Japan lies in the difference between Japan as seen by the Japanese and Japan as seen by modern Westerners, but both are 'correct' images of Japan. It is a recreation of the global image of Japan. In that sense, the texts of Murakami and Mitchell are complementary representations of Japan through East-West cultural dialogue. Studying the representations of Japan and Japanese national character helps to understand the role of Murakami and Mitchell in the formation of a new image of Japan, the de-stereotyping of anachronistic ideas about Japanese national exclusivity, enriching by doing so the world literature with new visions of the country and its culture. The purpose of the comparative analysis of English and Japanese literary works performed in this work is to reveal both deep analogies and differences in the representation of the image of Japan, actualizing the national specificity of the texts. This research advances the understanding of how both general and specific components of literary representations of Japan and Japaneseness are manifested in the East-West cultural dialogue.
An examination of the development and potential of the Japanese navy in the context of the US-Japan alliance. It presents Japan's coming of age as a military - primarily naval - power in a series of case studies on sea-lane defence, minesweeping and participation in UN peacekeeping operations.
The rapid development of Japan at the turn of the last century, including the defeat of Russia in 1904-5, intrigued the western Imperial powers, but also aroused reactions of contempt and suspicion. Britain was the most important of the powers upon which Japan earnestly wished to impress herself to mitigate the rising tide of anti-Japanese sentiment. An exhibition in London, therefore, was seen as a timely event by the Meiji Government to advance Japanese agendas in political, economic and educational terms. This is the first major study of this remarkable venture, fully reviewed and documented, and concerned principally with the Japanese side of the story.
Bitterly contested memories of war, colonisation, and empire among Japan, China, and Korea have increasingly threatened regional order and security over the past three decades. In Sino-Japanese relations, identity, territory, and power pull together in a particularly lethal direction, generating dangerous tensions in both geopolitical and memory rivalries. Buzan and Goh explore a new approach to dealing with this history problem. First, they construct a more balanced and global view of China and Japan in modern world history. Second, building on this, they sketch out the possibilities for a 21st century great power bargain between them. Buzan puts Northeast Asia's history since 1840 into both a world historical and a systematic normative context, exposing the parochial nature of the China-Japan history debate in relation to what is a bigger shared story about their encounter with modernity and the West, within which their modern encounter with each other took place. Arguing that regional order will ultimately depend substantially on the relationship between these two East Asian great powers, Goh explores the conditions under which China and Japan have been able to reach strategic bargains in the course of their long historical relationship, and uses this to sketch out the main modes of agreement that might underpin a new contemporary great power bargain between them in a variety of future scenarios for the region. The frameworks adopted here consciously blend historical contextualisation, enduring concerns with wealth, power and interest, and the complex relationship between Northeast Asian states' evolving encounters with each other and with global international society.
Written by an experienced teacher and scholar, this book offers university students a handy "how to" guide for interpreting Japanese society and conducting their own research. Stressing the importance of an interdisciplinary approach, Brian McVeigh lays out practical and understandable research approaches in a systematic fashion to demonstrate how, with the right conceptual tools and enough bibliographical sources, Japanese society can be productively analyzed from a distance. In concise chapters, these approaches are applied to a whole range of topics: from the aesthetics of street culture; the philosophical import of sci-fi anime; how the state distributes wealth; welfare policies; the impact of official policies on gender relations; updated spiritual traditions; why manners are so important; kinship structures; corporate culture; class; schooling; self-presentation; visual culture; to the subtleties of Japanese grammar. Examples from popular culture, daily life, and historical events are used to illustrate and highlight the color, dynamism, and diversity of Japanese society. Designed for both beginning and more advanced students, this book is intended not just for Japanese studies but for cross-cultural comparison and to demonstrate how social scientists craft their scholarship.
